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PIANO
Piano solo
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Classical Highlights - Piano
Piano solo
[Sheet music + CD]
Schott
20 Famous Masterpieces Instrument : piano Type : edition with CD Nombre de Page...
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20 Famous Masterpieces Instrument : piano Type : edition with CD Nombre de Pages : 72 In the new 'Classical Highlights' edition, the arranger Carsten Gerlitz invites the most famous classical composers to his piano lounge. In this volume, you will find some of the most beautiful works for classical music with a new, stylishly pop look. With Maurice Ravel's 'Bolero', Schumann's 'Reverie' or Franz Liszt's 'Love Dream', you will take your audience away into the salons of times long gone whilst still remaining up-to-date. Content : R. Schumann: Dreamingt - J.S. Bach: Be Thou With Me - Bach/Gounod: Ave Maria - E. Grieg: Morning Mood - F. Smetana: Vltava - E. Satie: Gymnopédie No. 1 - J.S. Bach: Air - E. Grieg: Solveig's Song - F. Chopin: In mir klingt ein Lied/Etüde op. 10/3 - A. Rubinstein: Melody in F - F. Liszt: Dream Of Love - G. Bizet: Habanera - J. Brahms: Lullaby - L.v. Beethoven: Theme FromPathétique - E. Elgar: Popm And Circumstance - A. Vivaldi: Winter - W.A. Mozart: Romance - M. Ravel: Bolero - J. Offenbach: Barcarole - G.F. Händel: Largo
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Contenu : BACH J.S.: Trio BWV 929, Menuet BWV 813, Petit prélude BWV 942 - BART...
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Contenu : BACH J.S.: Trio BWV 929, Menuet BWV 813, Petit prélude BWV 942 - BARTOK B.: Andante - BEETHOVEN L.V.: Danse allemande n°10 (WoO 8), Anglaise en Ré (Hess 61), Allemande (WoO 81), Contredanse (WoO 14), Menuet (WoO 7) - CHOPIN F.: Prélude Op. 28 n°6 - CLEMENTI M.: Air russe - GLINKA M.I.: Galopade - GRIEG E.: Feuille d'album Op. 12 n°7 - HAYDN J.: Menuet Hob. 1: 85/111, Menuet Hob. IX: 11, Final Hob.XVI: 7 - JOLIVET A.: Danse caraïbe - KOECHLIN C.: Le Ruisseau limpide, La Maison heureuse - MASSON T.: Bagatelle, Le Repos du dragon, En Camargue, Petite improvisation imaginaire, Vague à l'âme - MENDELSSOHN F.B.: Première barcarolle Op. 19 n°6 - MOZART W.A.: Variation en La KV 460 - NAFILYAN H.: Mystère, L'Acrobate - PAPP L.: Le Pantin, A cheval, Le Petit Soldat de plomb, La Machine à coudre - PROKOFIEV S.: La Pluie et l'Arc-en-ciel - SCHUBERT F.: Danse allemande n° 5 (D 420), Valse n°1 (D980) - SCHUMANN R.: Feuille d'album Op. 99 n°4 - SZOKOLAY S.: Taquinerie, Tom Pouce - TCHAIKOVSKI P.I.: Marche des soldats, La Nouvelle Poupée - VILLA-LOBOS H.: Ainsi berçait maman - VISKI J.: J'avais un poulailler - Un jour mon prince viendra, de Blanche Neige et les sept nains (CHURCHILL) - Ce rêve bleu, d'Aladin (GILKYSON) - Il en faut peu pour être heureux, du Livre de la jungle (SHERMAN) - Des gammes et des arpèges, des Aristochats (SHERMAN) -Elegant blues, Exploration boogie (MASSON) Compositeur/Auteur : MASSON Thierry / NAFILYAN Henri Discipline/Instrument : piano Support : Partition Style/Genre : classique Date de parution : sept.-03
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Nocturnes (Recueil) (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, dest...
