Concert Band (Score) - Grade 3

SKU: HL.4003881

Composed by Rick Kirby. MusicWorks Grade 3. Concert. 48 pages. Published by Hal Leonard (HL.4003881).

UPC: 888680010089. 9x12 inches.

Depicting three contrasting and intriguing settings from early American lore, Rick Kirby masterfully brings these images to life in this suite for band. The first movement tells the legend of The Phantom Drummer with unique orchestrational effects. The second movement, The Lady's Lament, mourns the loss of loved ones in the Revolutionary War, and the suite concludes with the lively dance Virginia Two-Step. Rich in stylistic and tonal variety, this is an appealing work for concert or festival use. Duration: 8:00.

Score Only Concert Band (Score) - Grade 3

SKU: HL.4006695

Composed by Richard L. Saucedo. MusicWorks Grade 3. Contest, Festival, Western. Softcover. 24 pages. Duration 660 seconds. Published by Hal Leonard (HL.4006695).

UPC: 840126928631. 9.0x12.0x0.073 inches.

Near present day Olathe, KS three trails from pioneer days (the Santa Fe, Oregon and California trails) diverged on their way further West. Richard's exciting work Three Trails Turning West captures the adventurous spirit of our country's Western expansion with fanfares and sweeping themes bringing to mind the open prairies and grand vistas experienced by the early settlers.

Three Folk Miniatures by Andre Jutras. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR138). Grade 3. Score and set of parts. Composed 1986. Duration 5 minutes, 20 seconds. Published by C.L. Barnhouse

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-422-140

Composed by Philip Sparke. Elite Series. Score Only. Composed 2015. Anglo Music Press #AMP 422-140. Published by Anglo Music Press (BT.AMP-422-140).

English-German-French-Dutch.

Three Washington Statues was commissioned by the United States Army Band â??Pershings Ownâ?, led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the worldâ??s most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: â??The Lincoln Memorialâ?? in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; â??The Martin Luther King, Jr. Memorialâ?? on which steps the iconic speech â??I havea dreamâ?? was given - the music is both reverential as well as powerful referring to Martin Luther Kingsâ?? speech; and the â??Encoreâ?? statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtonsâ?? music.

Three Washington Statues is geschreven in opdracht van de United States Army Band â??Pershingâ??s Ownâ?? en de leider van dit orkest, kolonel Thomas H. Palmatier. Washington D.C. is het decor van een aantal van de meest iconische monumenten,gedenktekens en standbeelden van de VS. Componist Philip Sparke heeft er drie uitgekozen als inspiratie voor dit werk: The Lincoln Memorial, in de vorm van een Griekse Dorische tempel, waarin de grandeur van het monument wordt verklankt; het MartinLuther King Jr. Memorial, het gebouw waar de iconische toespraak â??I have a dreamâ?? ooit weerklonk de sfeer is respectvol en eerbiedig, maar de muziek weerspiegelt tevens de karakteristiekekracht die ervan uitgaat; en het beeld â??Encoreâ?? vancomponist, pianist en bandleider Duke Ellington in dit laatste deel geeft Philip Sparke de virtuoze, energieke, unieke en dynamische stijl van Ellingtons muziek weer.

Three Washington Statues wurde von der United States Army Band Pershings Ownâ??, die von Oberst Thomas H. Palmatier geleitet wird, in Auftrag gegeben. Washington D.C. besitzt einige der weltberühmtesten Bauwerke, Denkmäler und Statuen. PhilipSparke hat drei von diesen als Inspiration für dieses Stück genommen. So beschreibt er die Erhabenheit des Lincoln Memorialâ??, das mit seinen dorischen Säulen in Form eines griechischen Tempels erbaut wurde. Das Martin Luther King, Jr. Memorialâ??erinnert an die legendäre Rede Martin Luther Kings I have a dreamâ?? (Ich habe einen Traumâ??). Die ehrfurchtsvolle und zugleich kraftvolle Musik ist ein Tribut an diese Rede. Die StatueEncoreâ?? erinnert an den weltbekannten afroamerikanischenKomponisten, Pianisten und Bandleader Duke Ellington. In diesem letzten Satz fängt Philip Sparke die virtuose, energiegeladene und einzigartige Dynamik von Duke Ellingtons Musik ein.

Three Washington Statues fut commandé par la United States Army Band « Pershingâ??s Own », dirigée par le Colonel Thomas H. Palmatier. Certains des monuments, mémoriaux et statues les plus emblématiques du monde se trouvent Washington D.C.Philip Sparke en a choisi trois comme inspiration pour ce morceau : « The Lincoln Memorial » où le compositeur dépeint la grandeur de ce temple grec de style dorique ; « The Martin Luther King, Jr. Memorial » sur les marches duquel le discourscélèbre « I have a dream » fut prononcé la musique est révérencieuse ainsi que puissante en référence ce discours de Martin Luther King ; et la statue « Encore » en mémoire du célèbrecompositeur, pianiste et chef dâ??orchestre de jazzafro-américain Duke Ellington. Dans le mouvement final, Philip Sparke a réussi saisir le dynamisme virtuose, énergétique et unique de la musique dâ??Ellington.

Commissionato dalla banda dellâ??esercito statunitense, condotta dal colonnello Thomas H. Palmatier, Three Washington Statues è un brano dedicato ad alcuni dei più noti e iconici monumenti americani mai realizzati. Philip Sparke ha scelto,difatti, di musicare la stentoreit del Lincoln Memorial, della statua di Martin Luther King di West Potomac Park e di quella dedicata al gigante della musica afro-americana Duke Ellington.

