Developing Artist Original Keyboard Classics-A comprehensive and carefully graded introduction to authentic Keyboard Sonatinas selected from the established Piano repertoire and arranged to be suitable for the intermediate student.Alongside melodies by composers as celebrated as Beethoven Diabelli and Attwood this anthology of performance pieces includes a guide to help you understand Sonata and Sonatina form itself. You'll also find carefully devised warm-up exercises to help stretch and prepare the hands before tackling these musical challenges.With eleven substantial Sonatinas on offer this collection is an ideal source to expand your performance repertoire as well as an ideal opportunity to gainvaluable early experience of the rigours of classical piano playing.

Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Dover republication in two series of the three-volume edition published by Breitkopf

Patrick Hawes' Two Angel Preludes scored for solo Piano.'Cherubim : This piano prelude aims to create a sense of weightlessness and tranquillity whilst at the same time having momentum and energy. Like the Seraphim the Cherubim are ceaseless in prayer and the repeated note figurations are designed to enhance this image.''Seraphim : The triple meter and lilting melody in this piece for solo piano combine to create a sense of quiet joy as the Seraphim perpetually pray to the heavenly Father.' - Patrick Hawes

in Two Volumes-The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano.

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In the meantime in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck and in 1978 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt working also with the Experimental Studio of the Polish Radio in 1979-81 the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar Szymanski continued hisstudies with Roman Haubenstock-Ramati in Vienna in 1984-85 and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89 worked at the Electronic Studio of the Technische Universitaet.The Two Studies for solo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off the first at about 6.03. The second glitters in Mozartian gemwork.

Music from the Motion Picture Soundtrack-Released in 2017  Steven Spielberg's critically acclaimed political thriller The Post depicts the true story of attempts by journalists at The Washington Post to publish the Pentagon Papers classified documents regarding the 30-year involvement of the United States government in the Vietnam War. This album for solo Piano features seven pieces from John Williams' memorable musical score including: 'The Court's Decision and End Credits' 'Deciding to Publish' 'Mother and Daughter' 'The Oak Room' '1972' 'The Presses Roll' 'Setting the Type' and 'Two Martini Lunch'.  

Two Rhapsodies for solo piano by Johannes Brahms Op.79 No.1 in B minor and No.2 in G minor. Revised and edited by Adolph Mann.

Par . Progressive Piano Repertoire, Volume Two is a collection of early-intermediate level piano pieces from the 18th to the 21st centuries arranged in order of difficulty. It is appropriate for any age student and may be used independently, or as a supplement to any piano method. It is specifically designed to be studied after Progressive Piano Repertoire (GP480). After completing Volume Two, students will be prepared for Level Four of Keith Snell?s Piano Repertoire (Baroque

Lesson & Theory - Anglicised Edition-Piano Adventures: Lesson And Theory Book - Primer Level All In Two Edition is an exciting Piano method that teaches children analysis creativity and musical expression. Piano Adventures: Lesson And Theory Book - Primer Level All In Two Edition provides an integrated step-by-step approach to music reading a wide range of musical styles - from jazz to classical pianistic fingerings to build technique and movement across the keyboard and expressive pieces with teacher duet. Combine this with creative activities discovery questions and theory pages and you have the recipe for a successful challenging and enjoyable Pianomethod. This version is the new anglicised edition.

Revised edition of HN 1169 without fingerings-All piano students are familiar with Bach?s two-part Inventions but virtuosos of the keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to expressusing only two parts! In his famous preface the composer himself calls the work an ?Instruction? which teaches students and keyboard lovers to ?treat correctly? several parts to ?achieve a singing style in playing? and to?acquire a strong foretaste of composition?. We are now presenting a new edition of this

One must look long and hard to find a Piano pupil who hasn’t studied Beethoven’s two “sonate facile” Op.49. They are not only relatively easy to play but highly lyrical and effective ideally combining joy in music-making with a mastery of early classical literature. The two works were composed much earlier than the opus number suggests. Beethoven wrote them around 1797/98 during a time when he also worked on one of his most important sonatas the “Grande Sonate pathétique” Op.13.Jonathan Del Mar currently one of the most renowned Beethoven scholars stands for a meticulouslyedited Urtext edition on the basis of an intensive study of all sources. Performers are presented with a musical text which is based on the latest research findings and whose fine engraving and practical page turns facilitate the study of these works. This Urtext edition includes an informative Introduction and valuable notes on historical performance practice. Here the Pianist will also find information regarding the dynamics of the second sonata whose sources contain hardly any dynamic markings at all. Source discrepancies and editorial principles are discussed in the detailed Critical Commentary.- Up-to-date scholarly-critical Urtext edition- Well-presented engraving- Practical page turns- Relatively easy to play- Enlightening Introduction and notes on period performance practice (Eng/Ger)

Hardcover, Cloth-Bound. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

Nancy and Randall Faber's student-centric Piano Adventures books have enjoyed huge success and are considered by many to be the one of the most complete and accessible methods for learning the Piano. The Piano Adventures series is now the teaching method of choice at many leading universities and music studios around the world. One secret behind the series' success is that it doesn't just teach students to play the Piano - it helps them to develop a 'musical heart and mind' teaching them to analyse the music that they play and encouraging them to explore their own creativity and expression. The winning combination of varied pieces to play accompanied by creativetheory pages will ensure that students gain a sound technical grounding without detracting from the enjoyment of playing the instrument. This 'all-in-two' edition for students at level 3 includes a Technique & Performance Book and this Lesson & Theory Book. Faber Piano Adventures: Level 3 - Lesson & Theory includes: A step-by-step approach to major and minor scale technique primary chords (I IV V7 and i iv V7) the triplet cut time quavers and musical form. A wide range of musical styles from jazz to classical including melodies of Beethoven Grieg Pachelbel and Tchaikovsky. Pianistic fingerings to build technique and graceful movement across the keyboard. Expressive pieces with teacher duets that build tone articulation and phrasing. Discovery questions creative activities and theory pages to develop the student's 'musical mind'. An included CD featuring imaginative orchestrated accompaniments which encourage expressive playing rhythmic accuracy and practice time.