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PIANO
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CD (75)
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Chant (66)
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Opera (62)
Biography (61)
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Harp (48)
Ensemble A Vent (48)
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Choral 3-part (43)
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Nursery rhyme (42)
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Percussion (39)
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Pennywhistle (36)
Musical Awakening (35)
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Music Theory (32)
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Oboe (32)
Baritone voice, Piano (29)
School Ensemble (28)
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Piano and Orchestra (26)
2 Violins (duet) (26)
2 Saxophones (duet) (25)
Orchestra, Violin (25)
2 Guitars (duet) (24)
Solistes SATB, Choeur SATB, 2 … (23)
Choral TTBB (23)
Ensemble (22)
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Tenor voice, Piano (20)
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2 Flutes (duet) (19)
Soprano voice (19)
Guitar Tab, Voice, Bass, Drum (18)
B Flat, E Flat and C Instrumen… (18)
B Flat, E Flat, C and Bass cle… (17)
Descant (Soprano) Recorder (17)
Dulcimer (17)
Harpsichord (17)
2 Cellos (duet) (16)
Violin, Guitar (duet) (16)
Voice and Orchestra (16)
Chant et Guitare (16)
Solo SATB, Choeur SATB, Hautbo… (15)
2 Clarinets (duet) (15)
String Quintet: 2 violins, vio… (15)
Saxophone and Piano (15)
Brass Quintet: 2 trumpets, hor… (14)
Bass Clef Instruments (14)
Descent (Soprano) Recorder, Pi… (14)
Flute and Guitar (14)
2 Trumpets (duet) (14)
Partition de Poche (14)
Solistes SATBar, Choeur SATB, … (13)
Children choir, Piano (13)
Piano Accompaniment (13)
Trombone and Piano (13)
3 Instruments En Mib (12)
3 Choeurs (SATB, SATB et SATB)… (12)
Guitare et Musique de Chambre (12)
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Choral 2-part (11)
Snare drums (11)
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Chants Minés, Saynétes Et Ba… (11)
Scores (11)
Voix Mixtes SAB et Piano (11)
Djembe (10)
Low voice (10)
Wind ensemble (10)
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Musical dictation (10)
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Solistes STBarB, Choeur SATB, … (10)
Saxophone (band part) (10)
Violin, Cello (duet) (10)
Lute (10)
DVD concert (10)
Solistes SATB, Choeur SSATTB, … (9)
Baryton ou Tuba Basse Continue… (9)
Cello, Guitar (duet) (9)
3 Instruments En Do (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, 2 … (9)
Dobro (9)
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Baritone voice (9)
Solo S, 2 Hautbois ou 2 Flûte… (9)
4 Guitars (Quartet) (9)
Bass Clarinet (9)
High voice (9)
Guitare Flatpick et Plectre (9)
Woodwind Quintet: flute, oboe,… (9)
2 Trombones (duet) (9)
Trio à Cordes (8)
2 Violons, Violoncelle et Bass… (8)
Trombone or Euphonium (8)
Violoncelle ou 2 Violoncelles … (8)
Solistes ATB, Choeur SATB, (Tr… (8)
Flûte Traversière, Hautbois,… (8)
Flûte Traversière, 2 Violons… (8)
Harpe, Piano et Flûte Ad Libi… (8)
Solistes SSAATTB, Choeur SATB,… (8)
Concert Band/Harmonie (8)
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Piano Quartet: piano, violin, … (8)
Violin, Basso continuo (8)
Bassoon, Piano (duet) (8)
Clarinet, Orchestra (8)
Recorder Ensemble (8)
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Flute ensemble (8)
Clavier Electronique et Ligne … (7)
Percussions (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
Guitare Tablatures Flatpick et… (7)
Flute, Cello, Piano (trio) (7)
Livres (7)
Piano Quintet: piano, 2 violin… (7)
Accordion - Piano, Voice, Guit… (7)
Solistes SATB, Choeur SATB, 2 … (7)
Solistes SATB, Choeur SATB, Fl… (7)
Clavecin (7)
Treble (Alto) Recorder, Piano (7)
Opéra Full Score (7)
