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PIANO
Double bass, Piano (duet)
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (1981)
Choral SATB (968)
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Musical Awakening (17)
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Balalaïka Et Piano (10)
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Solistes STBarB, Choeur SATB, … (10)
3 Guitars (trio) (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Soprano voice (10)
Children choir, Piano (10)
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Baritone voice, Piano (10)
Organ, Trumpet (duet) (10)
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Flute ensemble (9)
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Lap Steel Guitar (6)
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Clarinet, Bassoon (duet) (5)
2 Trombones (duet) (5)
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Soprano, Piano (5)
Cello, Guitar (duet) (5)
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Mariachi (2)
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CD (2)
PF (2)
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Fake Book (2)
SAB (2)
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Chœur Mixte SATB et Quatuor … (2)
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Elektrische Flöte, Elektrisc… (2)
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Mallet Percussions (2)
5 Part Flexible Band et Opt. P… (2)
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4 Parties Voix Aigües (SSAA) … (2)
Chant et Guitare (2)
Voix Moyenne Et Orchestre (2)
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Cornet and Piano (1)
Trompette (Ou Cornet), Cor En … (1)
Clavecin, Pianoforte, Orgue (1)
MAND(2)::Mandolin (Duet) (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
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3 Flûtes à Bec SAB/STB (1)
Oboe / Violin / Recorder / Fl… (1)
Soli, Chor und Klavier (1)
FLT/CLT/OB/BSN/HN/PERC::Fl?te … (1)
Lyrics & Chords (1)
Orchestre A Cordes (Première … (1)
Quatuor Variable (1)
Bassoon / Cello (1)
Saxophone Soprano et Piano (1)
Oboe and Orchestra (1)
RECORDER TRIO, RECORDER ENSEM… (1)
Petit Orchestre (1)
Hautbois Et Cor (1)
Livret (1)
Voix Moyennes et Guitare (1)
Choeur SMsA/SMsA/TBB/Rock-Choe… (1)
4 Voix Mixtes a Cappella (1)
3 Parties Voix Aigues (SSS) Et… (1)
SATB/PF DUET::SATB, Piano Duet… (1)
Guitar and Bass Tablatures, Ch… (1)
Choeur Mixte (SAB), 2 Trompett… (1)
Trompette En Sib Ou Autre Inst… (1)
Recorder, Bass Continuo (1)
Voix Solo, Choeur Mixte et Orc… (1)
Exemplaire Complet (1)
Flute, Violin, Guitar (1)
ENS/VLN::Ensemble d'cole/Vio… (1)
FLT/VLN/PFC::Flûte Traversiè… (1)
Tenor, Piano (1)
Choeurs d'Opéra (1)
Solistes (SATB), Choeur Mixte … (1)
Choeur (SATB) et Brass Band (1)
PF/ENS/ELEC::Piano, Ensemble, … (1)
Trompette en Do / C et Orgue (1)
Orgue et Clavier (1)
Oboe, Percussion (1)
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Choral SSATBB (1)
Saxophone (Soprano, Alto, Tén… (1)
2 Violins and Basso (1)
Orgue, Cuivres et Percussion (1)
Violon Solo (1)
TBN/EUPH/BSN::Trombone/Euphoni… (1)
Mezzo-Soprano et Bande ou 3 Vo… (1)
2 Clarinettes Et Plus (1)
Chant et Harpe (1)
2 Trompettes (duo) (1)
Trio De Batteries (1)
MEZ/PFA::Piano Accompaniment (1)
Guitare Tablatures Flatpick et… (1)
Guitare, Banjo ou Ukulélé (1)
Instruments Divers Ad Libitum … (1)
2-6 Flûtes à Bec [Aa/St/Stt/… (1)
TPT(3)::Trompette(Trio) (1)
Piccolo (1)
SSATB et Orgue (1)
Wind Sextet - 2 Bb Clarinets,… (1)
CHAM::Chamber Group (1)
3 Flûtes à Bec [S,A,T] (1)
Choeur Ou Voix (1)
Solistes, Choeur Mixte (SATB) … (1)
3 Bassons (1)
VLC or BSN/PFA::Accompagnement… (1)
SOP/PF::Soprano, Piano (1)
Saxophone Alto et Ténor (1)
Soli, Choeur Mixte Et Orgue (1)
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3 Trompettes en Sib ou Do (1)
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PF/VLN/VLC::Piano, Violon, Vio… (1)
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VLA/LUTE::Viola, Luth (1)
2 A 4 Parties Choeur (1)
Choeur (SATB) Et Orgue (1)
3 French horns (trio) (1)
Baritone Saxophone, Piano (1)
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3 Parties Voix Aigües (SSA) e… (1)
Choeur A L'Unisson (Ad Libitum… (1)
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Baryton (Ad Libitum), Choeur M… (1)
Voix de Femmes et Piano (1)
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BRASS QUARTET, FLEXIBLE BRASS… (1)
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Trombone ou Tuba Basse Continu… (1)
3 Hautbois (1)
3 Oboes (1)
Ensemble A Vent Et Choeur Ad L… (1)
Klavierauszug - Sopran solo, … (1)
Score (1)
Mezzo-Soprano, Flûte Traversi… (1)
