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PIANO
Double bass, Piano (duet)
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:: (154)
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Flûte à Bec Alto et Basse Co… (93)
Choral CD (92)
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Voix et Orchestre (90)
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1 Piano, 6 hands (60)
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Voix Mixtes (51)
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Quintette avec Piano (49)
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Cajon (45)
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Hautbois 1 Clarinette en Sib 1… (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Trompette ou Bugle ou Cornet o… (44)
Recorder, Bass Continuo (44)
Solistes SATB, Choeur SATB, 2 … (43)
Solistes SSATTB, Choeur SATB, … (43)
Solistes SATB, Choeur SATB, 4 … (43)
Xylophone or Marimba or Vibrap… (43)
Oboe, Clarinet, Bassoon (trio)… (42)
2 Violons, Violoncelle et Bass… (42)
Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
Choeur d'Enfants, Solistes, In… (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
Quintette à Cordes (41)
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Lap Steel Guitar (40)
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2 Euphoniums (39)
Oboe and Orchestra (39)
Cornet (39)
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Xylophone (39)
Edition Critique des oeuvres d… (39)
2 Clarinets, Piano (39)
Saxophone Baryton (39)
Quatuor Variable (39)
Choeur Mixte et Orchestre (39)
Chanson (39)
Saxophone Soprano, Saxophone A… (39)
Conga (38)
Solistes SATB, Choeur SATB, 2 … (38)
Viola, Cello (duet) (38)
Lyrics only (37)
Lecture Chantée/Formation de … (37)
Woodwind Quartet: any 4 woodwi… (37)
Flute, Violin, Keyboard (basso… (37)
Soprano Saxophone and Piano (37)
Choeur SATTB et Basse Continue… (37)
Saxhorn and Piano (37)
Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
Flûte Traversière et Quatuor… (36)
Petit Ensemble Contemporain (36)
Lute (36)
String Trio: 3 violins (36)
Medium Voice (36)
Voix et Instruments Divers (35)
Violin, Horn and Piano (35)
Quatuor A Cordes Et Orchestre … (35)
Solistes SATB, Choeur SATB, 2 … (34)
Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
Solistes SATB, Choeur SATB, Ha… (33)
String Quintet: 2 violins, vio… (33)
Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
Flute, Clarinet, Piano (trio) (32)
Piano Trio: Violin, Viola, Pia… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
Trio A Cordes (32)
Guitare Tablatures Flatpick et… (32)
Choeur de Femmes (32)
DVD Opera and Ballets (32)
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Cello Ensemble (31)
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Flûte à Bec Alto ou Flûte T… (30)
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String quintet (29)
Duos (29)
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Book (29)
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Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversière Violon et … (28)
Flûte à Bec Alto et Basse Co… (28)
2 Flûtes Traversières et Vio… (28)
Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Clarinette, 2 Violons, Alto et… (26)
Ensemble Instrumental Et Petit… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
String Trio: 2 violins, viola (22)
Piano, Violin, Bandoneon, Guit… (22)
Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
Saxophone Alto Solo (22)
Baritone Horn and Piano (22)
Flute and Strings Trio (22)
4 Voix Mixtes Sans Accompagnem… (22)
Violon, Alto et Basse Continue… (21)
Voice, Clarinet, Piano (21)
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Violon, Ensembles de Cordes et… (21)
Sextuor (21)
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Clavecin Et Instruments A Cord… (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Drums-Marching band (21)
Orchestre De Chambre (21)
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5 Voix SATTB (21)
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Accordion - Piano, Voice, Guit… (21)
Reportage (21)
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Gerty Goat Scuffer: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
-
Intermediate/advanced
Spartan Press
Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer...
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Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer' (in case you wondered) is one of many nick-names we had for a much loved family dog - officially named 'Heavy Hetty' from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer 'sat you yer bum' writing at a desk and (in those pre-computer years) writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called 'Sophie' (my first love) who accompanied Pat and I on our honeymoon acrossScotland. Thirty years later we were privileged to enjoy the company of three therapeutic beasts; 'Merlin' (a prize winning Pyrenean Mountain Dog) 'Gael' (an over energetic Scottish Border Collie) and 'Hetty' (a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a 'kennel-maid's Accident'). Hetty (see picture) is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though right through to the age of nearly 10 - speciality: chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her but this is the first instrumental work that she has inspired! The pervading thematic motive of the piece (heard from the outset) cheekily alludes to an (over) famous Saint-Saëns work for double bass (but no insult is intended to Hetty!). The increasingly roving tonality and unusually sudden shifts of key combined with the use of jazz chords combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with simply by just being
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Grade by Grade - Double Bass Grade 3
Double bass, Piano (duet)
[Sheet music + Audio access]
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Easy
Boosey and Hawkes
The complete resource for the Grade 3 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 3 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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Grade by Grade - Double Bass Grade 1
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Beginner
Boosey and Hawkes
The complete resource for the Grade 1 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 1 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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Frantisek Hertl: Sonata: Double Bass: Instrumental Work
Double bass, Piano (duet)
Barenreiter
for Double Bass and Piano-The renowned Czech bass player composer and conductor...
