SKU: HL.44013357
UPC: 888680923044.
Between 1905 and 1934, Gustav Holst was Director of Music at St Paul's Girls School in Brook Green, London. St Pauls Suite, writtenfor the school's string orchestra, was premiered there in 1913 and consists of four movements: an energetic Jig in 6/8 and 9/8, Ostinato, based on a simple 4-note theme, Intermezzo, an energetic and rhythmic dance and Finale, adapted from the Second Suite in Fin which Holst brilliantly combines The Dargason and The English Dancing Master, with the traditional melody, Greensleeves.
SKU: AP.46631S
UPC: 038081532950. English. Traditional.
Selected from Leroy Anderson's 1955 arrangements of the same name for brass choir, woodwind ensemble, and string orchestra, these four cherished holiday carols demonstrate his rich musical tradition. The medley includes Bring a Torch, Jeanette, Isabella, It Came Upon the Midnight Clear, Away in a Manger, and Wassail Song. Scored as a through-played medley, the many teaching opportunities make this setting a perfect program piece for your winter concert. (3:00).
SKU: AP.46631
UPC: 038081532943. English. Traditional.
SKU: BT.DHP-1043755-140
English-German-French-Dutch.
In 1880, Edvard Grieg composed twelve song poems by Aasmund Olavsson Vinje. He arranged two of these songs for String Orchestra published under the title of Two Elegiac Melodies, Op. 34. These two deeply meloncholy pieces were titled The Wounded Heart and Last Spring. The latter of these two titles inspired Tohru Takahashi to produce this expressive and sensitive transcription for Concert Band, which will make a fantastic encore piece for any concert. Edvard Grieg komponierte Zwölf Lieder zu Gedichten von Aasmund Olavsson Vinje. Zwei dieser Lieder arrangierte er für Streichorchester unter dem Titel Zwei elegische Melodien. Diese Lieder heißen The Wounded Heart (Der Verwundete) und The Last Spring (Letzter Frühling). Letzteres inspirierte Tohru Takahashi zu einer emotionalen Transkription, die mehr Musikverständnis als technische Fertigkeiten verlangt und sich hervorragend als Zugabenummer eignet.En 1880, Edvard Grieg achève ses Douze mélodies sur des poèmes d’Aasmund Olavsson, Op. 33. Par la suite, il réalise une version pour Orchestre Cordes de deux mélodies extraites de ce cycle, et les publie sous le titre de Deux mélodies élégiaques, Op. 34. Il s’agit de deux pièces profondément mélancoliques, comme l’annoncent les sous-titres : Coeur blessé et Dernier printemps. Tohru Takahashi a réalisé une superbe transcription de la seconde mélodie, expressive et pleine de sensibilité (Dernier printemps/Last Spring).
SKU: AP.47447S
ISBN 9781470660871. UPC: 038081545769. English.
One of the most flexible pieces ever written, this powerful original work by Michael Story will provide the opportunity for an entire instrumental program to perform together! Perfect also for a first full orchestra experience with plenty of doubling, it can be performed by string orchestra alone or with almost any combination of winds or percussion. The piano part is also completely optional, as it simply reinforces the string parts. The percussion parts are written for up to five players; however, if you have extra percussionists, you can double as many as you wish on the tom-tom part. This title is available in MakeMusic Cloud.
SKU: AP.47448
UPC: 038081545776. English. Traditional British Folk Song.
A fabulous selection for contest or festival, this versatile piece is a sure winner. Based on the Percy Grainger arrangement of the well-known folk song, this setting by Michael Story can be performed by string orchestra alone or with any combination of winds and percussion, up to full orchestra. The first statement of the melody may be played as a solo or by as many 1st violins as are appropriate for your group. This title is available in MakeMusic Cloud.