Cloudlifter (1)
Mezzo-Soprano, Flûte Traversi… (1)
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Jan Kolasi?ski: Three Pieces: Double Bass: Instrumental Album
Double bass, Piano (duet)
PWM (Polskie Wydawnictwo Muzyczne)
Three Pieces
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Gajdos M. - Concerto N°2 Haydn - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Frantisek Hertl: Sonata: Double Bass: Instrumental Work
Double bass, Piano (duet)
Barenreiter
for Double Bass and Piano-The renowned Czech bass player composer and conductor...
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for Double Bass and Piano-The renowned Czech bass player composer and conductor Franti?ek Hertl (1906 1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument?s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.Composed in 1946 Hertl?s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday.New edition of a major repertoire piece for Double Bass.Foreword (Cz/Eng/Ger) by Hertl?s last pupil Jan Balcar
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Gioachino Rossini: Une Larme: Double Bass: Instrumental Work
Double bass, Piano (duet)
Recital Music
A Tear-A beautiful and poignant lament which is ideally suited to the double bas...
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A Tear-A beautiful and poignant lament which is ideally suited to the double bass. Originally for cello this new edition returns to the cello version [Theme & Variations] adding an extended (but optional) piano introduction and demonstrates the dark and soulful colours of the solo double bass. Long flowing phrases allow the intermediate bassist to demonstrate both musical and technical accomplishment in an accessible range of the instrument. The soulful and wistful melody transcribes beautifully for double bass allowing the instrument to display its bel canto and lyrical capabilities. A three bar section towards the end of the piece is playable as written or anocatve higher giving bassists the opportunity to play high harmonics within a beautiful and evocative melody. This is an ideal study or recital work with its supportive and pulsing accompaniment and has been one of Recital Music's bestsellers since it was published. Une Larme is also available for solo double bass and string orchestra accompaniment - please contact the publishers for further details. Grade 7 - Trinity-Guildhall / ABRSM / LCM / MTB Exams (www.mtbexams.com)
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Humphrey Clucas: Sonatina: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
Recital Music
A short three-movement 'characteristic' sonatina composed for Double Bass 2000 a...
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A short three-movement 'characteristic' sonatina composed for Double Bass 2000 and premiered at Wells Cathedral School. Aimed at the intermediate bassist this is a work full of lyrical episodes and utilises the medium-high range of the instrument. The composer writes: 'My Sonatina a brief frivolous piece was partly written to exploit the range of the double bass both its lower and upper reaches. The first movement is in strict sonata form - exposition repeat and all. The second movement is tongue-in-cheek 18th-century form; the sonatina is a very 19th-century form. Its main theme turns up again as the middle section of the final movement a tinywaltz. Other snatches of material are common to all three movements.'
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Easy Concert Pieces Band 2: Double Bass
Double bass, Piano (duet)
[Sheet music + CD]
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Beginner
Schott
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pie...
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24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying CD, as a full version and as a piano accompaniment.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.Volume 3 in preparation.
16.99 GBP - Sold by Musicroom UK
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Gordon Jacob: Little Concerto For Double Bass & String: Double Bass:
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
A petite concerto for Double bass with three well-contrasted movements. This is ...
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A petite concerto for Double bass with three well-contrasted movements. This is an enjoyable piece with nothing unmanageable for a moderately advanced player. A versatile piece for use in music club programmes as well as ABRSM Double Bass Syllabus. Orchestral material for strings with optional percussion (1 player: glock triangle tambourine xylophone).