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for Double Bass and Piano-The renowned Czech bass player composer and conductor Franti?ek Hertl (1906 1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument?s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.Composed in 1946 Hertl?s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday.New edition of a major repertoire piece for Double Bass.Foreword (Cz/Eng/Ger) by Hertl?s last pupil Jan Balcar
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Johann Baptist Vanhal: Kontrabasskonzert Es-dur: Double Bass: Score
Double bass, Piano (duet)
[Reduction]
G. Henle
Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann ...
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Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann Baptist Vanhal and his sole Double-Bass concerto add a further highlight to the classical Bass literature in the Henle catalogue. The virtuosowork was transmitted only in a copy of a part owned by the famous Double-Bass player Johannes Sperger (1750 1812) and found in his estate which raises a few questions on account of the many later additions in the solo part(especially concerning the octave transpositions). In this Urtext edition Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. ThePiano reduction is printed in two keys (C and D major) which allows for performances in the solo and orchestral tuning or at will. Moreover an additional part written in fingering notation has been specially designed for usewith the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.
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Easy Concert Pieces Vol.2
Double bass, Piano (duet)
[Sheet music + CD]
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Easy
Schott
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pi...
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24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pieces' series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty. Book 1 (ED 22551) contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato, staccato and legato bowing are introduced along with pizzicato, using rudimentary dynamics ranging from piano to forte, crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes, a few different time signatures and simple rhythms. / Niveau : Facile / Recueil / Contrebasse et Piano
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Sonate
Français
Double bass, Piano (duet)
Billaudot
La référence GB3633 de l'éditeur Billaudot dont l'auteur célèbre est Lancen...
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La référence GB3633 de l'éditeur Billaudot dont l'auteur célèbre est Lancen Serge, qui a pour titre SONATE, a été écrite et composée pour Contrebasse et plus particulièrement pour Contrebasse Et Piano. Cette partition musicale appartient à la catégorie Classique. / Contrebasse Et Piano / Partition
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Tu viens jouer ? Quatre pièces (PIGNOT YVES) (PIGNOT YVES)
Français
Double bass, Piano (duet)
[Sheet music]
Editions Buissonnieres
Par PIGNOT YVES. Ces pièces sont conçues pour être jouées par des instrument...
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Par PIGNOT YVES. Ces pièces sont conçues pour être jouées par des instrumentistes de même niveau. Elles permettent au jeune public en apprentissage de prendre goût à la musique de chambre sans être accompagné d'un professionnel / Date parution : 2019-05-05/ Recueil / Contrebasse et Piano
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Betty Roe: A.D. One: SATB: Score
Double bass, Piano (duet)
[Sheet music]
-
Easy
Thames Publishing
A.D. One is a fabulous Christmas fable that re-tells the Nativity story with wor...
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A.D. One is a fabulous Christmas fable that re-tells the Nativity story with words and music. Written for Solo voices Mixed SATBB chorus Flute Double Bass and Piano music by Betty Roe and Lyrics and Libretto by James Reeves. This play is suitable for small and chamber choirs both professional and amateur.
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Rodney Slatford: Time Pieces for Double Bass Volume 1: Double Bass:
Double bass, Piano (duet)
[Sheet music]
-
Easy
ABRSM Publishing
Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements an...
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Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day.Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.
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Easy Concert Pieces Band 3
Double bass, Piano (duet)
[Sheet music + Audio access]
Schott
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...
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The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
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N. Hester: The Bull Steps Out: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
Ideal for a popular school or informal concert. Programme note by Rodney Slatfor...
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Ideal for a popular school or informal concert. Programme note by Rodney Slatford 2008:Jack Snow Hester was born on 2 March 1907 in Chorlton Lancashire and joined the music profession as a double bass player when he was seventeen. His father Arthur Darrell Hester appears on his birth certificate as 'Manufacturer (chemicals)'; his mother was Minnie Frances Hester formerly Stamp and the family lived in South Manchester. During the 1930s as Norman Hester he worked at Daly's Theatre the Piccadilly Theatre the Palace Theatre and other London variety houses in West End productions. He married Isabella Dawson Davidson on 1 July 1940 in Worcester and shedied in 1973. He died in 2001 after a long period of ill health.During the 1960s Norman was an active freelance player working as an extra bass player with the London symphony orchestras including the BBC. Quite when The Bull Steps Out was written isn't certain but Norman sent me a copy to consider for republishing – it is assumed that the original publication appeared sometime during or just after the war. It was a 'one off' that he probably played for light music evenings in the theatres.The piece has been very popular and has been used for examinations on various syllabuses around Grade 7 level.An unpublished manuscript copy of a double bass 'method' is on file that Norman Hester wrote when he retired but it is mainly a compilation of various scales and exercises similar to many that were published in the early 20th century. A photograph of him as a young man is held at the Royal Society of Musicians in London which he joined in 1930 and of which he was a loyal supporter until he died.
