SKU: HL.48183071
UPC: 888680877385. 9.0x12.0x0.031 inches.
Andre Ameller: Lebel-Quevillon Op.185 (Double Bass & Piano).
SKU: BA.BA09079-85
ISBN 9790006531431. 32.5 x 25.5 cm inches. Text: Felix Mendelssohn Bartholdy.
Latin text from the Vulgate (Psalm 113). German text by Felix Mendelssohn Bartholdy after Psalm 115 from the Lutheran Bible.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA09092-85
ISBN 9790006565856. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
SKU: BA.BA09071-85
ISBN 9790006527656. 32.5 x 25.5 cm inches.
SKU: BA.BA10418-85
ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major.
Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
SKU: BA.BA10422-85
ISBN 9790260108165. 32.5 x 25.5 cm inches. Key: A minor.
SKU: BA.BA09056-85
ISBN 9790006523191. 32.5 x 25.5 cm inches.
SKU: BA.BA09052-85
ISBN 9790006522750. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA09051-85
ISBN 9790006522682. 32.5 x 25.5 cm inches.
SKU: BA.BA09057-85
ISBN 9790006523337. 32.5 x 25.5 cm inches.
SKU: BA.BA07887-85
ISBN 9790006558544. 32.5 x 25.5 cm inches.
The popularity of Faure's Pavane is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Faure began work on a version for choir, which was actually premiered before the orchestral version.This new Barenreiter edition offers conductors and orchestras a reliable Urtext edition of the Pavane's original orchestral version which will surely enhance symphonic concert programmes everywhere.
SKU: BA.BA10401-85
ISBN 9790260108226. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA09099-85
ISBN 9790006565726. 32.5 x 25.5 cm inches. Key: E minor.
Replaces BA 9050-85.
SKU: BA.BA07896-85
ISBN 9790006563395. 32.5 x 25.5 cm inches. Key: C minor.
In this work I gave everything I had to give. [...] What I did here I will never do again.Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works* Now with separate parts for all winds* Orchestral parts in a large format (25.5 cm x 32.5 cm).
SKU: BA.BA09026-85
ISBN 9790006529384. 32.5 x 25.5 cm inches. Key: F major, g major.
SKU: BA.BA10419-85
ISBN 9790006564774. 32.5 x 25.5 cm inches. Key: E minor.
SKU: BA.BA09045-85
ISBN 9790006537709. 32.5 x 25.5 cm inches. Key: B minor.
SKU: BA.BA09584-85
ISBN 9790260107878. 32.5 x 25.5 cm inches.
SKU: BA.BA10402-85
ISBN 9790260108288. 32.5 x 25.5 cm inches. Key: G minor.
SKU: BT.YE0030
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).Programme Note:As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.
SKU: BA.BA08841-85
ISBN 9790006541256. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
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