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PIANO
Double Bass
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Guitare ou Luth (26)
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Autoharp (22)
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Clavecin Et Instruments A Cord… (21)
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Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Oboe, Organ (20)
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2 Choeurs Mixtes (SATB Et SATB… (20)
Soli and Orchestra (20)
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Violin, Guitar (duet) (20)
Accessoire (20)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
3 Clarinets (trio) (19)
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Cornet and Piano (19)
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Ensemble Mixte (19)
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Petit Choeur AT, 2 Flûtes Tra… (18)
Gemischter Chor (SATB) und Orc… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
String quintet (18)
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Quatuor (18)
Euphonium, Piano (duet) (18)
Cor en Fa (18)
2 Flutes, Piano (18)
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Choeur Mixte (SSATB) avec Soli… (16)
Bass Clarinet (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
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Solo instrument and Organ (16)
Lap Steel Guitar (16)
3 Saxophones (trio) (16)
Trombone or Euphonium (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Trompette ou Bugle ou Cornet o… (15)
Flute, Oboe, Clarinet, Bassoon… (15)
Voice, Organ (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Petit Ensemble Contemporain (15)
Clarinette, Saxophone, Trompet… (15)
Clarinet, Violin, Cello, Piano… (15)
Choeur Mixte, Soprano et Orche… (15)
Saxhorn and Piano (15)
Flûte Traversière, Hautbois … (15)
3 Violons, Instruments à Cord… (14)
Choeur D'Enfants (Ou De Jeunes… (14)
Flûte Traversière, Violon, I… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flûte, Hautbois et Clarinette… (14)
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Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
2 Violins and Basso (14)
Woodwind Quintet (14)
Solistes SATB, Choeur SATB, 2 … (14)
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Xylophone (14)
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Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
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Violoncelle (Partie Séparée)… (13)
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Choeur SATB/SATB, (8 Instrumen… (13)
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Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes, Choeur d'Enfants, 3 … (13)
Choeur d'Enfants et Ensemble (13)
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Cello, String Bass (duet) (13)
Cornet (13)
4 Cellos (13)
Choeur d'Enfants (13)
Viola and orchestra (13)
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Flute, Clarinet, Piano (trio) (12)
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Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Choeur SATTB, (5 Instruments, … (12)
Madrigaux (12)
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Solistes, Choeur d'Enfants, Fl… (12)
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Choeur d'Enfants, Flûte Trave… (12)
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Bagpipe (11)
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Medium Voice (11)
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Baritone Saxophone (11)
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Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
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4 Instruments Cuivre (Trompett… (10)
Nursery rhyme (10)
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Choeur SATB, Paroisse, 2 Hautb… (10)
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Viola da Gamba (10)
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Choeur Mixte (Unisson) Avec Or… (9)
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Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
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Children choir, Instruments (9)
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Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
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Solistes SATB, Choeur SATB, Ba… (9)
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Quintette à Cordes (9)
Vocal duet (9)
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Solistes ou AuswahlChoeur SATB… (8)
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Carte Postale (8)
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Octuor (8)
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Alain Weber: 15 Rhythmic And Melodic Studies: Double Bass: Score
Double Bass
Leduc, Alphonse
French composer Alain Weber (b. 1930) writes 15 Rhythmic And Melodic Studies fo...
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French composer Alain Weber (b. 1930) writes 15 Rhythmic And Melodic Studies for Double Bass with much experience and expertise in the field of pedagogy. Following graduation from the Paris Conservatoire Weber spent time in Italy to develop his own musical style. However he soon returned to the institution as a professor of theory and counterpoint. 15 Rhythmic And Melodic Studies addresses a range of advanced techniques including chromaticism complex rhythms varying time signatures articulation bowings and double stops amongst other aspects. Weber is a significant contributor to importantteaching materials and 15 Rhythmic And Melodic Studies is no exception.
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Mini - Bass
Double Bass
Hofmeister Musikverlag
Bisher war es fast unmöglich, für Kinder ab fünf Jahren dieses Instrumente zu...