SKU: BT.AMP-455-010
Between 1905 and 1934, Gustav Holst was Director of Music at St Paul’s Girls School in Brook Green, London. St Paul’s Suite, written for the school’s string orchestra, was premiered there in 1913 and consists of four movements: an energetic Jig in 6/8 and 9/8, Ostinato, based on a simple 4-note theme, Intermezzo, an energetic and rhythmic dance and Finale, adapted from the Second Suite in F in which Holst brilliantly combines The Dargason and The English Dancing Master, with the traditional melody, Greensleeves.Tussen 1905 en 1934 was Gustav Holst hoofddocent muziek aan de St Paul’s Girls School in Brook Green, Londen. St. Paul’s Suite, geschreven voor het strijkorkest van de school, werd in 1913 in première gebracht. Het werk bestaat uit vier delen: een energieke Jig in 6/8 en 9/8; een Ostinato, gebaseerd op en simpel motief van vier noten; een levendig, ritmische dans in het Intermezzo; en de Finale, een bewerking van de Second Suite in F, waarin Holst op briljante wijze The Dargason uit The English Dancing Master combineert met de traditionele melodie Greensleeves.Gustav Holst war von 1905 bis 1934 Musikdirektor an der St Paul’s Girls’ School in Brook Green/London. Er hat die St Paul’s Suite für das Streichorchester der Schule komponiert, und sie wurde dort 1913 uraufgeführt. Die Suite besteht aus vier Sätzen: einer schwungvollen Jig im 6/8- und 9/8-Takt, dem Ostinato, das auf einem aus vier Noten bestehenden Thema basiert, dem Intermezzo, einem schwungvollen, rhythmischen Tanz, und dem Finale, das aus der Second Suite in F übernommen wurde und in dem Holst auf meisterhafte Weise The Dargason aus der Sammlung The English Dancing Master mit der traditionellen MelodieGreensleeves kombiniert. Gustav Holst était directeur de musique de 1905 et 1934 la St Paul’s Girls’ School Brook Green, Londres. La St Paul’s Suite, une composition pour l’orchestre cordes de l’école, y connut sa première en 1913 et comprend quatre mouvements : une Jig énergique en 6/8 et 9/8, Ostinato, basé sur un thème simple de quatre notes, Intermezzo, une danse dynamique et rythmique, et Finale, adapté de la Second Suite in F dans laquelle Holst combine avec brio The Dargason, tiré du English Dancing Master, avec la mélodie traditionnelle, Greensleeves.Tra il 1905 e il 1934 Gustav Holst fu direttore musicale della scuola femminile di St Paul a Brook Green Londra. Qui la St Paul’s Suite, scritta per l’orchestra d’archi scolastica, fu eseguita in prima esecuzione nel 1913. Essa si compone di 4 movimenti: una Giga energica in 6/8 e 9/8, un Ostinato basato su un semplice tema di quattro note, un Intermezzo, danza vivace e ritmica e un Finale, adattamento dalla Seconda Suite in Fa nella quale Holst combina brillantemente The Dargason e The English Dancing Master con la tradizionale melodia Greensleeves.
SKU: CL.CTS-7748-99
SKU: CL.CTS-7743-99
SKU: CF.CPS227F
ISBN 9781491153215. UPC: 680160910717.
Music by Yukiko Nishimura is some of the most sensitive music that we publish. This heart-warming composition exudes emotion and musical depth. A perfect way to improve the musicianship of young ensembles.Bluebell is an arrangement of a piece originally written for string orchestra. A short introduction was added for this arrangement, and the key has been changed as well. Bluebell is the kind of flower which looks like a small bell; it is a dainty little flower.The main melody is very simple and easy to express. The inner melodies are important, too. Each inner melody should be played as a main melody even if it is a bass line.This piece consists of three sections. The second section is based on the main melody, so the atmosphere is consistent through the music. The harmony changes are very dramatic here. The bass lines should be heard clearly. The glockenspiel has an important role in this music.
SKU: CF.CPS227
ISBN 9781491152539. UPC: 680160910038.
SKU: PE.EP6668
ISBN 9790300728506.
Concerto No.1 for Violin and Orchestra - Solo Violin, Orchestra (full score) - performance material is available on a rental basis.
SKU: CL.012-3326-99
For band with optional choir, strings, narrator and audience sing-a-long. This glorious setting of two of America's favorite hymns, Amazing Grace and Battle Hymn of The Republic, is destined to be the work of choice when selecting that special number for your program's grand finale. Playable by band alone, this patriotic arrangement also offers the creative option of adding choir, strings, narrator, bagpiper and even a group sing-a-long. Musically appealing for bands of varied levels, this spectacular production number will offer grateful audiences, young and old alike, a wonderful opportunity to experience the ultimate in listening pleasure. A guaranteed winner!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
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