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Clarinet, Piano
PIANO
Viola, Piano
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Sonatas For Piano And Clarinet (Or Viola) Op. 120, 1 And 2 (Version For Viola)
Viola, Piano
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Alto. Si l'instrumentation Alto Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Alto Et Piano / Chanson En Séparée
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Johannes Brahms: Clarinet Sonatas Op.120 Arranged For Viola: Viola: Instrumental
Viola, Piano
G. Henle
Version for Viola-In the later years of his life in the 1890s Johannes Brahms ...
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Version for Viola-In the later years of his life in the 1890s Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114 Quintet Op.115 and the Sonatas Op.120 – three gems inthe Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based onthe musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time the newly set Piano score now contains the Viola part and Violaplayers can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.
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Gordon Jacob: Sonatina for Viola and Piano: Viola: Score and Parts
Viola, Piano
[Sheet music]
Novello & Co Ltd.
While Gordon Jacobs composed a vast amount of music more than four hundred pie...
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While Gordon Jacobs composed a vast amount of music more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism atonality and other avant garde effects in favour of Romanticism Jacob was much morean adherent to the musical models of the classic and baroque eras while still encompassing modern harmonies. His work Music for a Festival for symphonic wind band and brass ensemble was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.
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Martinu Bohuslav - Rhapsody Concerto - Alto, Piano
Viola, Piano
Barenreiter
Concerto for Viola and Orchestra Edition : Piano Reduction/Vocal Score Editor :...
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Concerto for Viola and Orchestra Edition : Piano Reduction/Vocal Score Editor : Sommer, Jürgen Binding : stapled Instrumentation : 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 4 Horn, 2 Trumpet, Kettledrum, Drums
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Sonata E Flat Major For Viola (Or Clarinet) And Piano. Piano Score And Parts
Viola, Piano
[Sheet music]
Kompozitor
/ Alto Et Piano / 30 pages / Partition
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Sonata F Minor For Viola (Or Clarinet) And Piano. Piano Score And Parts
Viola, Piano
[Sheet music]
Kompozitor
/ Alto Et Piano / 16 pages / Partition
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Max Reger: Klarinettensonate Opus 107: Viola: Instrumental Work
Viola, Piano
G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...
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Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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Bohuslav Martinu: Rhapsody-Concerto: Viola
Viola, Piano
[Reduction]
Barenreiter
Concerto for Viola and Orchestra. By Bohuslav Martinu. Edited by Jurgen Sommer. ...
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Concerto for Viola and Orchestra. By Bohuslav Martinu. Edited by Jurgen Sommer. For Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (4) Trumpet (2) Kettledrum Drums. Piano Reduction/Vocal Score. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4316 90) ISBN M006446872.
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Santa's Helper
Viola, Piano
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa! It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Viola is also written as solos or duets in accommodating keys for Violin, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along. The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone../ Recueil / Alto et Piano
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Gerald Finzi: Five Bagatelles: Viola: Instrumental Work
Viola, Piano
Boosey and Hawkes
Finzi's well-loved and long-established clarinet repertoire piece idiomatically ...
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Finzi's well-loved and long-established clarinet repertoire piece idiomatically transcribed by Veronica Leigh Jacobs. Leigh Jacobs trained at London's Royal Academy of Music and has enjoyed a substantial career as both orchestral and chamber musician in the USA. An addition to the viola repertoire which will be welcomed by intermediate to advanced standard players alike.
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Torso Des Schumann-Denkmals (REZAC IVAN)
Viola, Piano
[Sheet music]
Schott
Par REZAC IVAN. Ivan Rezác composé cette pièce pour marquer le 150e anniversa...
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Par REZAC IVAN. Ivan Rezác composé cette pièce pour marquer le 150e anniversaire de Robert Schumann en 1960. Le titre provient des événements politiques qui passe en République tchèque à l'époque : tout comme les monuments commémoratifs pour un anciens héros étaient étant démolis, le torse du monument Schumann prévu ont survécu. Ivan Rezác a clairement montre le principe de la variation de Schumann et analyse les speci and la formation de 64257 - c# et la méthode tectonique en utilisant son propre matériel musical, sans, toutefois, citant speci and # 64257 - pratiquement aucune des oeuvres de Schumann./ Recueil / Alto et Piano
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Ruht wohl (JOLAS BETSY)
Viola, Piano
[Sheet music]
Leduc, Alphonse
Par JOLAS BETSY. La place que Betsy Jolas s?accorde elle-même dans le paysage d...
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Par JOLAS BETSY. La place que Betsy Jolas s?accorde elle-même dans le paysage de la musique contemporaine est celle de « l?indépendance » et de la « différence ». Cette position s?est clairement imposée dans les années 1960, lorsque sa vie créatrice est enfin devenue publique. Inflexible dans son choix marginal, elle a cependant côtoyé activement, aux lendemains de la guerre, le courant sériel, sans jamais vraiment y adhérer. Elle s?est de même intéressée aux musiques extra-européennes, américaines et dites « non savantes » ? de Bali au jazz ?, comme également, même si d?assez loin, aux recherches électro-acoustiques, notamment pour son opéra Schliemann (1983-1993)./ Répertoire / Alto et Piano
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Frauenliebe (JOLAS BETSY)
Viola, Piano
[Sheet music]
Leduc, Alphonse
Par JOLAS BETSY. La place que Betsy Jolas s?accorde elle-même dans le paysage d...
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Par JOLAS BETSY. La place que Betsy Jolas s?accorde elle-même dans le paysage de la musique contemporaine est celle de « l?indépendance » et de la « différence ». Cette position s?est clairement imposée dans les années 1960, lorsque sa vie créatrice est enfin devenue publique. Inflexible dans son choix marginal, elle a cependant côtoyé activement, aux lendemains de la guerre, le courant sériel, sans jamais vraiment y adhérer. Elle s?est de même intéressée aux musiques extra-européennes, américaines et dites « non savantes » ? de Bali au jazz ?, comme également, même si d?assez loin, aux recherches électro-acoustiques, notamment pour son opéra Schliemann (1983-1993)./ Répertoire / Alto et Piano
51.51 EUR - Sold by LMI-partitions
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Bruch: Doppelkonzert E Op.88: Clarinet & Viola: Instrumental Work
Viola, Piano
[Sheet music]
Peters
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30.95 GBP - Sold by Musicroom UK
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