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Bisher war es fast unmöglich, für Kinder ab fünf Jahren dieses Instrumente zu erlernen. Der Musikschullehrer Claus Freudenstein hatte die Idee, einen Minibass für Kinder zu entwickelen. Die hier vorliegende Sammlung wurde aus den langjährigen Unterrichtserfahrungen entwickelt und ist für Kinder ab 5 Jahren gedacht. Sie soll dem Schüler schon in der ersten Stunde sein Erfolgserlebnis bereiten, das sich dann mit jeder weiteren Stunde bzw. mit jedem weiteren Lied wiederholt. Die Sammlung versteht sich nicht als Schule, sonder als Ergänzung zur jeweiligen Unterrichtsmethode. Seit es E-Bässe für Kinder gibt, sind diese Stücke auch für den Unterricht mit Kindern am E-Bass geeignet. / Contrebasse
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F. Baines: Grounds For Solo Double Bass: Double Bass: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much r...
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Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday where he later taught. Something of an eccentric he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone which it probably was originally and he was a regular fixture as a principal player in a number of orchestras and ensembles that dedicated themselves to period performing including those directed by Denys Darlow with whom he broadcast and recorded frequently.Besides playing the doublebass Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles one of his greatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s. He was the author of a number of papers about the history of the double bass sometimes arriving at scholarly conclusions that were colourful if not always entirely accurate. He discovered the Giovannino del Violone sonatas subsequently published by Yorke Edition although today it is thought that they were probably not written for a 16' pitch instrument at all. His edition of the Capuzzi double bass concerto published by Boosey & Hawkes was for many years one of the few solo works available for the instrument. This however he largely re-composed because he thought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.Grounds was written in 1969 as a sort of party piece and was given to Yorke Edition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.Francis Baines died
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John McCabe: Pueblo: Double Bass: Instrumental Work
Double Bass
[Sheet music]
Novello & Co Ltd.
John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo i...
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John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo is an off-shoot of a series of compositions inspired by desert country and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous falling into several sections and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close. It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham published by Thames and Hudson: 'Clouds high and flat were now building up in thesky the wind was settling to silent calm the weather was very cold and the stream through the center of the pueblo was almost frozen across the Indians chipping out ice to melt down for water.' The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works this belongs to this family of compositions along with another Banham setting written for the King's Singers Scenes In America Deserta. - John McCabe
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96 Etudes Progressives Vol.3
Français
Double Bass
[Sheet music]
Billaudot
La référence R17146 de l'éditeur Billaudot dont l'auteur célèbre est Wenzel...
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La référence R17146 de l'éditeur Billaudot dont l'auteur célèbre est Wenzel Hause, qui a pour titre 96 ETUDES PROGRESSIVES VOLUME 3, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition
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96 Etudes Progressives Vol.4
Français
Double Bass
[Sheet music]
Billaudot
La référence R17147 de l'éditeur Billaudot dont l'auteur célèbre est Wenzel...
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La référence R17147 de l'éditeur Billaudot dont l'auteur célèbre est Wenzel Hause, qui a pour titre 96 ETUDES PROGRESSIVES VOLUME 4, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition
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Jedem Kind Ein Instrument - Band 2
Double Bass
Schott
Dieses Heft führt die umfassenden Unterrichtsmaterialien zu ?Jedem Kind ein Ins...
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Dieses Heft führt die umfassenden Unterrichtsmaterialien zu ?Jedem Kind ein Instrument' fort.Im didaktischen Teil der Hefte finden sich viele neue Lieder und Spielstücke, differenzierte Aufgabenstellungen und methodische Anregungen zur Weiterführung des instrumentalen Unterrichts in der Grundschule. Darüber hinaus beinhaltet jeder Band einen umfassenden ?Ensemble Kunterbunt'-Teil mit zahlreichen fantasievollen Arrangements, die sich sowohl im Kleingruppenunterricht als auch im (Schul)-Orchester flexibel einsetzen lassen. / Contrebasse
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Christmas Collection: Double Bass: Part
Double Bass
[Sheet music]
Associated
Double Bass Part. Arranged for string orchestra (individual parts sold separatel...
