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Paul Harris: Concert Repertoire: Alto Saxophone: Instrumental Album
Saxophone and Piano
-
Intermediate
Faber Music Limited
Fifteen wonderful pieces for Alto Saxophone and Piano selected and edited by Pa...
(+)
Fifteen wonderful pieces for Alto Saxophone and Piano selected and edited by Paul Harris and Beverley Calland. Includes some of the finest works by composers such as Gershwin Brubeck Joplin and Debussy. Selected for the ABRSM Alto and Baritone Saxophone examinations grades 3-6.
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The Joy Of Saxophone: Alto Saxophone: Instrumental Album
Saxophone and Piano
-
Intermediate
Yorktown Music Press
Easy familiar solos for E flat Alto Saxophone from Baroque to Boogie. Edited by...
(+)
Easy familiar solos for E flat Alto Saxophone from Baroque to Boogie. Edited by Jerome Goldstein with simple piano arrangements by Denes Agay.
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René Berthelot: Adage and Arabesque (Alto Saxophone and Piano): Alto Saxophone:
Saxophone and Piano
Leduc, Alphonse
Adage Et Arabesque composed by René Berthelot is a piece for Alto Saxophone a...
(+)
Adage Et Arabesque composed by René Berthelot is a piece for Alto Saxophone and Piano which lasts 4 minutes. The piece requires a strong level of Piano and Saxophone to be well-played. This composition begins with the Piano which is joined by the Alto Saxophone after two bars. It is divided into three main parts Andante Cantabile Listesso Tempo and Andante the third part is a replay of the first movement and finishes on a Piú Lento close. René Berthelot (1903-1999) was a French cellist conductor composer and musicologist. He composed numerous pieces especially for voices andchorals.
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Armando Ghidoni: Nocturne et Sicilienne (Alto Saxophone Piano): Saxophone
Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Nocturne Et Sicilienne by Armando Ghidoni is a piece for Alto Saxophone and Pian...
(+)
Nocturne Et Sicilienne by Armando Ghidoni is a piece for Alto Saxophone and Piano. Lasting 5 minutes this lyrical piece is perfect for a recital or a contest and is thoroughly enjoyable to play. The level of difficulty is medium: we would recommend the piece to upper-intermediate players. The Alto Saxophone can be replaced by a Soprano or Tenor Saxophone and the Piano by a Harp. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited by Alphonse Leduc since 1989.
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James Rae: Take Another Ten - Saxophone: Alto Saxophone: Instrumental Album
Saxophone and Piano
-
Intermediate
Universal Edition
Ten popular pieces representing a wide range of musical styles from Bach to the...
(+)
Ten popular pieces representing a wide range of musical styles from Bach to the present day arranged for E Flat (Alto) or B Flat (Tenor) Saxophone and Piano. All the numbers suit the idiosyncrasies of both tenor and alto saxophones equally well which is unusual in a collection such as this. These fantastic arrangements include works by Bach Purcell Faure Bizet Weill Strachey and Link and Duke Ellington. James Rae has written so much for saxophone and here he comes forward with yet another enjoyable album arranged skilfully as always and containing some instructive as well as pleasing tunes. The solo Alto and Tenor parts are included onseparate inserts. Selected for the ABRSM Alto and Tenor saxophone examinations grades 3 and 5.
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Brian Elias: Pythikos Nomos For Alto Sax And Piano: Alto Saxophone: Instrumental
Saxophone and Piano
[Sheet music]
Chester
Pythikos Nomos is scored for alto saxophone (or clarinet in A) and piano.It was ...
(+)
Pythikos Nomos is scored for alto saxophone (or clarinet in A) and piano.It was at the request of John- Edward Kelly that Brian Elias first decide to write a work for saxophone and piano. ‘Pythikos Nomos’ (Pyhton’s Law)is an ancient Greek musical form invented by Sakadas in 586 BC for the Pythian games to describe the battle between Apollo and the monster on the slopes of Parnassus. It is reputedly the first known genre of programmemusic.Brian Elias decided that the characteristic sounds of the saxophone would be well suited to ancient Greek rhythms and was interested in the implications of this form as an early sonata shape. According to legend Apollofought and defeated the monster on the site which came to be called Delphi. He returned to Delphi in triumph after a period of purification escorted by priests singing hymns of praise. Several versions of the instrumental formexist following the general storyline. Brian chose to base his piece around six sections: (i) Peira (introduction) (ii) Kataleusmos (Apollo incites the monster to battle) (iii) Imabikon (the battle) (iv) Spondeion (hymn ofvictory) (v) Katachoreusis (victory dance) (vi) Syrinxes (the last breaths of the dying monster). The central hymn of victory incorporates a quote from the first Delphic Hym a surviving fragment of ancient Greek music. Thiswork was written for John-Edward Kelly and Bob J.W.Versteegh who gave the first performance on 1st July 1988 at the Wigmore Hall London. Duration c.10 minutes. The score is in C.