Concert Band/Harmonie - Grade 4

SKU: BT.GOB-000994-140

Composed by Peter Martin. Score Only. 41 pages. Gobelin Music Publications #GOB 000994-140. Published by Gobelin Music Publications (BT.GOB-000994-140).

One of the best known nicknames for a city that is perhaps New York: The Big Apple.
Already in the thirties of the last century, this name is often used in New York jazz scene. With The Big Apple Manhattan was intended. It was the place to be.
Around 1920 Harlem was the center of a thriving black culture. This period is known as the Harlem Renaissance. In the famous Cotton Club were many concerts of greats like Duke Ellington.
Broadway attracts millions of tourists. Many of them visit here one of the many musicals sometimes for years on the boards are placed.
Broadway splashes sparkles and swings.
Peter Martin shows usthree bites tests of this imaginary apple.
Enjoy!

Eén van de bekendste bijnamen voor een stad is wellicht die van New York: 'The Big Apple'.
Al in de jaren dertig van de vorige eeuw werd deze naam vaak gebruikt in de New Yorkse jazzscene. Met 'The Big Apple' werd Manhattanbedoeld. Het was 'the place to be'.
Rond 1920 werd Harlem het centrum van een bloeiende zwarte cultuur. Deze periode staat bekend als de 'Harlem Renaissance'. In de beroemde Cotton Club vonden vele concerten plaats van groothedenals Duke Ellington.
Broadway trekt miljoenen toeristen. Velen van hen bezoeken hier één van de vele musicals die soms al jaren op de planken gebracht worden.
Broadway spettert, bruist en swingt.
Peter Martinlaat ons drie hapjes proeven uit deze denkbeeldige appel.
Laat het u smaken!

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By Brian Balmages. Concert Band. FJH Symphonic Band. Full set (score and parts). Score only also available: S. Concert Band. Level: Grade 4. Score and set of parts. Composed 2008. Published by The FJH Music Company Inc.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-468-010

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2019. Anglo Music Press #AMP 468-010. Published by Anglo Music Press (BT.AMP-468-010).

English-German-French-Dutch.

Three Norwegian Sketches was commissioned by Ã…ndalsnes Musikkforening, Norway, who are conducted by John Hudson. The three contrasting movements - TROLLVEGGEN (The Troll Wall), RAUMA ELV (River Rauma) and RAUMABANEN (The Rauma Line) - describe life and scenery around the town of Ã…ndalsnes on the beautiful west coast of Norway. This is a challenging, imaginative and versatile new work, ideal for a concert or a contest.

Three Norwegian Sketches werd geschreven in opdracht van de Ã…ndalsnes Musikkforening uit Noorwegen, die onder muzikale leiding staat van John Hudson. De drie contrasterende delen TROLLVEGGEN (De Trollenmuur), RAUMA ELV (de rivier de Rauma) en RAUMABANAN (de Raumaspoorlijn) beschrijven het fraaie landschap rondom Ã…ndalsnes, een kleine plaats aan de prachtige Noorse westkust. Dit is een uitdagend, verbeeldingsrijk en veelzijdig nieuw werk, dat ideaal is voor een concert of concours.

Three Norwegian Sketches wurden von der Åndalsnes Musikkforening aus Norwegen in Auftrag gegeben, die von John Hudson geleitet wird. Die drei gegensätzlichen Sätze TROLLVEGGEN (Die Trollwand), RAUMA ELV (Der Fluss Rauma) und RAUMABANEN (Die Raumabahn) beschreiben das Leben und die Landschaft rund um die Stadt Åndalsnes an der schönen Westküste Norwegens. Dies ist ein anspruchsvolles, fantasievolles und vielseitiges neues Werk, das sich bestens für Konzerte und Wettbewerbe eignet.

Three Norwegian Sketches est une commande de l’harmonie norvégienne Åndalsnes Musikkforening, dirigée par John Hudson. Ses trois mouvements contrastés « Trollveggen » (Le mur des trolls), « Rauma Elv » (La rivière Rauma) et « Raumabanen » (La ligne Rauma) dépeignent la vie et les paysages environnant la ville d’Åndalsnes, sur le splendide littoral occidental du pays. Stimulante, originale et adaptable, cette nouvelle pièce est idéale pour un concert ou un concours.

Composed by Kurt Weill (1900-1950). Arranged by Peter Kleine Schaars. De Haske Concert Band. De Haske Publications #1074314. Published by De Haske Publications (HL.44007260).

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.44013216

Composed by Philip Sparke. Anglo Music Concert Band. Concert, Festival. Softcover. Duration 460 seconds. De Haske Publications #AMP416010. Published by De Haske Publications (HL.44013216).

UPC: 888680793654.

Three City Sketches was commissioned for Soli Deo Gloria Alkmaar from the Netherlands. The work's three movements depict different aspects of the orchestra's hometown. This is an exciting and epic piece for a contest or thematic concert. (Grade 4) Dur: 13:00 (Anglo).

(Movement 3 from Three Folk Song Settings for Band). By Andrew Boysen, Jr.. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Folk. Grade 4. 316 pages. Published by Alfred Music

By William P. Latham. By William P. Latham. For Concert Band. Concert Band. Belwin Classic Band. Level: Medium (grade IV). Conductor Score & Parts. 258 pages. Duration 8:14. Published by Alfred Publishing.