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Double Bass Part. Arranged for string orchestra (individual parts sold separately) by Marshall Ocker. Collection featuring 20 of the most popular Xmas songs ever including: Silent Night · The Coventry Carol · Joy To The World · OCome All Ye Faithful · The Holly and the Ivy· Angels We Have Heard on High · The First Nowell · and 13 more!
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A Week In Sundance (MASSARD DANIEL)
Français
Double Bass
[Sheet music]
Combre
Par MASSARD DANIEL. A week in Sundance, recueil de sept pièces pour contrebasse...
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Par MASSARD DANIEL. A week in Sundance, recueil de sept pièces pour contrebasse seule, est un outil pédagogique destiné aux élèves du 1er cycle des conservatoires et écoles de musique. On trouve dans ces pièces des modes de jeu différents qui permettent d'aborder le langage musical sous des formes très diverses. Les élèves vont ainsi les découvrir au fur et à mesure de leur progression dans l'apprentissage de l'instrument. Bien que leur interprétation demande une grande rigueur, ces pièces laissent à chacun la possibilité d'y apporter sa propre émotion musicale. Daniel Massard / classique / Répertoire / Contrebasse
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K. Gordon: Fine Day And Skerry Selkie: Double Bass: Instrumental Album
Double Bass
[Score]
Spartan Press
Fine Day? is a work for unaccompanied double bass that portrays a conversation b...
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Fine Day? is a work for unaccompanied double bass that portrays a conversation between two Hirta wifies perhaps meeting by chance while going about their daily lives. The first lady is older calm and serene - she's seen it all before and expects to see nothing new. In bar 9 a younger lady appears - much more animated and excited and bursting with gossip.The characters converse with a double bar and often a tempo change indicating the change of speaker. While the younger lady becomes very animated (and slightly frustrated) trying to ply her elder with today's juiciest gossip the older lady remains calm and serene apparently showing little interest untilthe final bars where after her neighbour has walked away she smiles and we see that she was listening after all...Skerry Selkie: 'Skerry' is an old Norse word for a small rocky island in the sea. Most Skerries are populated only by birds and seals. 'Selkie' is a local dialect word used right along the north coast of Scotland to describe seals. It also refers to a creature of Norse myth which could transform from seal to human form at will. Selkies like mermaids would mischievously enchant sailors with their beautiful singing...
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Chris Maybank: Abracadabra Double Bass & CD: Double Bass: Instrumental Tutor
Double Bass
[Sheet music + CD]
-
Beginner
A and C Black
Abracadabra Beginner is full of exciting games and songs to help you play your d...
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Abracadabra Beginner is full of exciting games and songs to help you play your double bass well! You'll learn how to sit properly how to hold your double bass how to make the correct shapes with your fingers and how to hold the bow.The CD has exciting backing tracks to play along with and is great to use when you play at home. Full of fun and easy songs rhymes and games CD packed with exciting games and backing tracks Play at home in your lessons and with your friends Focuses on the very first steps of string playing with a wealth of ideas and activities to establish good posture bow hold andfinger position Activities and games to build and develop musicianship skills with a structured introduction to reading notation
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François Rabbath: Nouvelle Technique de la Contrebasse Cahier 2: Double Bass:
Français
Double Bass
Leduc, Alphonse
With little existing in the way of study books for the Double Bass François Ra...
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With little existing in the way of study books for the Double Bass François Rabbath's (b.1931) three volume series New Technique for the Double Bass is welcomed by all performers of the instrument. Syrian-born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers for the instrument. The second volume of New Technique for the Double Bass is a significant contribution to the field of Double Bass pedagogy and covers scales arpeggios bowing among other aspects and also containsexercises and studies. As a virtuoso player of the instrument himself frequently performing as a soloist Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist Rabbath's New Technique for the Double Bass is a well-informed and essential accompaniment to all all Double Bass studies. Moreover New Technique for the Double Bass contains written instruction in English French German and Spanish making for a highly versatile book.