2 Recorders (duet) (7)
Batterie et Percussions (7)
Chanson (7)
Big Note Piano (7)
French Horn and Piano (7)
Cello, Orchestra (7)
Saxophone Baryton (6)
Guitare Tablatures Electrique (6)
Dictées musicales (6)
Choeur SATB, 2 Violons, Violon… (6)
Choral SSATB (6)
Tenor Saxophone and Piano (6)
Violin, Viola (duet) (6)
Trombone (band part) (6)
Medium Voice (6)
Recorder, Piano (6)
Oeuvres Théâtrales/Oratorios… (6)
Vocal duet, Piano (6)
Flute, Violoncello (6)
Piano, Chant et Guitare Tablat… (6)
Cello, String Bass (duet) (6)
Quintette avec Piano (6)
Concert Band ou Harmonie et Ch… (6)
Fake Book (6)
Choeur SATB, 2 Hautbois, 2 Cla… (5)
String Quintet: 2 violins, vio… (5)
Mallet Percussions (5)
Guitare Tablatures Flatpick et… (5)
Orgue ou Clavecin ou Harmonium… (5)
Solo S, Flûte à Bec C2 ou Ha… (5)
Pin's (5)
Solo à (B), 2 Violons et Bass… (5)
Percussion Ensemble (5)
3 Guitars (trio) (5)
SAM a Cappella (5)
Viola da Gamba (5)
Solistes SAB, Choeur SATB, (2 … (5)
Tuba or Euphonium or Saxhorn (5)
2 Violons, Alto, Violoncelle (5)
Trio avec Piano (5)
Flûte Traversière, Hautbois,… (5)
Cajon (5)
Ocarina (5)
Saxophone Ténor et Piano (5)
Clarinet Quartet: 4 clarinets (5)
Lap Steel Guitar (5)
Voix Mixtes (5)
Bodhran (5)
Organ, Trumpet (duet) (5)
Conga (5)
Vent (Flûte, Clarinette et Ha… (4)
Clarinette Alto (4)
Flûte Traversière, Clarinett… (4)
Soprano, Choeur Mixte à 4 Voi… (4)
Guitare, Violon, Mandoline, ba… (4)
Cor Anglais, 2 Violons et Viol… (4)
Trompette et Quintette à Cord… (4)
Flûte Traversière Clarinette… (4)
2 Clarinettes, 2 Bassons et 2 … (4)
Trio (4)
2 Flûtes Traversières et Cla… (4)
Violon, Alto, Violoncelle et C… (4)
Clarinette, 2 Violons, Viole e… (4)
6 Instruments à vent, Cordes … (4)
Percussion et Violoncelle (4)
Choeur Mixte (Complet en Parti… (4)
2 Violons, Violoncelle, Basse … (4)
Flûte Traversière, Clarinett… (4)
Clarinet (band part) (4)
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Clarinette, Basson, Cor, 2 Vio… (4)
Quatuor à Cordes et Enregistr… (4)
Trio à Cordes Flexible (4)
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Consort de Violes de gambe (4)
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Trombone and Orchestra (4)
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Flute, Clarinet (duet) (4)
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Trompette 2 (4)
Clarinette, Trio à Cordes et … (4)
Soli [AT] et Orchestre (4)
Instruments à Cordes Divers e… (4)
SAM et Piano (4)
Trumpet, Orchestra (4)
Percussions 2 (4)
Quatuor avec Piano (4)
Clarinette, Alto et Piano (4)
Euphonium (4)
Voix Et Orchestre (4)
Guitare Tablatures Country (4)
Melody line, Piano (4)
Vocal duet (4)
Partition D'Orchestre In 16 Po… (4)
Quintette à Cordes (4)
Saxophone Quintet: 5 Saxophone… (4)
Hautbois Solo, Hautbois Baryto… (4)
Voix, Instruments (4)
Flûte Traversière Percussion… (4)
Stationery (4)
Piano Quintet: piano, violin, … (4)
2 Violons, Alto, Violoncelle e… (4)
Bagpipe (4)
Baryton et Orchestre (4)
DVD Opera and Ballets (4)
Flûte Traversière ou Flûte … (4)
Quintette Mixte (4)
Oboe and String quartet (4)
3 Clarinets (trio) (4)
Guitare Country (4)
Hautbois, Clarinette et Basson… (4)
Clarinette 2 (4)
Violon, Cordes Et Basse Contin… (4)
Violon 1, Violon 2, Alto, Viol… (4)
Diverses Formations (4)
Flûte Traversière Cordes et … (4)
Organ, Voice (4)
Violon, Violoncelle, Guqin et … (4)
Woodwind Quintet (4)
Flûte Traversière et 2 Clari… (4)
Guitare Fingerpicking (4)
Concert band, Choral (4)
Choeur Mixte a Cappella (4)
Set de Cordes (4)
Flute Trio: 3 flutes (4)
Guitare (Flatpick) Et Plectre (4)
2 Violas (duet) (4)
Guitare et Voix (4)
Lyrics & Chords (3)
Lyrics only (3)
Soli (SATB), Chor (SATB) und K… (3)
Saxophone Alto et Fanfare (3)
1 Ou 2 Flûte(s) Traversière(… (3)
Voice, Clarinet, Piano (3)
Solistes, Div. Instruments à … (3)
1 Ou 2 Flûte(s) A Bec Alto (3)
Quatuor de Cuivres graves et O… (3)
Choeur SSATTB et Basse Continu… (3)
Cello Ensemble (3)
4 Euphoniums (3)
