SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: M2.MOS-20047
ISBN 9790203710714.
Sonate B-dur: Es gibt nur wenige Werke fur Solovioline aus der Mozart-Zeit; das macht diese Erstveroffentlichung interessant. Die grosse Zeit der Violinvirtuosen Walther, Biber, Westhoff, Pisendel und anderer hatte mit Johann Sebastin Bachs Solosonaten und -partiten einen Abschluss gefunden. Aus der vorklassischen Periode kennen wir ausser vielen Unterrichtswerken fur Violine nur wenige konzertante Kompositionen fur eine Violine allein. Dazu zahlen insbesondere die Sonaten von Friedrich Wilhelm Rust und Johann Friedrich Reichardt, beide aus dem Umkreis Franz Bendas, die aber deutlich an barocke Vorbilder anknupfen. - Die hier vorgelegte Sonate in B-Dur von Pesch ist ein in beiden Satzen fast durchgangig zweistimmiges Stuck. Die Tonart B-Dur mag zunachst etwas befremden, ist aber nicht ungewohnlich, denn auch Solowerke von Westhoff und Rust stehen in dieser Tonart; sie erweist sich als durchaus geigerisch und klangvoll in diesem ungewohnlichen Werk. Die in vielen Veroffentlichungen wiedergegebenen Lebensdaten von Pesch, die aus unbekannter Quelle stammen und immer wieder benutzt wurden, sind durchweg falsch. Aus der Eintragung im Kirchenbuch der Gemeinde St. Blasius in Braunschweig ist der 27. Februar 1791 als Sterbedatum eindeutig festgestellt. Die Braunschweigische Anzeigen schreiben Am 27sten Februar ... verstarb ... Herr Carl August Pesch im 57ten Jahr seines Alters. Im 57ten Jahr bedeutet, dass er 56 Jahre alt wurde, also 1735 geboren ist. Uber seine Herkunft ist bisher wenig bekannt: Nach 1760: Eintritt in den herzoglichen Dienst in Braunschweig; 1763: Leopold Mozart erwahnt Pesch unter den Personen, die er im Gasthof Goldener Lowe in Frankfurt/Main getroffen hat; 1765: Reise mit dem Herzog nach London, dort Veroffentlichung einiger Werke; 1766/1767: Reise mit dem Herzog nach Italien; 1776 Konzerte in Frankfurt/Main.
SKU: BT.PWM7985010
In her four-movement Sonata Bacewicz obviously refers to the Baroque music , the virtuoso trend of the music for strings of that epoch, as proven by the kind of narrative as well as Bach-like ostinatos and figurations, textural devices such as lyrical double stops or bourdons with open strings, a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach), depriving the music of Arcadian illusions while preserving its musicianly dash instead, an indisputable violin quality of sound and energy, which is exclusively the energy of the material, without any extramusical references. [M. G siorowska, op. cit.].
SKU: HL.14014552
ISBN 9783920127101.
A comprehensive and scientific guide to developing and employing Vibrato in your Violin playing. Werner Hauck analyses many different Vibrato techniques that achieve a variety of lyrical and 'human' qualities to illuminate melodies, including a close look at some of the prominant Vibrato methods of the past and a detailed guide to the origins of Vibrato in the human singing voice. He examines many contasting musical examples, giving guidance upon exactly how to articulate an effective Vibrato that is appropriate in capturing and expressing the inner character of the music.
SKU: FZ.5850
ISBN 9790230658508. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. ANCELET - Jacques-Laurent BETHISY - Sebastien de BROSSARD (1-2) - Michel CORRETTE (1) - Jean-Baptiste DOMENJOUD - Pierre DUPONT - Encyclopedie - F. A. P. de GARSAULT - Francesco GEMINIANI - Marin MERSENNE - Michel Pignolet de MONTECLAIR - Leopold MOZART. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Brossard Sebastien de: Dictionnaire de musiqua - 1703. Brossard Sebastien de: [Methode de violon manuscrite] - c. 1711. Monteclair Michel Pignolet de: Methode facile pour apprendre a jouer du violon - 1711. Dupont Pierre: Principes de violon - 1718. Corrette Michel: L'ecole d'Orphee - 1738. Dupont Pierre: Principes de violon '(seconde edition) - 1740. Encyclopedie: Articles sur le violon et la lutherie - 1751/1772. Geminiani Francesco: L'art de jouer du violon - 1752. Ancelet: Observations sur la musique - 1757. Domenjoud Jean-Baptiste: De la preference des vis aux chevilles - 1757. Garsault F. A. P. de: Notionnaire, ou memorial raisonne - 1761. Bethisy Jacques Laurent: Exposition de la theorie - 1764. Mozart Leopold: Methode raisonnee pour apprendre a jouer du violon - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - Library of Congress, Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: BT.9781408114612
ISBN 9781408114612. English.
Now in a third edition, Abracadabra Violin has a fresh and contemporary new look and is the perfect book for pupil and teacher.This title offers an identical selection of repertoire to the other books in theAbracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know and want toplay, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentalsof the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Violin now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.