9.95 GBP - Sold by Musicroom UK
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Amazing Solos - Double Bass And Piano
Double bass, Piano (duet)
Boosey and Hawkes
Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazi...
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Instrument : double bass and piano Nombre de Pages : 58 Amazing Solos are amazingly wide-ranging selections of easy pieces. From Bach to Bernstein, a great variety of musical styles is included - folk melodies from England and Peru, baroque and classical 'lollipops', jazz and modern classics. A unique collection of exciting and varied music for the early grades! The edition is part of the Trinity syllabus 2007 (grade 3-6) and of the ABRSM Summer 2006 (grades 2, 4-7). Content : La donna è mobile (Verdi) - Three Moravian Folksongs (Janácek) - Allegro (Mozart) - Allegro (Vivaldi) - Amazing Grace (Trad.) - America (Bernstein) - Basse Danse (Warlock) - Braul, Bucsum Dance (Bartók) - Caprice 24 (Paganini) - Come Neighbours All - Cool (Bernstein) - Ein Jungling liebt ein Madchen (Schumann) - Ein Madchen oder Weibchen (Mozart) - Fiddler's Song (Humperdinck) - Grand March (Verdi) - Green Gravel (Trad.) - Lilliburlero (Trad.) - Minuet (Bach) - Peruvian Dance Tune (Trad.) - Pop goes the Weasel (Trad.) - Solveg's Song (Grieg) - Stars no Moon (Trad.) - There was a Crooked Man (Trad) - Troika (Prokofieff) - Tune Town Shuffle (Basie)
20.10 EUR - Sold by Woodbrass
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Karl Kohaut: Concerto in D Major: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Advanced
Yorke Edition
Kohaut was a contemporary of Dittersdorf Vanhal and Hoffmeister. This three mov...
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Kohaut was a contemporary of Dittersdorf Vanhal and Hoffmeister. This three movement concerto published here for the first time offers musical and technical challenges of Grade 8 standard and above. Scored for Double Bass with a Piano reduction of the original Orchestral Score. Grade: 8
11.95 GBP - Sold by Musicroom UK
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Gerty Goat Scuffer: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Spartan Press
Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer...
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Written for David Heyes as part of his 'Fizz at 50' project. 'Gerty Goat Scuffer' (in case you wondered) is one of many nick-names we had for a much loved family dog - officially named 'Heavy Hetty' from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer 'sat you yer bum' writing at a desk and (in those pre-computer years) writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called 'Sophie' (my first love) who accompanied Pat and I on our honeymoon acrossScotland. Thirty years later we were privileged to enjoy the company of three therapeutic beasts; 'Merlin' (a prize winning Pyrenean Mountain Dog) 'Gael' (an over energetic Scottish Border Collie) and 'Hetty' (a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a 'kennel-maid's Accident'). Hetty (see picture) is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though right through to the age of nearly 10 - speciality: chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her but this is the first instrumental work that she has inspired! The pervading thematic motive of the piece (heard from the outset) cheekily alludes to an (over) famous Saint-Saëns work for double bass (but no insult is intended to Hetty!). The increasingly roving tonality and unusually sudden shifts of key combined with the use of jazz chords combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with simply by just being
4.99 GBP - Sold by Musicroom UK
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Thomas Pitfield: Sonatina For Double Bass And Piano: Double Bass: Instrumental
Double bass, Piano (duet)
[Sheet music]
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Intermediate
Yorke Edition
Relatively easy; written for the student. The second of the three movements is a...
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Relatively easy; written for the student. The second of the three movements is a tuneful Quodlibet based on folk songs.
7.50 GBP - Sold by Musicroom UK
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Domenico Dragonetti: 3 Waltzes: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate
Yorke Edition
These Three Waltzes are tuneful pieces of medium difficulty and provide a great ...
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These Three Waltzes are tuneful pieces of medium difficulty and provide a great stepping-stone to more advanced playing. Suitable for Grade 6 standard.
4.50 GBP - Sold by Musicroom UK
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Ida Carroll: Three Pieces for Double Bass: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Forsyths Publications
For the intermediate to advancing double bassist this collection includes 3 con...
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For the intermediate to advancing double bassist this collection includes 3 contrasting pieces composed by Ida Carroll.
5.95 GBP - Sold by Musicroom UK
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