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François Rabbath: Nouvelle Technique de la Contrebasse Cahier 1: Double Bass:
Double Bass
[Sheet music + CD]
Leduc, Alphonse
New Technique for the Double Bass part 1-With little exisiting in the way of st...
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New Technique for the Double Bass part 1-With little exisiting in the way of study books for the Double Bass François Rabbath's (b.1931) three volume series New Technique of the Double Bass is welcomed by all performers of the instrument. Syrian born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers for the instrument. The first volume of New Technique of the Double Bass is a significant contribution to the field of Double Bass pedagogy and covers physical approaches to the instrument bowing rhythms intervals while also containing exercises and studies. As a virtuoso player of the instrument himself frequently performing as a soloist Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist Rabbath's New Technique of the Double Bass accompanied by a CD is a well-informed and essential accompaniment to all Double Bass studies.
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Holger Sassmannshaus: Früher Anfang auf dem Kontrabass 2 / Early Start 2: Double
Double Bass
-
Easy
Barenreiter
18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on t...
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18 Lektionen / 18 Lessons-The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start progression at a suitable rate many cross-references to the other string instruments songsand scales in different positions from early on as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin viola and violoncello which were introduced to the international market in 2008 have proven to be very successful particularly in the United States. Kids to the Bass!While children learning other string instruments can start as early as the age of four the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. Based on the tried-and-tested Sassmannshaus methods for violin viola and cello Volume 1: Separate editions in German and English Volumes 2 and 3: Bilingual German/English editions Moderate increase in difficulty Position playing duets Includes new original compositions by B. Furtok Volume 3 with piano accompaniments to 7 pieces The authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in
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Audrey Akerman: Tricks to Tunes Book 1 Double Bass: Double Bass: Instrumental
Double Bass
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ???tricks??? for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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François Rabbath: Nouvelle Technique de la Contrebasse Cahier 3: Double Bass:
Double Bass
Leduc, Alphonse
New Technique for the Double Bass part 3-With little exisiting in the way of st...
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New Technique for the Double Bass part 3-With little exisiting in the way of study books for the Double Bass François Rabbath's (b.1931) three volume series Nouvelle Technique de la Contrebasse is welcomed by all performers of the instrument. Syrian born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers. The third volume of Nouvelle Technique is a significant contribution to the field of Double Bass pedagogy and covers physical and psychological approaches to the instrument bowstrokes harmonics and contains exercises andstudies. As a virtuoso player of the instrument himself frequently performing as a soloist Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist Rabbath's Nouvelle Technique de la Contrebasse is a well-informed and essential accompaniment to all Double Bass studies.
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Teppo Hauta-Aho: Erkon Elegia: Double Bass Ensemble: Instrumental Work
Double Bass
[Sheet music]
Recital Music
A very well constructed brief 'serious' work this short piece offers effective ...
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A very well constructed brief 'serious' work this short piece offers effective and accessible music for the intermediate bassist using almost a three octave range with scope to demonstrate a range of sounds colours and moods. Two editions included together - for solo double bass or for 2 or more bassists. 'Erkon Elegia is accessible to advanced beginning bassists with the ability to perform with confidence into the lower thumb positions.' [ISB] 'Erkon Elegia is a versatile little piece that can be played as a solo duo trio or ensemble. In only 49 bars and using elementary music Hauta-aho manages to use many of his trademark compositionalcharacteristics...it's friendly geography and varied colourscape should prove popular with beginning bassists.' [Double Bassist]
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Jan Faulkner: First Bass: Double Bass: Instrumental Album
Double Bass
[Sheet music]
-
Easy
Spartan Press
Beginner Double Bass & Piano- 5 short pieces for the beginner bassist. Written ...
