Il dissoluto punito ossia Il Don Giovanni Dramma giocoso in 2 Akten (deutsch/italienisch) Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Plath, Wolfgang;Rehm, Wolfgang Binding : hard bound Instrumentation : 3 Soprano solo, Tenor solo, Baritone solo, Mixed Choir, 3 Bass solo, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Mandoline, Strings, Cemb. Bühnenmusik: 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, Strings Besetzung / Ensemble Vorwort Preface Verzeichnis der Szenen / Index of Scenes Ouvertura / Ouvertüre Atto primo / Erster Akt Atto secondo / Zweiter Akt Anhang / Appendix

De quoi ravir tous les enfants ou 'grands-enfants'. My First Songbook Disney contient seize partitions arrangées pour Piano Facile des classiques de Disney.
Retrouvez vos plus beaux souvenirs à travers les extraits de Dumbo, Alice Aux Pays des Merveilles, Pinocchio, Blanche Neige, Peter Pan.
Chaque page est magnifiquement illustrée en couleur et le rend indispensable à tout fan de Disney et de son univers musical ! / Variétés Internationale / Partition /

Lyrical direct and exhibiting a masterful understanding of vocal writing Carl Vine’s secular cantata for soprano and strings The Tree of Man is a gift to audience and musicians alike. The 11-minute work written in 2012 for the Australian Chamber Orchestra and soprano Daniele de Niese is based on a passage from a novel of the same name by the Nobel Prize-winning author Patrick White. Vine knew White personally (having written music for several of his stage plays in the 1980s) and his setting perfectly complements the simplicity and sincerity of the prose. The music moves in an arc from its quietly insistent beginnings and rhapsodic central section to a hauntingconclusion where the brooding opening returns before evaporating into the air...

Ten terrific Disney songs selected with children singers in mind! The CD features performances by kids in current Broadway shows as well as Piano accompaniments for practicing. The CD also is enhanced to include tempo adjustment and transposition software for CD-ROM computer use.

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano

This setting of the Te Deum was written for St Cecilia’s day in 1694 almost exactly a year before the composer’s death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry.Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.

Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Magnificat RV 610/611 for soloists, choir, winds, strings and continuo, based on the critical edition by Michael Talbot. Probably meant for a performance at the Pietà, Vivaldi, after its first 1715 version, returned on it in two occasions at least: at the end of the 1720s and of the 1730s. The Magnificat, in its time, was considered as Vivaldi's most celebrated piece. / Niveau : Intermédiaire / Répertoire / Chant et Piano

Mozart, Wolfgang Amadeus Der Schauspieldirektor K. 486 Musical comedy in one act Editor Croll, Gerhard Arranger Vogt, Hans Language(s) of work Germanoprano solo, 2 Tenor solo, 4 Bass solo, Mixed Choir, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo Duration : 180` Language: Italian and German