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Maurice Ravel
PIANO
Viola
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Tzigane
Viola
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Alto
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Maurice Hauchard: Études Des Positions - étude de la 3e Position: Viola: Study
Viola
[Sheet music]
Leduc, Alphonse
Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor com...
(+)
Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor composer often in the shadow of his contemporary Maurice Ravel much of Hauchard's music is not widely known. However his Études Des Positions have enhanced the technical progression of many violinists and Alain Mames' transcription of the studies for Viola have also been well-received. As an excellent versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. Études Des Positions (3rd Position) addresses the third handposition in the context of musical techniques such as intervals scales chromaticism and is studies of varying styles. Mames' adaption for the Viola of Hauchard's Études Des Positions is an imperative aid to technical progression.
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Passi a solo e d'insieme per viola
Viola
[Sheet music]
Ricordi
a cura di Danilo Rossi. Par . A collection of the most important solo and ensemb...
(+)
a cura di Danilo Rossi. Par . A collection of the most important solo and ensemble excerpts for viola edited by Danilo Rossi, first viola soloist of the Orchestra del Teatro alla Scala in Milan for over 35 years. The aim of the edition is to make a significant educational, as well as professional, contribution to orchestra work. / Date parution : 2024-01-06/ Recueil / Alto
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Introduction Et Allegro Partie Pour Alto
Français
Viola
Durand
/ Alto
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