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Beginner Double Bass & Piano- 5 short pieces for the beginner bassist. Written in a lively enjoyable and accessible style each piece uses a limited number of notes and rhythmic patterns to help develop musical and technical skills from the outset. The piano accompaniments are simple and supportive aimed at the pianistic skills of the average teacher offering new and inventive first concert or exam repertoire. Limited to 1st position they use a number of keys and musical styles which should appeal to players and teachers alike. Double Bass caricature used by permission of Cameron Ford (Australia). Jan Faulkner was a member of the BournemouthSymphony Orchestra for many years and is also a Specialist Percussion Teacher at Wells Cathedral School alongside her recent appointment as Outreach Officer at the school. She has composed music for almost every occasion and is writing a series of double bass books for the young bassist. [Initial & Grade 1 - Trinity-Guildhall 2010 onwards]Marching Together (No.2) and The Haunted House (No.3) have been selected for Level 1 by MTB Exams (www.mtbexams.com)Performance Level: Beginner;1;2.
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New Orleans Classics: Double Bass Solo: Instrumental Album
Double Bass
[Sheet music + CD]
Music Minus One
Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's Ne...
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Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a 'child of the Crescent City' as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades andsteamboat gigs and asked them to put together a typical program of New Orleans classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.
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Suite italienne (STRAVINSKY IGOR)
Double Bass
[Sheet music]
Boosey and Hawkes
Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-sca...
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Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of movements, thus continuing a practice Stravinsky established with his instrumental collaborators (Dushkin and Piatigorsky) of allowing the performers to select material from the ballet Pulcinella. In this case the movements comprise Introduzione, Serenata, Aria, Vivo, Tarantella, Gavotta con due variazione, Scherzino and Minuetto e Finale. The Vivo movement is derived directly from the orchestral Pulcinella Suite: widely recognised by classical bassists as one of the most significant solos in the orchestral repertoire, the bass part is faithfully reproduced as in the original score. Suite italienne has music that will appeal to bassists of various performance levels – solo, chamber and orchestral bassists alike will appreciate different aspects of this music. The suite also possesses an abundance of flare and technical virtuosity that will excite audiences./ Répertoire / Contrebasse
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Malcolm Arnold Matthew Taylor: Fantasy for Double Bass: Double Bass:
Double Bass
[Sheet music]
Queen's Temple Publications
Malcolm Arnold wrote two pages of the Fantasy For Double Bass but it remained un...
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Malcolm Arnold wrote two pages of the Fantasy For Double Bass but it remained unfinished because of ill health. As a result of the expertise of composer Matthew Taylor who has completed it we now have an important addition to the Double Bass repertoire.
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Ruud van der Meulen: Double Bass Starter: Double Bass: Instrumental Album
Double Bass
De Haske Publications
22 Pieces in various styles-In Double Bass Starter you will find a variety of tu...
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22 Pieces in various styles-In Double Bass Starter you will find a variety of tunes for beginner double bass players young as well as old. It is a fantastic album with a solid methodical structure. A range of styles is featured from classical to jazz and pop. The tunes can be picked or bowed. The CD features demo tracks together with play-along tracks for each piece.
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Nanny: Methode 1: Double Bass: Instrumental Tutor
Double Bass
[Sheet music]
Leduc, Alphonse
Complete Method For The Double Bass - Part 1 is the first of a series of two c...
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Complete Method For The Double Bass - Part 1 is the first of a series of two created by Edouard Nanny a French Double-Bass player teacher and composer. Conceived as a way to acquire a correct technique and a good sonority the Complete Method For The Four- And Five-Stringed Double Bass - Part 1 is perfect for beginners and intermediate beginners. Including scales exercises and small studies this first volume is completed with a second part for intermediate players. Edouard Nanny(1872-1942) had internal recognition as a composer during his lifetime and composed two concerti andadditional methods such as Twenty Virtuoso Studies among others.