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Bread And Butter Pudding, Double Bass Part
Double bass, Piano (duet)
Musicland
Musicland a été créé en 1984 par Caroline et Alan Lumsden afin de publier la...
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Musicland a été créé en 1984 par Caroline et Alan Lumsden afin de publier la musique éducatif pour les jeunes enfants. La série Musicland théorie, l'enregistreur et violon a été lancée après des essais positifs de la matière dans leur propre école de musique à Gloucester, en Angleterre. Ces livres de tuteur bien établies sont conçues pour encourager la capacité créative naturelle de l'enfant et de stimuler les capacités artistiques et dramatiques ainsi que musicales. Pièces de débutant pour Piano and de contrebasse. Partie de la contrebasse éditée par Caroline Emery. Peut être aussi joué dans des pièces Ensemble à cordes, violon, alto et violoncelle disponibles. / Contrebasse Et Piano
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Antonio Vivaldi: Sonata N. 1 Si B. F Xiv N. 1: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
-
Intermediate/advanced
IMC (International Music Co.)
The 4th movement of Vivaldi's Sonata No.1 In B Flat transcribed for the Double ...
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The 4th movement of Vivaldi's Sonata No.1 In B Flat transcribed for the Double Bass by Zimmermann.
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Grade by Grade - Double Bass Grade 5
Double bass, Piano (duet)
[Sheet music + Audio access]
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Intermediate
Boosey and Hawkes
The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen ...
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The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Contrebasse et Piano
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Sonata D-Dur (SPERGER JOHANN MATHIAS)
Double bass, Piano (duet)
[Sheet music]
Hofmeister Musikverlag
Nach der Sonate für Kontrabass und Viola. Par SPERGER JOHANN MATHIAS. / Répert...
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Nach der Sonate für Kontrabass und Viola. Par SPERGER JOHANN MATHIAS. / Répertoire / Contrebasse et Piano
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Ida Carroll: Five National Dances For Double Bass and Piano: Double Bass:
Double bass, Piano (duet)
Stainer and Bell
Five National Dances For Double Bass and Piano
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F. Keyper: Romance Et Rondo: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
An easy virtuoso work published here for the first time and now much performed. ...
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An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
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Antonio Vivaldi: Sonata No.5 E Minor RV40: Double Bass: Instrumental Work
Double bass, Piano (duet)
IMC (International Music Co.)
A splendid Vivaldi Sonata for Double Bass with Piano accompaniment selected as ...
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A splendid Vivaldi Sonata for Double Bass with Piano accompaniment selected as part of the ABRSM Double Bass Grade 8 examination.
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Georg Philipp Telemann: Sonata In A: Double Bass: Instrumental Work
Double bass, Piano (duet)
IMC (International Music Co.)
A Sonata for Double Bass with Piano accompaniment by Georg Philipp Telemann se...
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A Sonata for Double Bass with Piano accompaniment by Georg Philipp Telemann selected as part of the ABRSM Double Bass Grade 8 examination.
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Humphrey Clucas: Sonatina: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
Recital Music
A short three-movement 'characteristic' sonatina composed for Double Bass 2000 a...
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A short three-movement 'characteristic' sonatina composed for Double Bass 2000 and premiered at Wells Cathedral School. Aimed at the intermediate bassist this is a work full of lyrical episodes and utilises the medium-high range of the instrument. The composer writes: 'My Sonatina a brief frivolous piece was partly written to exploit the range of the double bass both its lower and upper reaches. The first movement is in strict sonata form - exposition repeat and all. The second movement is tongue-in-cheek 18th-century form; the sonatina is a very 19th-century form. Its main theme turns up again as the middle section of the final movement a tinywaltz. Other snatches of material are common to all three movements.'
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Burlesque Et Agitato (ADAGAS JEAN-MICHEL)
Double bass, Piano (duet)
[Score and Parts]
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Intermediate/advanced
FLEX Editions
Par ADAGAS JEAN-MICHEL. Une pièce à jouer dès la septième année de contreba...
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Par ADAGAS JEAN-MICHEL. Une pièce à jouer dès la septième année de contrebasse - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Contrebasse 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 2 mn 35 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jean-Michel ADAGAS - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Contrebasse et Piano
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