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PIANO
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Romeo And Juliet Overture (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Dover Publications
in Full Score. Par TCHAIKOVSKI PIOTR ILITCH. Two contrasting works from the comp...
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in Full Score. Par TCHAIKOVSKI PIOTR ILITCH. Two contrasting works from the composer, in full score. Authoritative Russian editions. Two contrasting works from the composer, in full score. Authoritative Russian editions./ Répertoire / Orchestre
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Johannes Brahms - Piano Concertos Nos. 1 And 2 In Full Score - Orchestra
Orchestra
[Sheet music]
Dover Publications
Description Brahms wrote only two concerti in his lifetime, each one an impor...
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Description Brahms wrote only two concerti in his lifetime, each one an important staple of the concert repertoire. These masterpieces are featured here in full score in one convenient, affordable volume. Pianists, conductors, music students, and scholars will find this edition ideal for study and performance purposes.
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Concerto for Orchestra (VINE CARL)
Orchestra
[Sheet music]
Faber Music Limited
Par VINE CARL. Carl Vine’s Concerto for Orchestra was premiered to critical ac...
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Par VINE CARL. Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible, creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’ / Scores / Répertoire / Orchestre
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Symphony #10 (Score) (SCHUBERT FRANZ)
Orchestra
[Sheet music]
Faber Music Limited
Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is ...
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Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three, and containing the principle material for the movement - the renowned Schubert scholar, Brian Newbould, has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation, born out of a life-long study of the composer's workings, has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling, pioneering style of Schubert on the threshold of his fourth decade./ Répertoire / Conducteur
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Messiah (Messias)
Orchestra
[Sheet music]
Barenreiter
Facsimile of the autograph score in the British Library, London. Par HAENDEL GEO...
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Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life. In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’smanuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. Facsimile of the autograph in the British Library. 282 + 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen, hardback / Oratorio / Répertoire / Divers
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Symphonie N015 Op. 141 (CHOSTAKOVITCH DIMITRI)
Orchestra
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. Shostakovich’s fifteenth symphony differs substanti...
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Par CHOSTAKOVITCH DIMITRI. Shostakovich’s fifteenth symphony differs substantially in many ways from his other late symphonies. The eleventh (1957), subtitled The Year 1905, and the twelfth (1960), subtitled The Year 1917, are both programmatic symphonies, relating to political and historical events within the year of which they are subtitled. The next two symphonies are sung texts, with vocal and/or choral parts: thirteenth (1962) and fourteenth (1969) symphonies. With the Symphony No. 15 In A Op. 141, Shostakovich’s last foray in the genre, the composer returned to a purely instrumental and non-programmatic composition, which inhabits a purely emotional andintellectual plane, quite removed from the world of politics and history. Available here is the pocket or study score of Shostakovich’s last symphony, the Symphony No. 15 in A Op. 141. This is an excellent Sikorski edition score, and is ideal for study and perusal purposes./ Répertoire / Orchestre
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Violin Concerto #1 In G Minor Op. 26 Orchestre (BRUCH MAX)
Orchestra
[Sheet music]
Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...
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Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Orchestre
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Carmen Suite #2
Orchestra
Eulenburg
Carmen' is one of the most popular and most frequently performed operas across t...
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Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers.It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings, the second suite with arrangements of the best-known vocal pieces is now available as well. The musical text is based on our new scientific edition of the opera edited by Robert Didion. / Orchestre
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Now My Soul Exalts The Lord Bwv 10 -Cantata For The Feast Of Visitation B. V. M.-
Orchestra
[Score]
Barenreiter
With his cantata 'Meine Seel erhebt den Herren? which Bach composed for the Visi...
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With his cantata 'Meine Seel erhebt den Herren? which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition?.- Festive cantata based on the Urtext of the 'New Bach Edition?- With a duration of 20-25 minutes / Conducteur De Poche
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Rheinberger: Konzertouvertüren (Gesamtausgabe, Bd. 25) (RHEINBERGER JOSEF GABRIEL)
Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...
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Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
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Pavana And Gagliarda 9 (Echo)
Orchestra
Barenreiter
Dvorák's Seventh Symphony was commissioned by the Royal Philharmonic Society in...