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Adolphe Sax Album (PROST NICOLAS)
Français
Saxophone and Piano
[Sheet music]
Lemoine, Henry
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846...
(+)
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur 'la Quena', leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. / classique / Répertoire / Saxophone et Piano
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Prost N. - Adolphe Sax Album
Français
Saxophone and Piano
Lemoine, Henry
Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : ...
(+)
Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : classique Média : Partition Nombre de pages : 36 + 12 Format : 23 x 31 cm Editeur : Lemoine Réf. : 28891 Date de parution : 31/05/2013 ISBN / ISMN : 9790230988919 Contenu BERLIOZ : 1er Solo - BIZET : Ouverture - BIZET : Intermezzo - DELIBES : Barcarolle - FRY : Berceuse - MASSENET : Vision - MASSENET : Air des Larmes - SAINT-SAENS : Orient - THOMAS : Deux chants du Pérou - THOMAS : Récit - WETTGE : Fantaisie Notice Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur la Quena, leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. Nicolas Prost
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Pierre-Max Dubois: Concerto For Alto Saxophone And String Orchestra: Alto
Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Concerto by Pierre Max Dubois is a piece of 18 minutes initially composed for an...
(+)
Concerto by Pierre Max Dubois is a piece of 18 minutes initially composed for an Alto Saxophone and a String Orchestra. These scores are for Saxophone and Piano. The Saxophone part is considered as difficult and requires a strong endurance and good technique. This Concerto is divided into three distinct movements: 1. Lento Cadenza e Allegro 2. Sarabande 3. Rondo Really interesting to play it is a great piece for recitals and contests. Pierre Max Dubois (1930-1995) is a French composer who was awarded the Prix de Rome in 1955. Mainly composing classical music hisworks are mainly for woodwinds. He is one of the founder of the Les Six which included his professor Darius Milhaud.
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Husa: Elegie Et Rondeau: Saxophone: Instrumental Work
Saxophone and Piano
[Sheet music]
Leduc, Alphonse
Initially for Saxophone and Orchestra this edition of Élégie Et Rondeau by Ka...
(+)
Initially for Saxophone and Orchestra this edition of Élégie Et Rondeau by Karel Husa is for Saxophone and Piano and lasts 10 minutes. Written for advanced players this piece is dedicated to Sigurd M. Rascher. Divided into two very distinct sections the Elegy and the Rondeau the Elegy starts “Quasi improvisando” on a slow tempo (60) and requires some good technique as part of it relies on improvisation. The Rondeau “Allegretto” is also quite challenging and requires a mastering of breathing techniques. Élégie Et Rondeau is a perfect piece toplay for recitals. Karel Husa is a Czech-born conductor and composer who later became an American national. His work is mainly classical and he won the Pulitzer Prize for his contribution to music.
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Paul Bonneau: Concerto: Alto Saxophone: Instrumental Work
Saxophone and Piano
Leduc, Alphonse
As the Saxophone is commonly associated with the jazz style classical music for...
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As the Saxophone is commonly associated with the jazz style classical music for the instrument had always been lacking and so when Paul Bonneau published his Concerto for Alto Saxophone in 1944 it was well-received by performers of the genre. Bonneau's composition was highly versatile ranging from over fifty film scores operettas songs and other pieces for Saxophone including this Concerto. Comprising three movements a typical performance lasts about fifteen minutes. Bonneau's Concerto for Alto Saxophone contains typically French characteristics includingchromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists.
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Introduction and Dance (MARTON KEREKFY)
Saxophone and Piano
[Sheet music]
EMB (Editio Musica Budapest)
Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's charact...
