| HERITAGE MUSIC PRESS
MAINSTREAMS PIANO NOONA Piano solo Heritage Music Press
Compositeur : Walter Noona Composer : Carol Noona Groupe d\'Instrument...(+)
Compositeur : Walter Noona Composer : Carol Noona Groupe d\'Instruments : Piano ou Clavier Instrumentation Piano Type de produit : Recueil Difficulté : 3 Édition musicale : Heritage Music Press / Méthodes et pédagogie / Piano et instrument à clavier / Piano / HERITAGE MUSIC PRESS
9.80 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| Randall Hartsell:
Romantic Impressions:
Piano: Instrumental Work Piano solo Willis Music
Pianovations Composer Series/Early Intermediate Level-Few compositions from the ...(+)
Pianovations Composer Series/Early Intermediate Level-Few compositions from the Classical Romantic repertoire are accessible and satisfying students who grew up in the late 20th century. Students often become frustrated working on a repertoire piece that is too difficult to play successfully. Romantic Impressions is written with these students in mind. Each piece helps create the wonderful color expressiveness and rich harmonic heritage of the Romantic Period. Titles include: Through a Misty Dawn - Moonlight on the Harbor - Romanza - Toccata Drammatica.
4.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Impressions (PEETERS
WILLIAM) Piano solo Metropolis Music Publishers
Par PEETERS WILLIAM. Impressions for Piano Solo by William Peeters is based on t...(+)
Par PEETERS WILLIAM. Impressions for Piano Solo by William Peeters is based on the town of Sintra, Portugal, a UNESCO world heritage site, and a place where man and nature are in perfect harmony. Impressions for Piano Solo by William Peeters is based on the town of Sintra, Portugal, a UNESCO world heritage site, and a place where man and nature are in perfect harmony./ Répertoire / Piano
25.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Renaissance Anthology A
Vol.4: Piano or Keyboard:
Instrumental Album Piano solo [Sheet music] Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - Sold by Musicroom UK |
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| M. Tanner: Renaissance
Anthology A Vol.3: Piano:
Instrumental Album Piano solo [Sheet music] - Intermediate/advanced Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...(+)
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - Sold by Musicroom UK |
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| M. Tanner: Renaissance
Keyboard Anthology 1:
Harpsichord or Piano:
Instrumental Piano solo Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - Sold by Musicroom UK |
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| M. Tanner: Renaissance
Keyboard Anthology 2:
Harpsichord or Piano:
Instrumental Piano solo - Intermediate Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.99 GBP - Sold by Musicroom UK |
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| The Essential Late
Romantic Collection:
Piano: Instrumental Album Piano solo [Sheet music] - Intermediate Chester
A sumptuous selection of the very best Keyboard music of the late Romantic era b...(+)
A sumptuous selection of the very best Keyboard music of the late Romantic era by composers ranging from Tchaikovsky to Faure and beyond all presented in one superb volume for the solo Piano.The music of the Romantic erais characterised by progressive innovations in both tonal and formal expression both in the compositions of the salons and concert halls and of the church. The works of Debussy Tchaikovsky and Faure have become essentialrepertoire for any serious Piano student forever pushing the boundaries of diatonic harmony timing and texture into evermore complex worlds of emotion. Elsewhere you'll even find the very first hints of Jazz in theAfrican/American sounds of Joplin's Ragtime classics. Every piece in this anthology is rich in heritage and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - themusic has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| The Essential Early
Romantic Collection:
Piano: Instrumental Album Piano solo [Sheet music] - Intermediate Chester
A sumptuous selection of the very best Keyboard music of the early Romantic era ...(+)
A sumptuous selection of the very best Keyboard music of the early Romantic era by composers ranging from Schubert to Chopin and beyond all presented in one superb volume for the solo Piano.The music of the Romantic erais characterised by progressive innovations in both tonal and formal expression both in the compositions of the salons and concert halls and of the church. The works of Chopin Liszt and Schubert have become absolutely essentialrepertoire for any serious Piano student forever pushing the boundaries of diatonic harmony timing and texture into evermore complex worlds of emotion. Every piece in this anthology is rich in heritage and familiar tothe ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the originalworks. There's simply no better way to discover the music of the masters.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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