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Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Sources La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir: 1) Autographes, copies 2) Premières éditions 3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982) 4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966) / Niveau : Intermédiaire / classique / Répertoire / Piano
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Sonata in G Minor Op. 5 (ZELENSKI WLADYSLAW) (ZELENSKI WLADYSLAW)
Piano solo
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par ZELENSKI WLADYSLAW. The Piano Sonata in G minor, op. 5, Wladyslaw Zelenski?s...
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Par ZELENSKI WLADYSLAW. The Piano Sonata in G minor, op. 5, Wladyslaw Zelenski?s first important composition, was written in Kraków under the guidance of Franciszek Mirecki ? a conservative composer and teacher who was a pupil of Johann Nepomuk Hummel. It was probably Mirecki who brought about the publication of his 22-year-old pupil?s work by the esteemed Milan firm of Ricordi in 1859. That publication generated interest among Polish music critics, who discerned the young composer?s talent, the work?s ambitious conception and the European (German, to be precise) inspirations, distinguishing this composition among Polish music of that period. The Sonata is distinguished by its expressiveness and virtuosity, skilfully combining Beethovenian in¬spirations with references to the legacy of Chopin. It constitutes a key component of Polish pianism from the second half of the nineteenth century, worthy of the attention of musicians and music lovers alike. / Date parution : 2022-12-12/ Répertoire / Piano
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Fantasia And Fugue G Minor Bwv 542
Piano solo
Schott
Le turc pianiste et compositeur Fazil Say a partir de l'âge de six ans commencÃ...
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Le turc pianiste et compositeur Fazil Say a partir de l'âge de six ans commencé chaque jour avec l'exécution d'un travail de clavier de Bach - ses programmes de concert incluent les nombreuses compositions originales et transcriptions. Ses propres transcriptions de piano de la w / Piano
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Brahms, Johannes : Piano Pieces op. 76
Piano solo
[Sheet music]
G. Henle
Les huit Klavierstücke op. 76 virent en majorité le jour durant l?été 1878, ...
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Les huit Klavierstücke op. 76 virent en majorité le jour durant l?été 1878, dans la résidence d?été de Brahms à Pörtschach, au bord du Wörthersee.
Theodor Billroth, un ami intime du compositeur, fit l?éloge des nouvelles ?uvres en ces termes: «Ce sont des pièces somptueuses, belles et intéressantes à jouer.
Elles tombent si bien sous les doigts de tout musicien quelque peu habitué à la technique de Schumann et de Chopin, que c?est un réel plaisir de les travailler.»
Comme le volume «Klavierstücke» est paru en 2011 dans l?édition complète des ?uvres de Brahms (HN 6014), nous remplaçons l?ancien HN 118 par ce nouveau volume réunissant les «pièces somptueuses» dans le texte musical de l?édition complète et accompagnées d?informations révélatrices relatives à leur genèse et leur publication. / [Pièces pour piano op. 76] / Classique / Partition / Agrafé /
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Nikolai Rimsky-Korsakov: Flight of the Bumble Bee: Piano: Instrumental Work
Piano solo
Alfred Publishing
Rimsky-Korsakov's famous energetic and evocative piece has been effectively arr...
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Rimsky-Korsakov's famous energetic and evocative piece has been effectively arranged for Piano by John W Schaum.
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Albert Ketèlbey: Sanctuary Of The Heart: Piano: Instrumental Album
Piano solo
Bosworth
Ketèlbey’s most popular works appear to be a series of programmatic Or...
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Ketèlbey’s most popular works appear to be a series of programmatic Orchestral tone poems like this one based on a verse from his own poem In A Monastery Garden and rendered in G for easy Piano. Composer and arranger Albert W Ketèlbey is now almost unknown except for his work Bells Across the Meadows but until the time of the Second World War he strode the country’s musical stage like a giant of light musical entertainment. In 1929 he was declared ‘Britain’s greatest composer’ according to the number of performances of his works. Over the course of his career he was a church Organist musical director at London’s Vaudeville Theatre editor to several music publishingfirms and Music Director of the Columbia Gramophone Company.Arranger composer and pianist John Schaum was an American educator who frustrated with the lack of appropriate works for his students created his own books. Over his career he arranged hundreds of works for student pianists and they are still in use today.