Mélodie, Chant et Guitare Tab… (3)
Solistes SSTB, Choeur SATB/SAT… (3)
Organ and Brass Quartet (3)
Euphonium en Clé de Fa Do ou … (3)
Percussions Diverses (3)
Harpe et Piano (3)
Solistes, Choeur, Quatuor A Co… (3)
Choeur SATB, 2 Hautbois, 2 Cla… (3)
Guitare Tablatures Classique (3)
Solistes, Div. Instruments à … (3)
5 Voix (SSATB), 2 Violons et B… (3)
3 instruments in Ut (3)
Piano, Guitar (duet) (3)
Quintette Variable (3)
Choeur d'Enfants et Piano (3)
2 Cornets, Cor en Mib et Tuba (3)
Flûte A Bec Soprano Et Flûte… (3)
Choral SSAATTBB (3)
Solistes STB, Choeur SSATB, Ha… (3)
Xylophone or Marimba or Vibrap… (3)
Solistes, SATB et Orchestre (3)
CD only (3)
Voix solo - piano (3)
Mezzo-Soprano voice (3)
2 Trumpets, Keyboard (piano or… (3)
Violon II (3)
Euphonium or Saxhorn and Piano… (3)
String Trio: violin, viola, ce… (3)
Solistes, Chœur Mixte SATB et… (3)
5 Part Ensemble (3)
Orgue ou Clavecin (3)
Brass Quartet: 4 trombones (3)
3 Recorders (trio) (3)
Choeur Mixte a Cappella (SATB)… (3)
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Voix Haute (3)
Choral Unison (3)
Concert Band ou Harmonie et Cl… (3)
Fiddle (3)
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Timpani (3)
Opéra (3)
Guitare Tablatures Classique e… (3)
Tenor Banjo (3)
Soprano (3)
Ukulele Ensemble (3)
Solistes et Choeur SATB/SATB e… (2)
Cello, Organ (2)
Paroles et accords (2)
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Clarinette Ou Trompette Et Pia… (2)
Choeur TTBB et Orgue (2)
Soprano voice, Organ (2)
Violoncello, Basso continuo (2)
String Trio: 2 violins, viola (2)
Parties Séparées (2)
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Instruments Mélodiques (2)
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Fifre (2)
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Chant et Piano (Baryton ou Mez… (2)
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Guitar, Orchestra (2)
Marimba (2)
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Music Courses : Practice books… (2)
Voice, Piano (2)
Voix et Ensemble (2)
Ukulélé Soprano (2)
Brass Quartet (2)
12 Chanteurs Solistes (2)
Carte Postale (2)
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Trio A Cordes (2)
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Quintette (2)
Solo instrument and Organ (2)
Viole de Gambe (2)
Harp, Flute (duet) (2)
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Violoncelle et Basse (2)
Drum (band part) (2)
Xylophone (2)
Trombone ensemble (2)
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Violon et Marimba (2)
Soprano, SATB et Orchestre (2)
Batterie-Fanfare (2)
Choeur et Orchestre (2)
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Chant, Violon, Violoncelle et … (2)
Ensemble Flexible à 5 Parties… (2)
Guitar (band part) (2)
Violon, Violoncelle, Alto, Con… (2)
Choral, Orchestra (2)
Livre Musical (2)
Chorale (2)
Orchestre et Piano (2)
Parties Supplémentaires (2)
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Cornet and Piano (2)
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Horn and Orchestra (2)
5 Part Ensemble (Clavier, Guit… (2)
Piccolo, Piano (2)
1 Ou 2 Accordéon(s) (2)
Classique (2)
Edition Critique des oeuvres d… (2)
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Clarinette Bb (2)
Flûte Traversière, Clarinett… (2)
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Violon I (2)
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Instruments A Vent (2)
Saxophone Contralto (2)
French horn (band part) (2)
Tenor voice (2)
Guitare Lap Steel (2)
Timbales et Orchestre (2)
Choeur D'Enfants Et Piano (Org… (2)
Maillets (2)
Harmonica Diatonique et Chroma… (2)
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Pocket, Study conductor (2)
Guitare Acoustique (2)
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Noces De Lumière (PAULET VINCENT)
Orchestra
[Sheet music]
Jobert
Par PAULET VINCENT. Une fois esquissées les premières pages de cette partition...
