Sonata in D major TWV 41:D9 - Sonata in G major TWV 41:G9-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations

La référence GB4878 de l'éditeur Billaudot dont l'auteur célèbre est Boismortier Joseph Bodin De, qui a pour titre SONATES I ET II, OPUS 27, a été écrite et composée pour Flûte à bec et plus particulièrement pour Flûte A Bec Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte A Bec Et Piano / Partition

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

Pour flûte à bec soprano ou ténor, flûte à bec basse et accompagnement pianoNiveau de difficulté : **/**** / Flûte A Bec Et Piano / 24 2 P.S pages / niveau : 4 / Editions Instrumentales - Format: 22 X 31

Par RUSSELL-SMITH GEOFFRY. / Date parution : 2023-03-21/ Recueil / Flûte à Bec et Piano

Édité par Nagy Olivér Instrument: Flute a bec (ou autre instrument mélodique) et piano Série: Recorder Music Genre: Baroque Pages: 72 pp Date du parution: 1986 Contenu : 1. Ismeretlen szerz?: Sonata in F major: Hornpipe 2. Schmierer, J. A.: Sarabande ? Gavotte 3. Telemann, Georg Philipp: Minuet 4. Fischer, J. C. F.: Bourrée 5. Fischer, J. C. F.: Minuet 6. Albinoni, Tomaso: Sonata in F major: Largo, Giga 7. Valentine, Robert: Sonata in D minor: Giga op. 2 no. 5 8. Loeillet, J. B. (John): Sonata in G major: Gavotta op. 1 no. 3 9. Loeillet, J. B. (John): Sonata in D minor: Largo, Giga, Gavotta op. 1 no. 2 10. Lavigne, Ph. de: Sonata in C major äLa Baussanö: Rondeau, Tambourin I, II op. 2 no. 1 11. Lavigne, Ph. de: Sonata in C major äLa Duboisö: Gaiment, Sarabande, Menuet I, II op. 2 no. 3 12. Marcello, Benedetto: Sonata in B flat major: Gavotte, Minuet op. 1 no. 6 13. Chédeville, Esprit Philippe: Sonatille galante in C major: Gavotte en Rondeau op. 6 no. 1 14. Pepusch, Johann Christoph: Sonata in D minor: Allemande, Sarabande 15. Hotteterre, Jacques-Martin: Suite in B flat minor: Allemande I op. 5 no. 1 16. Hotteterre, Jacques-Martin: Suite in D minor: Allemande II, Courante op. 5 no. 4 17. Bach, Johann Sebastian: French Suite in B minor: Minuet BWV 814 18. Händel, Georg Friedrich: Sonata in F major: Siciliana, Gigue op. 1 no. 11 19. Händel, Georg Friedrich: Sonata in D minor: Hornpipe op. 1 no. 9 20. Vivaldi, Antonio: Sonata in F major: Siciliana, Allemanda, Aria di Giga RV 52

KAOTES c'est le dialogue né d'une rencontre entre un piano et une flûte à bec soprano, Timidement, ils se présentent l'un, l'autre, La mélodie qu'ils s'échangent alors est très sobre, toute en retenue, Puis, à mesure qu'ils apprennent à se connaître, cette phrase musicale s'enrichit, se développe et commence à laisser percer les sentiments et le tempérament des deux protagonistes, Après ce moment de découverte et d'idylle, vient le temps des différences, des dissemblances ,,,Piano et flûte à bec ne se comprennent plus tout à fait et la discorde commence à s'installer, On quitte le paisible ré Majeur et sa basse obstinée rassurante, La dissonance est évidente - le couple ne s'entend plus ! La flûte à bec ne comprend pas - elle aime tellement s'amuser, virevolter, pirouetter ,,,et le piano, lui, si solennel ne supporte pas cette légèreté, cette frivolité ! Il singe la flûte, se moque d'elle, le ton monte, la flûte ne s'en laisse pas conter et riposte ,,,on se fâche, on s'excuse, on tente la réconciliation, on s'interpelle, on se passionne, on s'apaise, ,,,puis finalement, chacun fait un pas vers l'autre et c'est de nouveau l'harmonie qui règne entre piano et flûte à bec,Cette pièce, écrite en 2009, a été enregistrée sur l'album ' Carnet de notes ' de l'ensemble instrumental NONAME,  / Flûte A Bec Et Piano