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Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's characteristic sound and virtuosity. It starts with a slow, nascent music, which gives way to a very fast dance with aksak rhythm in an asymmetrically segmented 8/16 meter. The work was commissioned by and is dedicated to saxophonist Levente Puskás and pianist Judit Váradi, who premiered it in September 2020 in the Hungarian Radio, and then first performed in concert in November that year. Márton Kerékfy (b. 1981) studied musicology and composition at the Liszt Academy of Music in Budapest (2000-2007) and received his PhD in musicology (2015) from the same institution. In 2006 he spent one semester on an Erasmus Grant at the Mozarteum in Salzburg. Márton is Senior Research Fellow at the Budapest Bartók Archives, Editor of the Béla Bartók Complete Critical Edition, and Editor-in-Chief at Editio Musica Budapest Zenemukiadó. / Date parution : 2022-04-12/ Répertoire / Saxophone et Piano
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Claude Debussy: Rapsodie - Réduction Pour Saxophone Et Piano: Alto Saxophone:
Saxophone and Piano
Durand
réduction pour saxophone et piano-Claude Debussy's Rapsodie. Reduction for Saxo...
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réduction pour saxophone et piano-Claude Debussy's Rapsodie. Reduction for Saxophone and Piano.
12.99 GBP - Sold by Musicroom UK
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John Harle: Classical Album: Saxophone Ensemble: Instrumental Album
Saxophone and Piano
[Sheet music]
-
Intermediate
Universal Edition
A wonderful collection of classical pieces which have been collected and arrang...
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A wonderful collection of classical pieces which have been collected and arranged by John Harle for Soprano Alto or Tenor Saxophone and Piano Accompaniment. Selected for the ABRSM Alto and Tenor Saxophone Examinations Grade 2.
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Seiber M. - Dance Suite - Saxophone Et Piano
Saxophone and Piano
Schott
Arranger: Haan, Stefan de Composer: Seiber, Mátyás Preface: Haan, Stefan de ...
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Arranger: Haan, Stefan de Composer: Seiber, Mátyás Preface: Haan, Stefan de The Dance Suite for alto saxophone and piano is an arrangement of selected pieces from Mátyás Seiber's Easy Dances, originally composed as piano pieces on the popular dance-styles of the 1920s and 30s and focusing particularly on the rhythmic characteristics of each. Seiber's life and work linked and developed many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schoenberg and Serial Music, to jazz, folksong, film and lighter music (rewarded by an Ivor Novello Prize for 'By The Fountains of Rome'). A late collaboration with John Dankworth produced the 'Improvisations for Jazz Band and Orchestra'. Contenu - Tango 1 - Tango 2 (Habanera) - Waltz - Blues - Charleston - Foxtrot - Cake-Walk
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Edward Gregson: Saxophone Concerto (Piano Reduction): Saxophone: Score
Saxophone and Piano
[Score and Parts]
-
Intermediate/advanced
Novello & Co Ltd.
Edward Gregson’s Saxophone Concerto was commissioned by Nobuya Sugawa an...
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Edward Gregson’s Saxophone Concerto was commissioned by Nobuya Sugawa and first performed on 10th May 2006 as part of the Sonic Skylines Festival Manchester by Nobuya Sugawa (saxophone) and the BBC Philharmonic conducted by Clark Rundell.
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Airs Celebres D'Operas: Saxophone Ensemble: Instrumental Album
Saxophone and Piano
[Sheet music + CD]
Leduc, Alphonse
Airs Célèbres D'Opéras (Vol. 1) for Alto Saxophone or B Flat Clarinet and Pia...
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Airs Célèbres D'Opéras (Vol. 1) for Alto Saxophone or B Flat Clarinet and Piano is an anthology of famous pieces arranged by Armando Ghidoni. Written for intermediate players this first volume features five pieces which can be played along with the CD which includes the Piano part for each song. The five pieces are: - Habanera from Carmen by Bizet - Che faró senza Euridice from Orfeo Ed Euridice by Glück - E lucevan le stelle from Tosca by Puccini - Questa o quella per me pari sono from Rigoletto by Verdi - Brindisi from LaTraviatta by Verdi Armando Ghidoni is an Italian musician really famous in France. He composed and arranged a large variety of pieces influenced by French Impressionism and incorporating jazz rhythms to his music. He composed religious pieces operas and numerous pieces of chamber music among others.
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LEHN CYRILLE - SONATE POUR SAXOPHONE and PIANO
Saxophone and Piano
Lemoine, Henry
LEHN CYRILLE - SONATE POUR SAXOPHONE
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Ave Maria: Tenor Saxophone: Instrumental Album
Saxophone and Piano
[Sheet music]
-
Intermediate
Nova Music
For Tenor Sax And Piano-Charles Gounod's restful melody soars over J.S. Bach's f...
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For Tenor Sax And Piano-Charles Gounod's restful melody soars over J.S. Bach's famous prelude. Gonoud was one of France's best composers if a little undervalued at the end of the nineteenth century before his interest in Religious and Sacred compositions waned. This piece is a prime example of his interst in ealier forms of music. This version has been faithfully if not wonderfully arranged for a Tenor saxophone and Piano accompaniment by Duncan Reid. This superb piece will be a suitable challenge for those working at grades 2-3.