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Ketelby: In A Persian Market: Piano: Single Sheet
Piano solo
Bosworth
British composer and pianist Albert W. Ketelbey's original 'In A Persian Market'...
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British composer and pianist Albert W. Ketelbey's original 'In A Persian Market' arranged for the piano.
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Renaissance Anthology A Vol.4: Piano or Keyboard: Instrumental Album
Piano solo
[Sheet music]
Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...
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Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
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Les Plaisirs De La Musique Vol.2a - Piano
Français
Piano solo
-
Easy
Lemoine, Henry
Partition pour piano Collection : Les plaisirs… Mendels A. Nombre de pages : ...
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Partition pour piano Collection : Les plaisirs… Mendels A. Nombre de pages : 32 Niveau : 2 Pièces choisies et doigtées par Arlette Mendels-Voltchikis. Contenu : KIRCHHOFF G.: Rigaudon - PURCELL H.: Marche - MOZART W.A.: Polonaise - HAENDEL G.F.: Menuet - BEETHOVEN L.: Gai et Triste - COUPERIN F.: Fanfare de Diane - SCHUBERT F.: Valse Op. 9 n°11 - SCHUBERT F.: Valse Op. 9 n°12 - SCHUBERT F.: Danse n°3 - CHOPIN F.: Mazurka Op. 7 - SCHUMANN R.: Sicilienne - KHRENNIKOV T.: Romance - BARTOK B.: For children n°28 - BARTOK B.: Le Voleur de grand chemin - KABALEVSKY D.: Petite histoire gaie - CHOSTAKOVITCH D.: Hurdy-Gurdy - KABALEVSKY D.: Petit conte triste - KOLTCHANOVSKY B.: Danse russe - CHAILLEY J.: Valse sous la grand-halle - TOMASI H.: Les tambourinaires - PIERRE-PETIT: La petite indienne et le cow-boy - NOËL-GALLON: Gavotte - MEUNIER G.: La princesse napolitaine - LAURO G.: La bourrée lourée - CARMAN: Conte de Noël - Z'LICA: Mon petit oiseau est mort - MANEN C.: Oncle Bill - GABUS M.: Plantes aquatiques - MARTIN G.: Good night boogie - CHARTREUX A.: Krishna song - BEETHOVEN L.: Valse allemande n°3 - GLINKA M.: Le vent souffle à la porte
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Mariage Des Fees Piano (TURNER J)
Piano solo
[Score]
Salabert
Par TURNER J.W.. / Date parution : 1905-06-24/ Répertoire / Piano
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Mozart Wolfgang Amadeus - Don Giovanni Kv 527 - Piano
Piano solo
Breitkopf & Härtel
Composer : Mozart, Wolfgang Amadeus Instrumentation : Klav Edition : Piano reduc...
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Composer : Mozart, Wolfgang Amadeus Instrumentation : Klav Edition : Piano reduction Editor : Levi, H.;Wüllner, F.
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Chop Sticks: Piano: Single Sheet
Piano solo
Alfred Publishing
John W. Schaum's easy piano arrangement of the traditional piece Chop Sticks.
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Wilhelm Kempff Wolfgang Amadeus Mozart: Cadenzas: Piano: Instrumental Work
Piano solo
Bote and Bock
to W. A. Mozart's piano concertos
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M. Tanner: Renaissance Anthology A Vol.3: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate/advanced
Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...
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Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
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Wolfgang von Schweinitz: Three Etudes Op. 23: Piano
Piano solo
Boosey and Hawkes
Piano. Schweinitz W
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M. Tanner: Renaissance Keyboard Anthology 1: Harpsichord or Piano: Instrumental
Piano solo
Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...
(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - Sold by Musicroom UK
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M. Tanner: Renaissance Keyboard Anthology 2: Harpsichord or Piano: Instrumental
Piano solo
-
Intermediate
Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...