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Dvorák's Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London under the composer's baton on 22 April 1885. Two months later he shortened the second movement by about 40 bars. The work was published by Simrock in this form in 1885. / Orchestre
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Barenreiter
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was writte...
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Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage. For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Sinfonie D-Moll Hob. I:26 'Lamentazione'
Orchestra
Barenreiter
Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, t...
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Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Orchestre
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Jagden und Formen (RIHM WOLFGANG)
Orchestra
[Sheet music]
Universal Edition
Par RIHM WOLFGANG. Jagden und Formen is so immediately gripping that it is alrea...
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Par RIHM WOLFGANG. Jagden und Formen is so immediately gripping that it is already considered a classic of the modern age. As a ‘work-in-progress’ that has grown over the years, Jagden und Formen has reached its final form in the version of 2008. It begins as a mating dance of two violins and increases to a breathless music of irresistible pull: virtuosic, intoxicating and exuberant with ideas, without ever losing the tension. / Date parution : 2023-03-21/ Répertoire / Orchestre
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Orchestra
Boosey and Hawkes
In 2012, the American composer Elliott Carter died at the ripe old age of almost...
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In 2012, the American composer Elliott Carter died at the ripe old age of almost 104. To the last, he devoted his time to composing. Instances is the last orchestral work written by the two-time winner of the Pulitzer Prize. / Orchestre
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Le opere attestate in antologie compilate in vita (GABRIELI ANDREA)
Orchestra
Ricordi
Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in ...
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre
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Symphonie N011 Op. 103 (CHOSTAKOVITCH DIMITRI)
Orchestra
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. Shostakovich's eleventh symphony is highly programmat...
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Par CHOSTAKOVITCH DIMITRI. Shostakovich's eleventh symphony is highly programmatic, a large-scale tribute to the 'victory' of the Great October Revolution of 1917, composed on the 40th anniversary of the occasion. The first of the four movements is called The Palace Square, setting the sombre scene where the violent events of the day would occur, and Shostakovitch includes two Russian prison songs. The second movement, The Ninth of January, pictures the workers' march through the streets and their slaughter. In memoriam is the title of the third movement, a pensive requiem, and in the last movement, The Tocsin, the spirit of revolt returns, with militant songs and a triumphant, percussive finale. This is a clear and well presented Sikorski Edition miniature score./ Répertoire / Orchestre
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Powder Her Face (ADES THOMAS)
Orchestra
[Sheet music]
Faber Music Limited
Par ADES THOMAS. Thomas Adès and Philip Hensher's dazzlingly precocious chamber...
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Par ADES THOMAS. Thomas Adès and Philip Hensher's dazzlingly precocious chamber opera Powder Her Face propelled its composer to international attention after its premiere in 1995 and, with nearly 300 worldwide performances, remains one of the most frequently performed British operas of the last two decades. Charting the glamorous rise and seedy fall of the notorious socialite beauty Margaret, Duchess of Argyll, the score is as witty, poignant and memorable as the 'Dirty Duchess' herself, paying homage to the popular idioms of cabaret and tango, as well as to Weill, Berg and Stravinsky. It is hard to believe that this masterpiece was written by a 24 year-old, but then that young man was Adès, whose prodigious musical talent was awe-inspiring even as a teenager./ Répertoire / Orchestre
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Apprendista Stregone/Espana (DUKAS PAUL / CHABRIER)
Orchestra
[Sheet music]
Dover Publications
Par DUKAS PAUL / CHABRIER. Among the most popular works in the orchestral repert...
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Par DUKAS PAUL / CHABRIER. Among the most popular works in the orchestral repertoire, these two pieces have delighted generations of concertgoers./ Répertoire / Orchestre
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Gloria In Excelsis Deo (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Carus Verlag
Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Glo...
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Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor./ Répertoire / Orchestre
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Symphonie Fantastique-Harold (BERLIOZ HECTOR)
Orchestra
[Sheet music]
Dover Publications
Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the fat...
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Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre
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Symphonie N04 Op. 43 (CHOSTAKOVITCH DIMITRI)
Orchestra
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. Composed during the years 1935/36, the score fell vic...
