Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgenössische Musik der letzten Jahre in völlig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Frühjahrstagung des Instituts für Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsätzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltäglichkeit oder Wirklichkeitsbezug in Musik überhaupt heißen können. Sie porträtierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jüngeren Generation ins Gespräch, die mit bestechender Energie und einer neuen Vielfalt an digitalen Möglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schüttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jörn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rüdiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Mörchen. / Livre

Travaux de Carl Maria von Weber pour clarinette compte parmi les plus importantes compositions écrites pour cet instrument dans la période romantique. Notre nouvelle édition pour la première fois contient le texte original, sans les articulations et le phrasé ajouté plus tard par / Clarinette Et Piano

This concerto is standard clarinet repertoire and these New Weber Editions by the respected clarinet scholar Pamela Weston are of particular interest to clarinet students. She not only provides a modern day fully edited clarinet part for performance purposes but also Weber’s original clarinet part taken from the manuscript for comparison. Thesevolume is a must for the serious clarinettist.

French clarinetist Cyrille Rose (1830-1902) superbly arranged Carl Maria Von Weber's (1786-1826) Clarinet Quintet in B flat major for Clarinet and Piano. Having studied under Hyacinthe Klosé at the Paris Conservatoire Rose won many prizes at the institution and went on to teach many prolific clarinetists. The?Fantaisie Et Rondo extracted from Weber's original Clarinet Quintet and arranged for Clarinet and Piano by Rose has frequently been included in the set works list at the Paris Conservatoire. Suitable for advanced clarinetists ?Fantaisie Et Rondo?exploits theinstrument through uses of flourishing semiquaver passages complex rhythms varied articulation ornamentation and use of a wide tessitura among other aspects. For all advanced aspiring clarinetists Rose's arrangement of?Fantaisie Et Rondo?for Clarinet and Piano is an exciting addition to the repertoire.

This wonderful piece's inspiration is found in the visual and auditory intricacies of rivers as they evolve from rivulets and continually fluctuate between waterfalls violent rapids and tranquil pools as the terrain changes. The piano presents a constant flowing motion that is placid and lyrical in some passages while spirited and syncopated in others. The clarinet presents a bold awakening introductory gesture and weaves in and out of the musical fabric as the piece moves forward.

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Clarinet.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West Side Story:Instrumental Solos - Clarinet comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.

Carl Maria Von Weber's Clarinet Concerto No.1 In F Minor Op.73 was written in 1811. This concerto is in three dynamic movements leading us on a powerful and energetic journey of Clarinet discovery. It is substantially more serious than many of this German Romanticist’s other works and dramatically more expressive. This version is set for Clarinet and Piano accompaniment and is the authoritative Edition Peters Urtext edition.

Ten super concert pieces from all over the world capturing the vitality variety and personality of musical cultures around the globe all written for Clarinet and Piano with a great CD of backing tracks. From a Cuban Havana Cha Cha and a Mexican Mucho Mariachi! to a French Riviera and a Scottish Upland Fling discover the similarities and differences between the musical characteristics of a range of cultures and countries - a fantastic source of unusual and surprising concert pieces too! There's even a full set of chord symbols so Guitar-playing friends can join in.An accompanying CD full of demonstrations and backing tracks willhelp you capture those unique sounds and nuances as well as providing a superb set of personal accompaniments.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Par BENSHOOF KEN. BitterSweet for E-flat Clarinet and Piano by Ken Benshoof. Take a pair of themes, which are to each other as Bitter is to Sweet: The first ? a whimsical, quizzical, searching Clarinet, with commentary from the Piano. The second ? soft modal tonalities in the Piano, with lyrical thoughts in the Clarinet. / Date parution : 2022-11-29/ Répertoire / Clarinette en Eb et Piano

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

piano reduction with solo part-Carl Maria von Weber (1786-1826) the great German romantic composer was after Mozart the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant and Theme and Variations; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations; three works for clarinet and orchestra: the Concertino and two Concertos.The Clarinet Concerto No.2 In E Flat Op.74 is a lively and majestic piece which truly explores the sonorities and technical capabilities of the instrument? the opening two notes of the solo Clarinet part span an interval of three octaves showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra arranged here for B flat Clarinet with Piano accompaniment and edited by Eric Simon.The solo Clarinet in B flat part is also included on a separate insert.