SKU: FG.55011-770-9
ISBN 9790550117709.
The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: The choice of topic and material was originally influenced by the place where the string trio would be premiered – the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge. Lasting 17 minutes, the sonata for solo violin has three movements, all of them embracing the folk choral material and Béla Bartók’s influence in different ways. It was premiered by Kaija Saarikettu at the Kaustinen Chamber Music Festival in 2020.
SKU: FZ.5827
ISBN 9790230658270. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Anonyme - Bartolomeo CAMPAGNOLI (1) - Francesco GALEAZZI - Pietro LEONE- Antonio LOLLI - Vicenzo PANERAI- Giovanni Batista RANGONI - Pietro SIGNORETTI - Giuseppe TARTINI (2-3) - Carlo TESSARINI (2-3) - Carlo ZUCCARI. Table of contents: Tessarini Carlo: Nouvelle methode pour apprendre par theorie - c. 1760. Zuccari Carlo: The tru method of playing - 1762. Tessarini Carlo: An accurate method - 1765. Leone Pietro: Methode raisonnee - 1768. Tartini Giuseppe: Lettera del defonto signor Giuseppe Tartini - 1770. Tartini Giuseppe: Traite des agremens - 1771. Signoretti Pietro: Methode contenant les principes - 1777. Panerai Vicenzo: Principi di musica - c. 1780. Anonyme: Riflessioni d'un professore - 1780. Lolli Antonio: L'ecole du violon en quatuor - c. 1784. Rangoni Giovanni Batista: Saggio sul gusto della musica - 1790. Campagnoli Batolomeo: L'art d'inventer a l'improviste - c. 1790. Galeazzi Francesco: Elementi teorico-pratici - 1796. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Civico Museo Bibliografico Musicale of Bologna (Italy). - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - Staatlische Hochschule fur Musik und darstellende Kunst of Berlin (Germany). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: OT.22090
ISBN 9789655050738. 8.27 x 11.69 inches.
Daniel Akiva's Partita for violin solo consists of six movements based loosely on music of the Sephardic Jews. It was written for students as performance material, and dedicated to them. Contents: Liturgical Song Prayer Supplication Dance Kaddish SupplicationDaniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school. Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.
SKU: AP.49294
ISBN 9781470644680. UPC: 038081563381. English.
Authorized Asian Edition - Available ONLY in Asia. Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD (Asian Edition) is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Engravings in a 9 x 12 format * Revised editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). This title is available in MakeMusic Cloud.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: HL.50603952
ISBN 9781705162583. UPC: 196288062684. 9.0x12.0x0.161 inches.
The Sonata à violin solo (M.S. 83) is an early work by Paganini that can be ascribed to the years 1796-1800, a period which includes works such as the posthumous Grande concerto (M.S. 75), the Inno patriottico con variazioni (M.S. 81) and the Tema variato (M.S. 82)for violin. There are no doubts as to the authenticity of the work: the highly virtuosic experimental writing, the indications “Organetto†and “Flagioletto†and the use of the fourth string are all distinctive traits found in Paganini's writing from this period which link the Sonata to the Inno patriottico con variazioni and the Tema variato. The most significant characteristics of this composition are its length and the three-movement structure that connect it to the Classical style, at least far as the first movement is concerned: it is written in sonata form, something rarely seen in Paganini's solo violin works.
SKU: HL.50499695
ISBN 979080148853. 9.0x12.0x0.063 inches. Andras Szollosy; Mihaly Barta.
Andras Szollosy (1921-2007) was one of the most significant Hungarian composers of the second half of the 20th century, yet his oeuvre has not become as well-known as that of Gyorgy Ligeti, two years his junior, or of Gyorgy Kurtag, five years his junior. Szollosy did not compose many works and he was strict about which of them he would allow to go public. As a younger colleague of his once remarked: He only composed his good works. Szollosy's Sonata for Solo Violin, which was written at the age of 26 and was publicly performed only in 2006, almost 60 years after its composition, fell victim to his self-criticism. Although the model of Bartok's Sonata for Solo Violin of just three years earlier was obviously on the young composer's mind, he was no epigone of the great master. From the aspect of both composition and instrumental technique, the 11-minute Sonata for Solo Violin represents exacting and prominent music, and is a remarkable piece among works written for the violin in 20th-century Hungarian music. The score of the posthumously published work was edited by the soloist of its world premiere, Michael Barta.