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Par PAULET VINCENT. Une fois esquissées les premières pages de cette partition, il m'est apparu que la musique que je découvrais progressivement pouvait suggérer, par analogie, une succession de déclinaisons lumineuses - je me pris alors à imaginer les métamorphoses d'un paysage (lui aussi parfaitement imaginaire) au gré de l'évolution de la lumière du jour, puis à envisager cette poétique comme celle de la célébration de la Terre et du soleil s'unissant dans un tel spectacle, d'où le titre de l'oeuvre. Cinq mouvements, ou 'poèmes solaires' (ce fut ma première idée de titre) s'enchaînent, dont les indications de tempo sont les suivantes : moderato, presto, moderato, presto, largo puis (sans transition) presto. A posteriori, la lumière d'abord pâle puis progressivement plus intense de la première pièce m'évoque l'aube et l'éclairage déclinant de la dernière un crépuscule - dans cette logique, la relative pesanteur, l'éclat quelque peu 'plombé' du mouvement central, généralement statique, pourra suggérer à son tour l'ambiance lumineuse parfois écrasante de midi, les mouvements intermédiaires apparaissant, quant à eux, comme deux avatars d'une même danse incandescente. L'évolution du discours est toutefois d'ordre purement musical, sa résultante orchestrale mettant, par ailleurs, plus souvent en oeuvre un ensemble de solistes qu'une fusion de masses sonores. Ces 'Noces de lumière', écrites entre l'automne 2004 et le printemps 2006, répondent à une commande passée par la Fondation d'Entreprise Groupe Banque Populaire. Elles sont dédiées conjointement à Laurent Petitgirard, qui, en tant que conseiller artistique de cette Fondation, est à l'origine de l'oeuvre, et à John Nelson, qui, à la tête de l'Ensemble Orchestral de Paris, en dirigea la première audition au Théâtre des Champs-Elysées. Vincent Paulet / contemporain / Répertoire / Orchestre
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Sämtliche Kantaten, 19 Bände Im Versand-Schuber (BACH JOHANN SEBASTIAN)
Orchestra
[Study Score / Miniature]
Barenreiter
19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German...
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19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German Music Edition Prize 'Best Edition' 2008. Johann Sebastian Bach: Sämtliche Kantaten, Motetten, Choräle und Geistliche Lieder. The complete cantatas, chorales and motets in study editions in 19 volumes. This special edition exclusively offers the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. It is well presented on high quality paper and has a durable sewn binding. A MUST for everyone who is passionate about Bach´s music! No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. Bärenreiter?s unique edition, which encompasses more than 11, 000 pages, includes all cantatas together with the motets, chorales and sacred songs in the Urtext of the ?New Bach Edition? (NBA Series I and III). As a special extra, the recently rediscovered aria ? Alles mit Gott und nichts ohn ? ihn ? is also included. Only available here is an additional volume with an introduction (German/English) by Christoph Wolff and an index. The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Barenreiter presents the Complete Cantatas, Chorales and Motets in a handy, readable and affordable paperbackformat. The special ediion of 19 volumes (including an index) exclusively offers the authoritative musical text of these masterworks. Each volume is printed on high quality paper and has a durable sewn binding A must for everyone who is passionate about Bach's music. These scores are the last word in Bach scholarship and an extraordinary publishing achievement / Mottet / Répertoire / Partition de Poche
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Harry Potter-Sorcerer's Stone - Score
Orchestra
[Score]
Hal Leonard
Une pleine orchestrale de Suite pour enfants merveilleux de musique forment le f...
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Une pleine orchestrale de Suite pour enfants merveilleux de musique forment le film Harry Potter. Entièrement autorisé par le compositeur John Williams, la musique ici est la véritable score et fonctionnalités dans le cadre de la série Signature de la magnifiquement gravés John Williams. Inclut les thèmes suivants : Diagon Alley, Portrait de famille, Fluffy et son harpe, de Harry monde merveilleux, du Hedwig thème, Poudlard Forever, Nimbus 2000, Quidditch et Voldemort. Un ensemble complet de score et pièces est disponible sur le numéro de commande HL04490215. / Conducteur
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Complete Concerti Full Score (BRAHMS JOHANNES)
Orchestra
[Sheet music]
Dover Publications
Par BRAHMS JOHANNES. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Vio...
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Par BRAHMS JOHANNES. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Violin and Cello, Op. 102. From the Breitkopf and Hartel Complete Works Edition. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Violin and Cello, Op. 102. From the Breitkopf and Hartel Complete Works Edition./ Répertoire / Orchestre
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Complete Synphonies Full Score (BRAHMS JOHANNES)
Orchestra
[Sheet music]
Dover Publications
Par BRAHMS JOHANNES. This volume reproduces, complete and unabridged, the scores...