(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
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Les Plaisirs De La Musique Vol.1b - Piano
Français
Piano solo
Lemoine, Henry
Partition pour piano Collection : Les plaisirs? Mendels A. Nombre de pages : 47...
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Partition pour piano Collection : Les plaisirs? Mendels A. Nombre de pages : 47 Pièces choisies et doigtées par Arlette Mendels-Voltchikis. Contenu : KIRNBERGER J.P.: Carillons - CLARKE J.: Menuet - MOZART W.A.: Valse favorite - BEETHOVEN L.V.: Ecossaise - DIABELLI A.: Scherzo - HAYDN J.: Danse allemande - SCHUBERT F.: Landler D 679 - SCHUMANN R.: Premier chagrin - BRAHMS J.: Danse hongroise N° 5 arr. A. Mendels - PUTNEY P.L.: Thème et Variations - GABUS M.: Jeu - PLE S.: Petit Mystère - FUCHS R.: Tristesse - GARSCIA J.: Tarentelle - Arrangement MENDELS A.: Cae cae balâo - GLINKA M.I.: Polka - GRETCHANINOFF A.: Mazurka - GRETCHANINOFF A.: Petite Polka - MAYKAPAR S.: Berceuse - Arrangement MENDELS A.: Terezinha de Jesus - Arrangement MENDELS A.: Kalinka - BEETHOVEN L.V.: 3ème Symphonie Eroica - GARSCIA J.: Le Chat et la souris - KABALEVSKI D.: Le clown
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Albert Ketèlbey: In A Persian Market: Piano: Single Sheet
Piano solo
Bosworth
British composer and pianist Albert W. Ketelbey's 'In A Persian Market' arranged...
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British composer and pianist Albert W. Ketelbey's 'In A Persian Market' arranged for the piano.
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Albert Ketèlbey: Sanctuary Of The Heart: Piano: Single Sheet
Piano solo
Bosworth
Sanctuary of the Heart Meditation Religieuse by Albert W. Ketelbey arranged fo...
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Sanctuary of the Heart Meditation Religieuse by Albert W. Ketelbey arranged for Piano.
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Piano Album
Piano solo
Boosey and Hawkes
Nom de Aaron Copland est, pour beaucoup, synonyme de la musique américaine. C'Ã...
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Nom de Aaron Copland est, pour beaucoup, synonyme de la musique américaine. C'était sa réalisation pionnière de se libérer de l'Europe et de créer une musique de concert qui est manifestement, typiquement américain. Dans le même temps, il a pu w de sa musique de timbres / Piano
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Suzuki Piano Schook Vol.2 + Cd (new International Edition)
Piano solo
[Sheet music + CD]
Alfred Publishing
The New International Edition of Suzuki Piano School, Volume 2 includes French, ...
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The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by Bartók (noted below), and the Bach Minuet in G Minor (from J. S. Bach?s Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Écossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (Béla Bartók) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (Béla Bartók).
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Hugh Wood: Ballade Op.57: Piano: Instrumental Work
Piano solo
Chester
Hugh Wood's Ballade Op.57 for Piano was commissioned by BBC Radio 3 and first p...
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Hugh Wood's Ballade Op.57 for Piano was commissioned by BBC Radio 3 and first performed by Joanna MacGregor on 7th June 2012 at the Guildhall Bath as part of the Bath International Music Festival.'The music of Chopinis a revelation which came disgracefully late in my life. To admire is one thing; to try to emulate is quite another: and all that I have borrowed here is a title. Perhaps memories of Joanna MacGregor performing the FourthBallade very beautifully long ago played a part in the naming. But to define what a Ballade should or should not be is quite beyond me: after all Chopin and Brahms both came to quite different conclusions. I just like theold rather poetic word.A fanfarish beginning ends in a falling arpeggionic cascade which will recur in varied form at turning points throughout the piece. A major third emerges to become the accompaniment to the mainlyrical melody which becomes more and more decorated until it ends with a second cascade. The tune resumes more urgently against an undulating semiquaver accompaniment. A bigger climax suddenly gives way to a reminiscence of oneof the opening figures and then introduces alla recit. a new motif. But immediately the main melody continues this time getting gradually calmer quieter and sweeter until the new motif takes over in a passage of 6 and ismore fully worked out.From very high up the opening fanfares are heard in the distance and a faster tempo brings a more vigorous passage culminating in the biggest and most climactic of the cascades. This might be theend of the piece but it is not. A sequence of soft velvety chords rises up eventually to reveal the original major third. Four phrases of the opening melody are then heard over it in their plainest form.' - H.W.
