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Choral CD (92)
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Educatif (70)
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Chant et Guitare (67)
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1 Piano, 6 hands (60)
High voice (59)
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Voice and Orchestra (57)
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4 Cellos (46)
Electric bass, Drums (46)
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2 Trompettes Sib 1 Cor en Fa 1… (44)
Trompette ou Bugle ou Cornet o… (44)
Recorder, Bass Continuo (44)
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Xylophone or Marimba or Vibrap… (43)
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Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
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2 Euphoniums (39)
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Xylophone (39)
Edition Critique des oeuvres d… (39)
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Saxophone Baryton (39)
Quatuor Variable (39)
Choeur Mixte et Orchestre (39)
Chanson (39)
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Conga (38)
Solistes SATB, Choeur SATB, 2 … (38)
Viola, Cello (duet) (38)
Lyrics only (37)
Lecture Chantée/Formation de … (37)
Woodwind Quartet: any 4 woodwi… (37)
Flute, Violin, Keyboard (basso… (37)
Soprano Saxophone and Piano (37)
Choeur SATTB et Basse Continue… (37)
Saxhorn and Piano (37)
Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
Flûte Traversière et Quatuor… (36)
Petit Ensemble Contemporain (36)
Lute (36)
String Trio: 3 violins (36)
Medium Voice (36)
Voix et Instruments Divers (35)
Violin, Horn and Piano (35)
Quatuor A Cordes Et Orchestre … (35)
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Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
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Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
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2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
Trio A Cordes (32)
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Choeur de Femmes (32)
DVD Opera and Ballets (32)
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Choeur a Cappella (31)
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Orchestre Scolaire (29)
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Bugle (29)
String quintet (29)
Duos (29)
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Book (29)
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2 Clarinettes, 2 Violons, Orgu… (28)
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Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
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Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Clarinette, 2 Violons, Alto et… (26)
Ensemble Instrumental Et Petit… (26)
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Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
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Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
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Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
Saxophone Alto Solo (22)
Baritone Horn and Piano (22)
Flute and Strings Trio (22)
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Voice, Clarinet, Piano (21)
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Violon, Ensembles de Cordes et… (21)
Sextuor (21)
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Clavecin Et Instruments A Cord… (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Drums-Marching band (21)
Orchestre De Chambre (21)
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2 French horns, Piano (21)
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Choeur et Orchestre (21)
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Reportage (21)
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Richard Danielpour: Margaret Garner: Opera: Vocal Score
Opera
[Sheet music]
Associated
Opera Vocal Score-'More than anything else Margaret Garner is an opera that rem...
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Opera Vocal Score-'More than anything else Margaret Garner is an opera that reminds us that we all belong to the same human family and it demonstrates what can happen when we forget this fundamental truth... - RichardDanielpour This Opera by Grammy-winning composer Richard Danielpour tells the story of Margaret Garner an enslaved African-American woman in pre-Civil War America who gained notoriety for killing her owndaughter to prevent her from suffering the degradation of a life of slavery. In this adaptation of the famous tale Edward Gaines acquires his deceased brother’s Kentucky estate and pledges to let all of the slave familieson the Maplewood Plantation stay together. However when he takes a special interest in one of the slaves Margaret Garner it is not long before her husband Robert is sent away alone to another plantation. One night Robertsneaks back to Maplewood and attempts to escape with Margaret and their children to the ‘Free State’ of Ohio. They are caught and Margaret murders her children in a crime of passion sparing them from a life of slavery. Margaretis condemned to death and although she is granted clemency at the last minute she chooses the freedom of the gallows over life as a slave. The tragic work features a libretto by Toni Morrison and gained highcritical praise at its first performance in Philadelphia in 2006. Watch a clip from the performance here:
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Solfeggi Cantati (GRISONI RENATO)
Opera
[Sheet music]
Curci
Par GRISONI RENATO. / Solfège/Formation Musicale / Opéra Théorique ou Didacti...
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Par GRISONI RENATO. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Ballata (FRANCESCONI LUCA)
Opera
[Score]
Ricordi
Opera In Due Atti (1996-1999). Par FRANCESCONI LUCA. Italian / Musique contempor...