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Par BRAHMS JOHANNES. This volume reproduces, complete and unabridged, the scores of all four symphonies of Johannes Brahms, from the Vienna Gesellschaft der Musikfreunde edition./ Répertoire / Orchestre
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Om Lys Og Lethed
Orchestra
[Score]
Wilhelm Hansen
Par GLERUP RUNE. My violin concerto would never have been written if I had not m...
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Par GLERUP RUNE. My violin concerto would never have been written if I had not met Isabelle Faust. At a time when I had not written a single note for several months, doubting if I would ever write anything again, her interest and energy was the cause of new inspiration. Just as important was her special way of playing - with intellect, heart and a rare, delicate sensibility. Her personality and musicianship struck a chord in me, in my music, which gave my thoughts a new direction. The violin concerto marks a change in my music towards a simpler and lighter expression. An expression that also contains detached glimpses from my childhood's endless summers by the North Sea. Birds, high and slow on a blue sky, and the evening quietly descending. The special light, the distant sounds. But also the confusion, repetitions and dead ends of the world. An expression that, more than in my previous music, is 'About Light and Lightness.' - Rune Glerup, 2021 / Date parution : 2023-10-31/ Répertoire / Orchestre
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Complete Conc. Grossi Full Sco (HAENDEL GEORG FRIEDRICH)
Orchestra
[Sheet music]
Dover Publications
Par HAENDEL GEORG FRIEDRICH. Nineteen concerti in all. Includes Op. 3 and Op. 6,...
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Par HAENDEL GEORG FRIEDRICH. Nineteen concerti in all. Includes Op. 3 and Op. 6, plus the 'C Major (Alexander's Feast)'. Deutsche Hondelgesellschaft edition./ Répertoire / Orchestre
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Stravinsky, Igor : Petrouchka (1947)
Orchestra
[Sheet music]
Schott
One of the most famous ballet scores of the twentieth century. Completed in 1911...
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One of the most famous ballet scores of the twentieth century. Completed in 1911, Petrouchka was the second of Stravinsky's great ballets and is equally at home in the concert hall as in the theatre. Now published in The Masterworks Library: Landmark 20th century works from the Boosey
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Small Pieces Composed In Homage To The Saxon Court
Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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The Cunning Little Vixen (JANACEK LEOS)
Orchestra
[Sheet music]
Barenreiter
Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh ...
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Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlidek, in January 1922. The first copy of the score, was completed by Vaclav Sedlacek in October 1923 but is now lost, while the second copy was prepared by Jaroslav Kulhanek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zitek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right. This volume of the complete edition reprints the critical edition by Jiri Zahradka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and - in consideration of Janacek's active participation in rehearsals for the premiere production - integrates both the dynamics of Frantisek Neumann and the performance markings of Sir Charles Mackerras into the musical text./ Répertoire / Chant et Orchestre
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Sinfonie In C (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
Orchestra
Ricordi
Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in ...
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre
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Symphony In C Minor Hob I: 78 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symph...
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Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he described the works as 'Leicht und nicht vil Concertirend”, meaning they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. To date, Bärenreiter has published the complete performance material for several of Haydn's 'Sturm und Drang” symphonies as well as the complete London and Paris symphonies. / Date parution : 2019-09-06/ Répertoire / Orchestre
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Laniakea (PEPIN CAMILLE)
Orchestra
[Sheet music]
Jobert
Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la sé...