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Scott Joplin: Ragtime Rage 1 & 2 (Schaum): Piano: Artist Songbook
Piano solo
Bosworth
Ragtime is a word probably derived from 'ragged time'. It began to flourish in t...
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Ragtime is a word probably derived from 'ragged time'. It began to flourish in the 1890's its basis being strong syncopation in both melody and accompaniment. Scott Joplin did not invent ragtime but he stands out as its most prominent figure. This collection contains fourteen fun-to-play Joplin Piano transcriptions compiled arranged and edited by John W. Schaum A.S.C.A.P..
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Erwin Schulhoff: Sonaten N 1-3: Piano: Instrumental Album
Piano solo
Barenreiter
First Urtext edition.Foreword (Ger/Cz/Eng) and Critical Commentary (Eng) by the ...
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First Urtext edition.Foreword (Ger/Cz/Eng) and Critical Commentary (Eng) by the editor.With his works of the 1920s an original blend of traditional genres rhythms inspired by jazz and dance music and judiciously expanded tonality the German-Czech composer Erwin Schulhoff captured the tenor of the times. This edition presents the Piano sonatas that originated between 1924 and 1927.Michael Kube has edited this first ever scholarly-critical edition on the basis of the prints published in Schulhoff?s lifetime and compared these with the surviving handwritten sources. Not only have errors been corrected but peculiarities ofSchulhoff?s notation have also been reconstructed. The principal source for Sonata No. 3 was the composer?s autograph fair copy.Erwin Schulhoff was a German-speaking composer who was born in Prague in 1894 but returned to his native Prague in the 1920s to teach at the local conservatory. He died in the Nazi concentration camp in Wülzburg (Bavaria) in 1942.
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Les Plaisirs De La Musique Vol.3a - Piano
Français
Piano solo
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Easy
Lemoine, Henry
Partition pour piano Collection : Les plaisirs… Mendels A. Nombre de pages : ...
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Partition pour piano Collection : Les plaisirs… Mendels A. Nombre de pages : 39 Niveau : 2 Pièces choisies et doigtées par Arlette Mendels-Voltchikis. Contenu : BACH C.P.E.: Solfegietto - MOZART W.A.: Sonatine - BEETHOVEN L.: La lettre à Elise - CHOPIN F.: Valse - SCHUMANN R.: Fantaisie-danse - MENDELSSOHN F.: Gondole vénitienne - ALBENIZ I.: Espania n°1, Prélude - CHOSTAKOVITCH D.: Sur les balançoires - STRAUSS J.: Valse - KABALEVSKI D.: Variations sur une danse populaire russe -DEBUSSY C.: Le petit nègre - DAMASE J.M.: Cendrillon - VIKTOR D.: Kis Koun danse - LARGUEZE J.: Jardins dans la nuit - DEVEVEY P.: Negro Spiritual - CHARTREUX A.: Sleeping man
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Klaviermusik Barock U.Rokoko 2
Piano solo
[Sheet music]
Breitkopf & Härtel
Editeur(s) d'origine: Georgii, W./ Recueil / Piano
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Sonaten (SCARLATTI DOMENICO)
Piano solo
[Sheet music]
Breitkopf & Härtel
Par SCARLATTI DOMENICO. Editeur(s) d'origine: Georgii, W./ Répertoire / Piano
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