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Opera In Due Atti (1996-1999). Par FRANCESCONI LUCA. Italian / Musique contemporaine / Date parution : 1905-07-02/ Répertoire / Opéra
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Franz Schubert: Alfonso und Estrella D 732: Opera: Vocal Score
Opera
[Vocal Score]
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Samuel Barber: Anthony and Cleopatra: Voice: Vocal Album
Opera
[Libretti]
Schirmer
Libretto-Written in 1862 La Forza Del Destino was written after a two-year gap i...
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Libretto-Written in 1862 La Forza Del Destino was written after a two-year gap in Verdi's composing. The work was comissioned in late 1860 by the Imperial Theater of St. Petersburg and is now regarded by many as Verdi's mostextensive and dramatically intricate opera. This Libretto is the revised version which Verdi worked on with Antonio Ghislanzoni. It premiered at La Scala Milan on February 27 1869 and has a different ending to Piave'soriginal story. English translation by Ruth and Thomas Martin.
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Solfeggi Parlati Cantati 1 (PANETTA)
Opera
[Sheet music]
Berben Edizioni Musicali
Par PANETTA. / Date parution : 1905-06-06/ Solfège/Formation Musicale / Opéra...
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Par PANETTA. / Date parution : 1905-06-06/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Orquestaciones Escolares (MARTINEZ CALAFATE L)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ CALAFATE L.. RM108057/ Recueil / Opéra Théorique ou Didactique
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Anyone Can Improvise (AEBERSOLD JAMEY)
Opera
[DVD]
Jamey Aebersold Jazz
Par AEBERSOLD JAMEY. Basic/intermediate. This nearly two-hour long DVD features ...
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Par AEBERSOLD JAMEY. Basic/intermediate. This nearly two-hour long DVD features Jamey at the piano explaining and demonstrating the fundamental techniques used by all great jazz improvisors. Topics covered include chord/scale relationships, keeping your place, patterns, the blues and pentatonic scales and their application, what and how to practice, articulation, memorizing songs, and much more. This DVD not only provides the technical information essential to getting started on improvisation but also serves as an overview of the entire creative process in terms that even a non-musician could understand. Jamey also provides much needed motivational material and discusses the philosophy of man'sneed to be creative. A complete presentation! This DVD is closely aligned with the world famous Volume 1 'How To Play Jazz' and Volume 24 'Major and Minor' play-a-longs (see 'related items' below. ) The visual, hands-on demonstration makes their concepts easier to grasp. Jamey even plays along with tracks from those two play-a-long volumes, showing proper application of scales to chords and essential practice techniques. / Jazz / Accessoire / Opéra Théorique ou Didactique
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
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Giacomo Puccini: La Bohème: Opera
Opera
Ricordi
Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin ...
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Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one?s art. Puccini?s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: ?Al Quartiere Latino? sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi
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Giacomo Puccini: La Bohème: Opera
Opera
Ricordi
Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin ...
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Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one?s art. Puccini?s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: ?Al Quartiere Latino? sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi
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Pensiero Musicale V.1 (DELFRATI CARLO)
Opera
[Sheet music]
Curci
Par DELFRATI CARLO. Il pensiero musicale, articolato in tre volumi, sviluppa i c...
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Par DELFRATI CARLO. Il pensiero musicale, articolato in tre volumi, sviluppa i concetti della teoria musicale e gli elementi della notazione in modo progressivo. Ogni volume è corredato da CD audio per le attività di ascolto, ear-training, dettato musicale. IMPOSTAZIONE E METODOLOGIA: Il corso è frutto di oltre quarant'anni di studi e di insegnamento dell'autore, Carlo Delfrati, e della sua concezione fortemente innovativa della didattica musicale: la formazione teorica va di pari passo con attività pratiche, creative e analitiche. INOLTRE: L'apprendimento della lettura è graduale e progressivo, grazie ad un approccio basato sull'immediatezza percettiva di melodie e figurazioni ritmiche. Per le letture (ritmiche e melodiche) viene utilizzato il repertorio musicale di ogni periodo storico: dal Medioevo a oggi, dal tradizione popolare alla musica etnica. Un'antologia che servirà anche negli studi più avanzati./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Antonio Vivaldi: La Griselda RV 718: Opera
Opera
Ricordi
Ed. critica delle opere di A. Vivaldi - Riduzione per canto e pianoforte di A. F...