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Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la série 'Roulement de timbales', j'ai immédiatement eu à l'esprit quelque chose de vaste et puissant. J'ai alors pensé à la récente découverte de Laniakea, ce superamas de galaxies comptant parmi les plus grandes structures de l'Univers. Découvert en 2014 par Hélène Courtois (1), Laniakea signifie 'paradis céleste incommensurable' en hawaïen. A l'intérieur de ce superamas, les galaxies sont en mouvement et convergent vers un même point appelé le Grand Attracteur. Il faut imaginer des courants de galaxies dont toute la matière se déverse au même endroit - comme au coeur d'une vallée - à une vitesse folle de 630 km/s. Immensité, mouvement, vitesse, lumière... ont été les mots qui m'ont guidée en composant. Ce scénario d'un horizon céleste si grand est une source d'inspiration foisonnante de couleurs pour mon imaginaire d'orchestratrice ! J'ai donc eu l'envie de trouver des résonances musicales à ce monde fascinant de l'infiniment grand. Comme la Symphonie n°103 de Haydn, Laniakea s'ouvre sur un roulement de timbales. Il reviendra durant la pièce sous différents formes : parfois 'à nu', parfois en fond sonore ou encore en relais avec la grosse caisse. Laniakea se présente comme une fresque cosmique articulée en trois épisodes précédés d'une introduction et achevés par une coda. Puissante et majestueuse, l'introduction présente un thème aux cuivres et aux cloches sur un roulement de timbales. Les cordes constituent un 'mur du son' résonnant et vibrant. La matière se transforme progressivement. Les bois se fondent dans les cordes et deviennent liquides. Le thème de cuivres se déployant sur cette texture miroitante devient de plus en plus doux, finit par se dissoudre et laisse place à la lumière. La première grande partie commence par un motif de hautbois, glockenspiel et harmoniques de cordes aiguës : autant de particules lumineuses tentant de percer dans ce ciel immense. Le vibraphone et les bois créent une nappe réverbérante et contribuent à donner à ce passage une couleur céleste et scintillante. La texture devient plus rythmique avec la naissance d'un motif tournoyant et répétitif aux altos. Dans cet épisode hypnotique, le thème de l'introduction est rappelé aux cloches et aux cors. Il s'intensifie. La matière se répand. Glockenspiel et harmoniques - touches lumineuses - sont nimbés de vent stellaire avec le roulement de cymbale suspendue. Un thème plus lyrique et envoûtant apparaît aux violoncelles. Il sera présenté avec différentes couleurs en passant aux violons puis aux altos. L'apparition du glissando mib-ré aux trombones est un signal : nous passons progressivement dans la seconde partie. Le motif rythmique s'éteint et la matière devient de plus en plus nébuleuse. Dans cette partie plus sombre, ce demi-ton est omniprésent : glissé aux cors, en harmoniques chez les cordes, plaintif chez les bois. Ici, j'ai voulu exprimer le mystère de ce Grand Attracteur, de ce glissement vertigineux de matière happée par le vide. Les amas en apesanteur deviennent de plus en plus épais et s'enrichissent. La matière finit par gronder et donne naissance à un passage flottant, brumeux et plus lyrique. Une quinte grave et mystérieuse aux trombones annonce la fin de cette partie. Les trompettes nous rappellent le thème de cuivres de l'introduction. A leurs impulsions correspondent des échos dans les bois - comme la queue d'une étoile filante qui brille encore après son passage. Le dernier épisode est une danse cosmique lumineuse et festive, teintée de couleurs célestes. J'ai imaginé un ballet hypnotique de nuées d'étoiles nimbées de poussière stellaire. Pour créer ce halo lumineux, j'ai animé les fonds par des croches répétées en guise de tenues et de légers soufflets pour leur donner de la vie. En composant, j'ai également eu à l'esprit certaines textures des jeux d'orgue. Cette danse est basée sur un motif rythmique en boucle qui voyage entre les groupes : un ballet étourdissant et hypnotique d'étoiles se déplaçant à des vitesses hallucinantes. Il aboutit à un premier climax lyrique et flamboyant. Un dernier pas de deux d'étoiles se poursuit et exulte en s'embrasant dans un grand crescendo de lumière. Un roulement de timbales soudain nous ramène à l'immensité et la puissance initiales. Cette grande coda nous rappelle que Laniakea est un horizon céleste immense que nous ne pouvons appréhender. Au loin, la lumière s'éteint progressivement. La matière se désagrège et finit par se perdre dans l'espace. Camille Pepin / Date parution : 2020-08-21/ Répertoire / Orchestre
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Requiem (MOZART WOLFGANG AMADEUS)
Orchestra
[Study Score / Miniature]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xave...
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Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Partition de Poche
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Jonas Kaufmann. Tenor (VOIGT THOMAS)
Orchestra
[Book]
Barenreiter
Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of t...