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Karlins: Introduction Et Passacaille: Saxophone Ensemble: Score
Saxophone and Piano
[Sheet music]
Leduc, Alphonse
for alto saxophone tenor saxophone and piano
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Elegie
Français
Saxophone and Piano
Billaudot
Cette courte pièce, inspirée par un poème de René Char, ne comporte guère d...
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Cette courte pièce, inspirée par un poème de René Char, ne comporte guère de difficultés techniques pour le saxophone. Elle réclame en revanche une profonde sensibilité dans l'interprétation et une grande attention aux indications de nuances. Le souci de la ligne mélodique claire et de la souplesse du chant inscrit cette pièce dans une certaine tradition française, ce qui explique qu'elle soit dédiée à Jean-Michel Damase.Entièrement construite sur un rythme de trochée (longue/brève), l'oeuvre amplifie par vagues successives une cellule initiale, que le saxophone développe en une mélodie très chantante. Après un épisode central plus animé (notamment par la polyrythmie discrète de l'accompagnement), la mélodie initiale se déploie à nouveau, laisse le saxophone s'épancher en une brève cadence, puis s'orne d'un contrechant du piano, avant d'enfler jusqu'au climax fortissimo. Un retour au calme laisse ne délaisse pas le motif principal, qui se dissipe peu à peu dans la coda. / Saxophone En Mib Et Piano
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Gaetano Braga: Serenata Saxophone-Piano: Saxophone: Instrumental Work
Saxophone and Piano
Durand
Gaetano Braga's La Serenata transcribed for Alto Saxophone and Piano accompanime...
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Gaetano Braga's La Serenata transcribed for Alto Saxophone and Piano accompaniment by Roger Branga.
8.50 GBP - Sold by Musicroom UK
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Music For Japan (Score)
Saxophone and Piano
[Sheet music + CD]
I.M.P.
Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, pian...
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Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la Collection classique de plomb ' dispose d'arrangements idiomatiques des pièces classiques bien connus. Ces pièces encouragent la progression de la technique et instrumentistes de débutants apprécieront vraiment d'apprentissage et de leur exécution. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Air sur un G String (JS Bach) - Ave Maria (Schubert) - La Donna E Mobile de... / Saxophone Et Piano
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Tenor Saxophone Solos Volume 1: Tenor Saxophone: Instrumental Album
Saxophone and Piano
[Sheet music]
Chester
Saxophone solos for B Flat Tenor with piano accompaniment. Edited by Paul Harvey...
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Saxophone solos for B Flat Tenor with piano accompaniment. Edited by Paul Harvey. Includes music by Saint-Saens Granados and Handel.
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Edward Elgar: An Elgar Saxophone Album: Saxophone: Instrumental Album
Saxophone and Piano
[Sheet music]
Novello & Co Ltd.
Seven pieces arranged for alto or tenor saxophone by Sidney Lawton with piano ac...
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Seven pieces arranged for alto or tenor saxophone by Sidney Lawton with piano accompaniment. Includes 'Adagio' (The Cello Concerto Opus. 85) 'Nimrod' (Enigma Variations Opus. 36) and 'Chanson De Matin' (Opus. 15 No. 2).
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Carnaval De Venise Fantaisie Variee Op. 14
Français
Saxophone and Piano
[Score and Parts]
Billaudot
La référence CC2646 de l'éditeur Billaudot dont l'auteur célèbre est Genin ...
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La référence CC2646 de l'éditeur Billaudot dont l'auteur célèbre est Genin Paul-Agricole, qui a pour titre CARNAVAL DE VENISE FANTAISIE VARIEE OPUS 14, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition
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Saxophone Solos Volume 1 (Alto Saxophone): Alto Saxophone: Instrumental Album
Saxophone and Piano
[Sheet music]
-
Intermediate
Chester
This collection presents three different kinds of saxophone solos. Arranged for ...
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This collection presents three different kinds of saxophone solos. Arranged for E flat alto Saxophone with piano accompaniment. Edited by Paul Harvey.
13.99 GBP - Sold by Musicroom UK
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Armando Ghidoni: Prelude Et Fantaisie: Alto Saxophone: Instrumental Work
Saxophone and Piano
Leduc, Alphonse
For alto (or soprano or tenor) saxophone and piano.
14.99 GBP - Sold by Musicroom UK
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