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Ed. critica delle opere di A. Vivaldi - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score just published in this catalog. La Griselda was composed and performed in Venice in the spring of 1735 for the occasion of the Ascensiontide fair (Sensa). The taskof adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires hismeeting with Vivaldi and the composer?s inseparable prima donna the contralto Anna Giraud confessing to having been forced against his will to ?assassinate? Zeno?s drama at the composer?s whim. La Griselda was favourably received bythe audience at the San Samuele theatre remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context the description of the mainsource employed and a choice of the critical Notes to the musical text.
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Thomas Adès Tom Cairns: The Exterminating Angel: Opera: Vocal Work
Opera
[Vocal Score]
Faber Music Limited
An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at...
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An Opera in Three Acts-Adès?s third opera The Exterminating Angel premiered at the Salzburg Festival in July 2016. Based on Luis Buñuel?s surrealist classic El ángel exterminador the opera sees a collection of society?s grandees inexplicably trapped in a room.The libretto adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns brilliantly captures their descent into anarchy. Featuring a jaw-dropping 15 principals (who remain on stage for the majority of the piece) The Exterminating Angel is a true ensemble opera and the skill with which Adès delineates the many intricacies and undercurrents present over itsdensely-packed span (just under two hours plus interval) is breathtaking. Like the shipwrecked characters of The Tempest the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face the dinner party guests are denizens of a nightmarish world of aristocratic pretension.
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Libro Delle Letture V.1 (DELFRATI CARLO / FERRI R)
Opera
[Sheet music]
Curci
Par DELFRATI CARLO / FERRI R.. / Solfège/Formation Musicale / Opéra Théorique...
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Par DELFRATI CARLO / FERRI R.. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Libro Delle Letture V.2 (DELFRATI CARLO / FERRI R)
Opera
[Sheet music]
Curci
Par DELFRATI CARLO / FERRI R.. / Solfège/Formation Musicale / Opéra Théorique...
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Par DELFRATI CARLO / FERRI R.. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati Vol.1 (MONACHINO GIUSEPPE)
Opera
[Sheet music]
Carisch
Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Did...
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Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati 3 P.1 (PANETTA)
Opera
[Sheet music]
Berben Edizioni Musicali
Par PANETTA. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati App.3 (MONACHINO GIUSEPPE)
Opera
[Sheet music]
Volonte and Co
Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Did...
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Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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50 Solfeggi Parlati Cantati (MONACHINO ANTONELLA)
Opera
[Sheet music]
Carisch
Par MONACHINO ANTONELLA. / Solfège/Formation Musicale / Opéra Théorique ou Di...
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Par MONACHINO ANTONELLA. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati 1C (ANZAGHI LUIGI ORESTE)
Opera
[Sheet music]
Carisch
Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou D...
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Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati 3C (ANZAGHI LUIGI ORESTE)
Opera
[Sheet music]
Carisch
Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou D...
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Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati Vol.2 (MONACHINO GIUSEPPE)
Opera
[Sheet music]
Carisch
Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Did...
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Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati Vol.3 (MONACHINO GIUSEPPE)
Opera
[Sheet music]
Carisch
Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Did...
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Par MONACHINO GIUSEPPE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati E Cantati 1 (PASTORE ENZA)
Opera
[Sheet music]
Sinfonica Jazz
Par PASTORE ENZA. SINS0085/ Solfège/Formation Musicale / Opéra Théorique ou D...
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Par PASTORE ENZA. SINS0085/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggi Parlati Cantati 2C (ANZAGHI LUIGI ORESTE)
Opera
[Sheet music]
Carisch
Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou D...
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Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Solfeggio Cantato E Dettato Me (DESIDERY GIANNI)
Opera
[Sheet music]
Carisch
Par DESIDERY GIANNI. / Solfège/Formation Musicale / Opéra Théorique ou Didact...
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Par DESIDERY GIANNI. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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