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Par CHOSTAKOVITCH DIMITRI. Composed during the years 1935/36, the score fell victim to the war, and was lost. In 1946 Shostakovich, using his outline sketches, arranged the work for two pianos. The score was later reconstructed from the instrumental parts which had been preserved./ Répertoire / Orchestre
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Shade and Darkness (CASABLANCAS BENET)
Orchestra
[Score]
Unión Musical Ediciones
Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-co...
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Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the composer's admiration for the painter, and for the richness of tones and chiaroscuro, subtlety in the treatment of pictorial matter, and the dynamism and emotional force present in his work, to whose depth John Ruskin alludes: 'Nuance is in Turner, first of all, a beautiful aid to the great impression to be conveyed, but it is neither the source nor the essence of that impression; it is little more than a visible melody... preparing the feelings for the reading of the mysteries of God.' The score, generous in expressive contrasts, explores the ductility and richness of possibilities of the strings, with a very diversified use of textures, densities and colours. The formal arrangement describes a wide ternary arc, consisting of two slow and often static sections - not without ominous foreboding - and a more lively central part, punctuated by occasional turbulence and dazzling flashes of timbre, culminating in a powerful climactic process. In the final bars the four voices of the classical quartet fleetingly emerge, as a tribute to Günter Pichler, founder and member of the Alban Berg Quartet, to whom the score is dedicated, and who conducted the premiere of the work in front of the Joven Orquesta Nacional de España on 24 and 25 June 2014 at the Auditorio Nacional de Música in Madrid and in the Patio de los Mármoles del Hospital Real in Granada. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre
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Le Temple de la Gloire RCT 59 (RAMEAU JEAN-PHILIPPE)
Orchestra
[Sheet music]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Vo...
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Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the “Opera omnia Rameau” now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple. The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue “Profonds abîmes du Ténare” with obbligato bassoons and Trajan’s artful final scene “Ramage d’oiseaux”. The opera’s individual instrumental movements are also available in the customary manner now as a practical separate edition. The performance material is available on hire./ Répertoire / Orchestre
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Violin Concertos, Concerto For Two Violins Bwv 1041/1042/1043
Orchestra
Eulenburg
À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pi...
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À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pièces de répertoire de nombreux violonistes qui doivent répondre à des exigences techniques grands dans ces oeuvres. Créé au cours du temps de Bach à Köthen, dans laquelle le compositeur a présenté des oeuvres de nove révolutionnaire / Orchestre
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DE FALLA MANUEL EL SOMBRERO DE TRES PICOS SUITE 2 TRES DANZAS SCORE
Orchestra
[Partition]
Chester
New edition 2001 Study Score. <br>Suite 2, Three Dances from The Three-Co...
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New edition 2001 Study Score. <br>Suite 2, Three Dances from The Three-Cornered Hat, a Ballet in two acts by G. Martinez Sierra after a story by D. Pedro Antonio de Alarcon. Conductor's score and orchestral parts are available on hire from the publishers. <br> <br>Translates to Three Cornered Hat. / Classique / Partition /
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Concerto Amoroso, Op. 80, #2 Le Printemps (Po)
Français
Orchestra
[Sheet music]
Chant du Monde
Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to ...
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Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre
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DE FALLA MANUEL SOMBRERO DE TRES PICOS SUITE 1 ESCENAS Y DANZAS SCORE
Orchestra
[Partition]
Chester
New edition 2001 Study Score. <br>Suite 1, Scenes and Dances from The Thr...
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New edition 2001 Study Score. <br>Suite 1, Scenes and Dances from The Three-Cornered Hat, a Ballet in two acts by G. Martinez Sierra after a story by D. Pedro Antonio de Alarcon. Conductor's score and orchestral parts are available on hire from the publishers. <br> <br>Translates to Three Cornered Hat. / Classique / Partition /
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Tancredi (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Ballet in two scenes by Peter Csobádi. Par HENZE HANS WERNER. / Répertoire / O...
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Ballet in two scenes by Peter Csobádi. Par HENZE HANS WERNER. / Répertoire / Orchestre
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Sinfonie In C (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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