During the 1940s I was often involved with musical activities at Morley College where Walter Bergmann was the choir's accompanist. He was a keen recorder player and often asked me (then in my twenties) to write something for him. I must have obliged with this suite, although I have now absolutely no recollection of writing it. Amazingly the manuscript turned up many years later in, of all places, the musical library of Sir Thomas Beecham. Why and how I shall never know! Antony Hopkins (2012) / Flûte A Bec Et Piano

Pastorale Blues And Homage by Peter Dickinson. Arranged for Recorder (tenor and descant) and Piano for John Turner.1. A James Joyce Pastorale (1955)2. A Robert Burns Blues (1967)3. Homage to Poulenc (1963)The Pastorale comes from a song a student work setting the first poem of James Joyce’s early cycle Chamber Music – ‘Strings in the earth and air’; the second piece is another song to Burns’ ‘My love is like a red red rose’ which was frequently performed by Meriel and Peter Dickinson in their recitals (recorded on Albany TROY 369); Homage to Poulenc started as a piano duet No. 1 of Five Forgeries (recorded by the composer and John Flinders on Naxos 8.572287). It is dedicated to Lennox Berkeley because he and Poulenc were good friends.The first performance of Pastorale Blues and Homage was given by John Turner and the composer at St Peter’s Church Westleton on 4 October 2012 in that year’s William Alwyn Festival. Their recording has been released on Heritage HTGCD 254.

L'oeuvre de grande envergure de Harald Genzmer (1909-2007) est complété par un grand nombre de petits travaux de musique de chambre. Dans la dernière étape de sa vie créatrice, de la flûte joué un rôle majeur. Il était à cette époque qu'il composa Capriccio Notturno pour flûte ou d'un enregistreur des aigus et piano, qui remonte à Ainsi parlait Zarathoustra sa lecture de Friedrich Nietzsche qui Genzmer admirais beaucoup. Genzmer commence son travail avec Nachtlied de la deuxième partie de l'oeuvre de Nietzsche, en l'utilisant comme une devise. La partie de flûte de Capriccio Notturno se trouve confortablement sur la flûte, en utilisant les possibilités de l'enregistreur des aigus. Dans les deux cas, comme dans la partie de piano ainsi, le contexte exigeant musicale exige des artistes expérimentés: un travail à la fois pour la scène de concert et les classes scolaires supérieurs ou les compétitions de jeunes. / Flûte A Bec Et Piano / niveau : Facile / Intermédiaire / Partition

Pops And Shows - Teachers Book-A great collection of favourite pop and show tunes from The Lion King to Evita Phil Collins to Bryan Adams plus three irresistible new tunes by John Pitts. All superbly arranged and graded to be ideal for recorder players ofany age.Designed to be used alongside the author's best-selling Recorder From The Beginning teaching scheme this book will be suitable for players who have reached the beginning of Book 2 of the tutor. Theincentive to perform these popular pieces will help develop new skills and rhythmic awareness.Teacher's book contains piano accompaniments for all the pieces.

for Solo Recorder and Piano. Par ADAMS PETER. Six Pieces for encores. Includes introductory notes in English, German and French. 1. L'Oiseau Du Bois (Charles Le Thiere) 2. Nocturne in E flat (Chopin) 3. Feu Follet; or 'Will o' the Wisp' (Hans Wessely) 4. Tambourin (Gossec) 5. Variations on 'Non Piu Mesta' (Chopin) 6. Czardas (Monti)/ Recueil / Flûte à Bec et Piano