SKU: AP.81-CB224483
ISBN 9781778930492. UPC: 685462030507. English.
Behold a Ladder Set Up on the Earth by Frank McKinney is a composition that touches upon both the thoughtful meditation and the emotional response to the lyrics of the African American slave spiritual We Are Climbing Jacob's Ladder. There are abundant opportunities for both sensitive and robust musical moments. A variation of the well-known theme is stated in the opening Adagio trumpet solo and then repeated several times throughout the piece. A more upbeat Allegro variation then enters before the familiar tune is finally introduced calmly by the bassoon. The climactic Religioso section presents the main theme in all of its call and response glory. (3:50).
SKU: CF.YPS77F
ISBN 9780825870194. UPC: 798408070199.
Based on three famous African-American spirituals - Children Go Where I Send Thee, Rise Up Shepherd and Follow, and Go Tell It on the Mountain - arranger Andrew Balent weaves these beloved tunes into a concert rhapsody for the holiday season.
SKU: CL.023-4005-01
Simple, elegant and beautiful, this setting of the traditional African-American hymn is a welcome addition to the beginning band repertoire. Lyrical, flowing lines provide a welcome opportunity to teach phrasing. Full band statements combined with both woodwind and brass choir features create a unique teaching opportunity for the very beginning band. Although the original melody and this arrangement use only six notes in their construction, this setting is suitable for performance by bands at multiple levels. Highly recommended!
SKU: HL.4005893
UPC: 888680940911. 9.0x12.0x0.027 inches.
Here is an emotion-filled arrangement for young players based on the folk tune Down to the River to Pray, which is thought to have been composed by an African-American slave. There is an element of sadness in the music, but also a glimmer of hope as the slaves dream of freedom and being reunited with family and friends. Dur: 2:45.
SKU: HL.4005037
UPC: 888680669560. 9.0x12.0x0.114 inches.
The African-American spiritual “Down in the River to Pray†forms the basis for this creative and dramatic work for mature ensembles. Opening with a tender chorale-like statement, the piece evolves throughout with variations in mood and intensity, ultimately building to a majestic and powerful conclusion. Dur: 5:20.
SKU: CF.YPS118F
ISBN 9780825889806. UPC: 798408089801. 9x12 inches.
This subtle, yet tasteful arrangement for the holiday season includes the African-American styled piece Sweet Little Jesus Boy by Robert MacGimsey paired with the traditional Away in a Manger. Larry Clark continues to find creative ways to merge two popular Christmas favorites and make it seem as if they were always meant to be seamlessly combined. This is the mark of a great composer/arranger. We know you and your students will enjoy this stunning arrangement.
SKU: GI.G-M523
ISBN 9781579992378. English.
This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.
SKU: FJ.B1189S
English.
This 4-movement multicultural suite provides a wealth of teaching and performance opportunities, especially at the beginning level. Each movement is based on a Smithsonian National Museum in Washington D.C. (Natural History, American Indian, African Art, and Air and Space). These movements can easily be performed separately. In addition to cross-curriculum teaching, the opening theme is slightly altered in each movement, teaching the concept of variations. Strongly consider this new work.
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: CL.011-2490-00
Having trouble meeting your schools multicultural objectives in band class? This new multicultural collection saves the day and is a great teaching tool and addition to your next concert as well. A well crafted medley of five folk tunes from around the world (Russian, African, Israeli, Mexican and Native American) that is sure to be a favorite with your audiences.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.011-2490-01
SKU: BT.CMP-0320-99-040
Kum Ba Yah is one of the most popular and loved of all American folk songs. It is sung in places of worship, around campfires and at social gatherings all over the world. This bright and happy arrangement makes use of African percussion and rhythm underneath velvety-smooth chords and flowing lines. It can also be enhanced by the use of an optional electric bass part.
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