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Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of today', „der neue König der Tenöre' - unter den Topstars der Opernwelt nimmt Jonas Kaufmann seit Jahren eine Sonderstellung ein. 2010, zu seinem Bayreuther Debüt in Hans Neuenfels' legendärer „Lohengrin'-Inszenierung, erschien erstmals sein Buch-Porträt, in dem er ausführlich über die Licht- und Schattenseiten seines Berufes sprach und das von Kritik und Fans gleichermaßen gefeiert wurde. In der erweiterten Neuausgabe reflektiert der Sänger nun auch die letzten Jahre seiner künstlerischen Entwicklung. Nicht nur seine jüngsten Erfahrungen auf der Opernbühne und im Konzertsaal, sondern auch seine Begegnungen mit anderen großen Künstlern, sein Verhältnis zu Verdi und Wagner und seine Beschäftigung mit Tenor-Hits der Tonfilm-Ära kommen hier zur Sprache. Die neue Ausgabe enthält u.a. Beiträge von Plácido Domingo und Jürgen Kesting sowie attraktive, teils bisher unveröffentlichte Fotos. - Eine der meist verkauften Sängerbiografien der letzten Jahre - Aktualisiert und um wichtige Beiträge und attraktive Fotos ergänzt Der Autor Thomas Voigt ist freier Autor, Journalist und Filmemacher. Als renommierter Opern- und Sängerexperte ist er meist für Rundfunk und Fernsehen tätig- seine publizistische Tätigkeit wurde mit der „Gottlob-Frick-Medaille in Gold' ausgezeichnet. / Livre / Livre
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Symphony #9 (Score) (SIMPSON ROBERT)
Orchestra
[Sheet music]
Faber Music Limited
Par SIMPSON ROBERT. Robert Simpson's Symphony #9 is a powerful experience. There...
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Par SIMPSON ROBERT. Robert Simpson's Symphony #9 is a powerful experience. There is mystery and a sense of concentrated intensity here carried in a single monumental movement driven by one basic pulse. Simpson composed this work for the Bournemouth Symphony Orchestra and it was first performed by them, conducted by Vernon Handkley, at Poole in Dorset, On 8 April 1987. This item is the full conductor's score containing full Orchestral score. 'There are few musical minds in the world capable of completing such a large and complex symphonic structure,. . .' Paul Driver, The Sunday Times, 26 April 1987/ Répertoire / Conducteur
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Plymouth Town (Score) (BRITTEN BENJAMIN)
Orchestra
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Britten's ballet for small Orchestra was first performed b...
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Par BRITTEN BENJAMIN. Britten's ballet for small Orchestra was first performed by the students of the Royal College Of Music Sinfonietta at the Royal College in January 2004. The piece itself was written in 1931 during the summer holidays after the end of Britten's first year at the Royal College of Music, at the age of seventeen. Having been advised to send the original score to the Camargo Society, then the foremost promoter of ballet in the UK, but Britten was without success and never revised the work./ Répertoire / Conducteur
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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From Bohemia's Woods And Fields (SMETANA BEDRICH)
Orchestra
[Sheet music]
Barenreiter
Extrait De Má Vlast. Par SMETANA BEDRICH. The first four symphonic poems from S...
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Extrait De Má Vlast. Par SMETANA BEDRICH. The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's Woods and Fields. All six parts were issued for the first time by the publisher Urbánek, beginning with the piano duet arrangements (1879-80). The score of From Bohemia's Woods and Fields was published by Urbánek in 1881. Owing to its many misprints, Hugh Macdonald has based his new edition on the autograph score while consulting the first edition as well as the autograph and print of the composer's own version for piano duet./ Répertoire / Orchestre
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Nutcracker Suite Full Score (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Dover Publications
In Full Score. Par TCHAIKOVSKI PIOTR ILITCH. One of the most popular pieces ever...
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In Full Score. Par TCHAIKOVSKI PIOTR ILITCH. One of the most popular pieces ever created for ballet, displaying the composer's virtuosity in creating varied orchestral colours. Authoritative edition. One of the most popular pieces ever created for ballet, displaying the composer's virtuosity in creating varied orchestral colours. Authoritative edition./ Répertoire / Orchestre
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Symphonies Extraites De Zaïs
Orchestra
Barenreiter
Zais a été le premier opéra de Rameau Entièrement consacré à 'la féerie' ...
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Zais a été le premier opéra de Rameau Entièrement consacré à 'la féerie' - le monde enchanté des mythes du Moyen-Orient, avec ses génies et fantasmatique êtres aériens. Créé à l'Opéra de Paris le 29 Février 1748, le travail a été beaucoup loué pour la force, l'élégance et la diversité de la musique et son pour la grâce de ses ballets. Cameo althoug Cahusac livre de critiques, cette oeuvre charmante prouvé populaire: il a été relancé en 1761 et 1769, l'entaillage jusqu'à plus de 100 représentations d'une période de plus que durant deux décennies.Cette édition est la première d'une série qui réunit les symphonies (pièces pour orchestre et danses) d'opéras publiés dans 'oeuvres complètes de Rameau'.Présenté dans l'ordre dans lequel ils apparaissent dans les oeuvres, ces pièces proviennent de l'édition critique de la partition complète (BR IV.15) et de conserver les numéros de bar et des marques de référence dans ce volume. Cela permet aux artistes référents si nécessaire qui apparaissent aux notes critiques uniquement dans l'édition critique de la partition complèteIl est délivré des dizaines de symphonies scène avec matériel d'orchestre. / Orchestre
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Symphony No. 79 In F Major Hob. I:79 (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in...
