Two Miniatures For Flute And Piano is a pair of short pieces from the late classical period carefully arranged as performance solos for the Flute with Piano. Beethovenâ??s Sonata In B Flat wascomposed ca. 1790 and is one of the very few pieces that he wrote for the Flute. The Rondo In E Minor was written in 1810 by Mozartâ??s youngest son Franz Xaver Wolfgang who often struggled to gain recognition on his ownmerits during his lifetime. Two Miniatures has been arranged by Louis Moyse (1912-2007) a noted French flautist pianist composer music editor and pedagogue. Raised in Paris he was educatedby his father Marcel also a famous flautist but spent most of his working life in North America.

A collection of classical works for Flute and Piano accompaniment edited by Trevor Wye. Volume Two includes music by Telemann Donjon Vivaldi Chopin Jacob. All of these Flute Solos have been carefully and specificallyselected for their melodic interest. Suitable for players grade 3-4.

Nos. 4-6-The six Flute Sonatas of J.S. Bach fall into two groups of three. In Nos. 1-3 the composer provided a concertante keyboard part where the right hand is as musically important as the flute and bass lines apart from theoccasional passage when he reverts to a figured bass. Nos. 4-6 however adopt the four-movement pattern favoured for instance by Telemann. This edition is has been edited and realised by William Bennett.The solo flutepart is also included on a separate insert.

This CD contains all the numbered pieces in A Beginner's Book For The Flute Part Two (numbers 43-72). Each piece is played complete followed by a four second pause then the piano accompaniment only preceded by a lead-in of the appropriate number of metronome beats. Performed by Trevor Wye and Clifford Benson (piano).

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on thePlain, conveys many technical features, including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

13 Well-Known Melodies In Easy Arrangements. The music chosen for 'Curtain up!' ranges from the early classical period to the 20th century and includes arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart, Weber, Diabelli, Mendelssohn Bartholdy through to Tchaikovsky, Ravel and Rachmaninoff. Two lively compositions by Maria Holzeis-Augustin are also included. All arrangements are suitable as concert pieces and can be used alongside any flute tutor. Curtain up for 'Magic Flute on Stage'! - 13 easy arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart through to Tchaikovsky and Ravel - Two lively compositions by Maria Holzeis-Augustin - All arrangements are suitable as concert pieces and can be used alongside any flute tutor - Selected from the 'Magic Flute on Stage' series / Niveau : Facile à Avancé / Recueil / Flûte Traversière et Piano

Par REGISTER P. BRENT. Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for flute and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time. Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for flute and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time./ Répertoire / Flûte Traversière et Piano

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Faure’s two original pieces for flute and piano – the Fantaisie Op.79 and the Morceau de Lecture – Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions.The solo flute part is also included on a separate insert.

Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong> Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest ; Concours de Genève in 2014, this concerto requires advanced skills. Andre Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière et Piano

Editor : Edward Blakeman The French Flute Encores series A series of short recital pieces for flute and piano associated with the flautist Paul Taffanel, founder of the modern school of flute playing. The series is compiled and edited by Edward Blakeman. French Flute Encores series - Book 1. Two charming fin-de siecle pieces. Contents Taffanel (This book is French Flute Encores Book 1) Allegretto Grazioso Allegretto Scherzando