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Humphrey Clucas: Baroque Suite: Double Bass: Instrumental Work
Double Bass
[Sheet music]
Recital Music
Although known primarily for his choral music Humphrey Clucas has written a num...
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Although known primarily for his choral music Humphrey Clucas has written a number of successful works for double bass and his lively and easy going compositional style has been popular with players and teachers alike. Aimed at the good intermediate bassist (Grade 6/7) this suite is similar to the Bach Cello Suite format and consists of a Prelude followed by a set of dance-movements. Written in a lively and approachable style there are effective musical and technical challenges within the orchestral register and these would be ideal as both study and concert music. Baroque Suite was premiered by Eloise Riddell during Bass-Fest (2009) at Wells Cathedral School
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Nanny: 20 Etudes De Virtuosite: Double Bass: Study
Double Bass
[Sheet music]
Leduc, Alphonse
Significant Double Bassist teacher and composer Edouard Nanny (1872-1942) is b...
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Significant Double Bassist teacher and composer Edouard Nanny (1872-1942) is best remembered as a long-standing professor of Double Bass at the Paris Conservatoire. Being such a prolific figure in the Double Bass field his Complete Study of the Double Bass is well-informed. Still played by Double Bass students Nanny's significant contribution to field of pedagogy remains prominent. The third volume from Complete Study of Double Bass titled 20 Virtuosic Studies addresses bow technique fingering positions scales arpeggios chromaticism trills double stops and harmonics among otheraspects. For all advanced Double Bass players Nanny's Complete Study of the Double Bass 20 Virtuosic Studies provides the student with helpful aid to ensure progressive achievement in technique.
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Collins: 3 Fantasies For Cello And Double Bass: Cello & Double Bass:
Double Bass
[Sheet music]
Yorke Edition
Double Bass and Cello (1985). 'Pleasantly atmospheric'. Daily Telegraph London....
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Double Bass and Cello (1985). 'Pleasantly atmospheric'. Daily Telegraph London. A show work written for The Manchester Bass Week not too difficult but immediately pleasing.Grade: Moderate
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Three Afterimages (STANCZYK MARCIN) (STANCZYK MARCIN)
Double Bass
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted...
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Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse
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Lennox Berkeley: Introduzione and Allegro: Double Bass: Instrumental Album
Double Bass
[Sheet music]
-
Advanced
Yorke Edition
Good work for examinations and recitals by an important British composer. Durati...
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Good work for examinations and recitals by an important British composer. Duration c.6'. AMEB (Australian Syllabus) 2004. Programme notes as follows:Lennox Berkeley was born in 1903 and died in 1989. After reading modern languages at Oxford he had no intention of becoming a composer until he met Ravel in 1926 who encouraged him to study in Paris with Nadia Boulanger. He stayed in Paris until 1932 developing his own musical language. In 1936 after the death of his mother he went to Barcelona for the International Society for Contemporary Music festival where he met Benjamin Britten. The two lived together at Snape in Suffolk for a while until the outbreak ofwar before Berkeley moved back to London to work for the BBC. Here he met his future wife Freda Bernstein. He taught at the Royal Academy of Music in London from 1946 until 1968 where his pupils included Richard Rodney Bennett Nicholas Maw and John Tavener among others. He was knighted in 1974. In early February 1971 I was playing in a concert at St. John's Smith Square London then only relatively recently restored as a superb venue for music. The programme which I believe was being broadcast included Berkeley's Serenade Op.12. It was a work I had always enjoyed playing and was standard string orchestra repertoire at the time. There was initially no platform at St. John's and so the audience sat virtually on top of the performers. So close were they on this occasion that I had to ask for a little more room in order to play. At the end of the piece the orchestra acknowledged the applause and the gentleman who I had all but practically decapitated with my over-enthusiastic playing stood up and took a bow. I had been almost playing in Lennox Berkeley's lap! The opportunity was too good to miss and I wasted little time in introducing myself. Mr Berkeley said that he had been fascinated by my playing and asked me to write to him about a possible commission.This I did on 6 February mentioning that
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