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Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre
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Cendrillon, opérette (LARUETTE JEAN-LOUIS) (LARUETTE JEAN-LOUIS)
Français
Orchestra
[Score]
Editions Buissonnieres
Par LARUETTE JEAN-LOUIS. D'un petit volume déniché un peu par hasard à la bib...
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Par LARUETTE JEAN-LOUIS. D'un petit volume déniché un peu par hasard à la bibliothèque de l'Arsenal a germé, après un jeu de piste passionnant, un opéra-comique : Cendrillon. C'est une ?uvre à tiroir, reflet d'une époque très particulière de la musique française, se glissant entre la fin du baroque flamboyant et le classicisme naissant. Le compositeur mêle des airs célèbres d'opéras (qu'il emprunte à des compositeurs comme Jean-Philippe Rameau, Egidio Duny, les parodiant parfois), à des chants populaires (les vaudevilles qui, par référence au texte original, permettaient le jeu de mot, le double sens) et compose ses propres pièces, qu'il adapte parfaitement au texte du librettiste Louis Anseaume. Rejouée pour la première fois en 2005 en version concert par l'ensemble Les Monts du Reuil à Vincennes, cette Cendrillon de 1759 n'a pas été sans poser beaucoup de questions. Nous tenions à respecter l'esprit d'une interprétation « baroque » attentive, tout en acceptant l'espace de liberté et de création suggéré par le genre. Nos choix s'appuient sur les conseils de musicologues et nous assumons la part évidente d'incertitude inhérente à l'interprétation d'un opéra-comique en vaudevilles de cette période. Soulignons que c'est devant la grande qualité du livret de Louis Anseaume et des airs de Jean-Louis Laruette que nous avons entrepris ce travail : Cendrillon nous dévoile un compositeur sensible qui s'exprime en demi-teintes et nous touche par ses mélodies tendres et délicates./ Répertoire / Conducteur
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Concerto For Orchestra (BARTOK BELA)
Orchestra
[Score]
G. Henle
Par BARTOK BELA. With the “ Concerto for Orchestra , ” Henle inaugurates a s...
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Par BARTOK BELA. With the “ Concerto for Orchestra , ” Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943, it meant not only financial support, but also an important creative impetus for the gravely ill composer. By October, the five-movement concerto, which Koussevitsky enthusiastically dubbed “the best orchestral work of the last 25 years, ” was already complete. The first performances in the winter of 1944–45 were also very successful. Nevertheless, Bartók was moved to set down an alternate ending, which thecomposer, who passed away in September 1945, would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the “Concerto for Orchestra” in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition. / Móricz, Klára / Répertoire / Orchestre
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Concerto For Violoncello And Orchestra B Minor Op. 104 (DVORAK ANTONIN)
Orchestra
[Score]
Barenreiter
Par DVORAK ANTONIN. This study score is based on the score and complete performa...
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Par DVORAK ANTONIN. This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny. Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger)/ Répertoire / Violoncelle et Orchestre
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Agon (STRAVINSKY IGOR)
Orchestra
Boosey and Hawkes
Ballet for twelve Dancers. Par STRAVINSKY IGOR. Ballet For Twelve Dancers/ Répe...
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Ballet for twelve Dancers. Par STRAVINSKY IGOR. Ballet For Twelve Dancers/ Répertoire / Orchestre
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Concerto For Orchestra (BARTOK BELA)
Orchestra
G. Henle
With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Editi...
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With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Edition is a joint project of G. Henle Publishers, Munich and Edition Musica Budapest. The volume at hand was edited by Klára Móricz. By publishing Concerto for Orchestra the score for one of Bartók’s truly importantorchestra works is now available. The well readable introduction describes the genesis of this work that Bartók wrote during the last part of his life under special circumstances. The critical commentary contains documents the process of compositionin detail, and also transcriptions of the extensive sketches. / Móricz, Klára / Répertoire / Orchestre
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Lago Dei Cigni/Bella Addorment (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Dover Publications
Par TCHAIKOVSKI PIOTR ILITCH. Suites from the ballets in full score. Tchaikovsky...
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Par TCHAIKOVSKI PIOTR ILITCH. Suites from the ballets in full score. Tchaikovsky at his very best./ Répertoire / Orchestre
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Cythère Assiégée (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Score]
Barenreiter
Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assié...
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Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assiégée?, Gluck drew on his eponymous opéra comique from 1759, transforming it into an opéra-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version. This edition of 'Cythère assiégée? contains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts. The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles./ Répertoire / Conducteur
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