SKU: FZ.6370
ISBN 9790049063708. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Hans GERLE - Matthias KELZ - Johann Jacob PRINNER - Georg MUFFAT (1) - Daniel SPEER - Georg MUFFAT (2) - Joseph Friederich Bernhard Caspar MAJER - Johann Philipp EISEL - Maurus BUOHL - ANONYME. Table of contents: Gerle Hans: Musica und Tablatur, auff die Instrument der kleinen und grossen Geygen - 1546. Kelz Matthias: Epidigma Harmoniae Novae - 1669. Prinner Johann Jacob: Musicalischer Schlissl - 1677. Muffat Georg: SUAVIORIS HARMONIAE INSTRUMENTALIS - 1695. Speer Daniel: Grund-richtiger Kurz-Leicht-und Nothiger jetzt Wol-vermehrter Unterricht der Musicalishen Kunst - 1697. Muffat Georg: EXQUISITORIS HARMONIAE INSTRUMENTALIS - 1701. Majer Joseph Friederich Bernhard Caspar: MUSEUM MUSICUM THEORETICO PRACTICUM - 1732. Eisel Johann Philipp: Musicus autodidactos - 1738. Buohl Maurus: Ein neues durch die Musicalische Combination - 1756. Anonyme: Rudimenta Panduristae - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Congress Library of Washington (USA). - University Library of Uppsala (Sweden). - British Library of London (England). - Stadtarchiv of Constancy (Germany). - National Library of Wien (Austria). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: AP.48729
ISBN 9781470644185. UPC: 038081560397. English.
Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person. This CD of the Suzuki violin method, Volume 3 features recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). This title is available in MakeMusic Cloud.
SKU: FZ.5826
ISBN 9790230658263. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Bartolomeo BISMANTOVA - Francesco GEMINIANI (1-2) - Giuseppe TARTINI (1) - Carlo TESSARINI (1) - Aurelio VIRGILIANO - Gasparo ZANNETTI. Table of contents: Virgiliano Aurelio: Il dolcimelo d'Aurelio Virgiliano - c. 1600. Zannetti Gasparo: Il scolaro di Gasparo Zannetti - 1645. Bismantova Bartolomeo: Compendio musicale - 1677. Tessarini Carlo: Gramatica di musica - 1741. Tartini Giuseppe: L'Arte del arco - 1748. Geminiani Francesco: A treatise of good taste - 1749. Geminiani Francesco: The art of playing on the violin - 1751. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Civico Museo Bibiografico Musicale of Bologna (Italy). - Municipal Library of Reggio Emilia (Italy). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5851
ISBN 9790049058513. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Anonyme (1-2) - Michel CORRETTE (2) - LABADENS (1) - L'ABBE LE FILS - Jean-Benjamin de LABORDE - Theodore-Jean TARADE. Table of contents: Anonyme: Maniere de graduer un violon - 1771. Observation sur la maniere de graduer un violon. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1772. L'Abbe Le Fils: Principes de violon pour apprendre le doigte - 1772. Tarade Theodore-Jean: Traite du violon - 1774. Laborde Jean-Benjamin de: Essai sur la musique ancienne et moderne - 1780. Corrette Michel: L'art de se perfectionner - 1782. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - In Philippe Lescat's Collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5852
ISBN 9790230658522. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Anonyme (3-4) - Louis, L'aine BORNET - Joseph DEMAR - Louis-Antoine DURIEU - Encyclopedie methodique - LABADENS (2) - J. J. O. de MEUDE-MONPAS. Table of contents: Anonyme: La parfaite connoissance - 1782. Bornet Louis, l'aine: Nouvelle methode de violon - 1786. Meude-Monpas J. J. O. de: Dictionnaire de musique - 1787. Encyclopedie methodique: Article sur les outils de lutherie et complements a l'Encyclopedie de Diderot - 1788. Anonyme: Principes pour apprendre facilement - c. 1790. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1790. Durieu Louis-Antoine: Methode de violon - 1794. Demar Joseph: Nouvelle methode abregee - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5816
ISBN 9790230658164. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Delphin ALARD. Ecole du Violon - Methode complete et progressive a l'usage du conservatoire (Paris, Schonenberger - Mayence B. Schott, edition datee de 1844). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5815
ISBN 9790049058155. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Francois-Antoine HABENECK. Methode theorique et pratique de violon (Paris Canaux, edition datee de 1842) - [Methode composee c. 1840]. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5813
ISBN 9790230658133. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Jacques-Fereol MAZAS. Methode de violon suivie d'un traite des sons harmoniques en simple ou double-cordes (Paris, Aulagnier, s. d. = 1830). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6371
ISBN 9790049063715. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Leopold MOZART. Table of contents: Mozart Leopold: Versuch einer grundlichen Violinschule - 1756. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6392
ISBN 9790049063920. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Francesco GEMINIANI - Giuseppe TARTINI - F. A. W. ANONYME - Johann Adam HILLER - Ignaz SCHWEIGL (2) - George Simon LoHLEIN. Table of contents: Geminiani Francesco: Grundliche Anleitung oder Violin Schule 1782. Tartini Giuseppe: Brief des Joseph Tartini an Magdalena Lombardini 1786. Anonyme: Anmerkungen uber die Violin und den Violinspieler 1788. Hiller Johann Adam: Anweisung zum Violinspielen, fur Schulen, und zum Selbstunterrichte c. 1792. Schweigl Ignaz: Grundlehre der Violin. Erster Theil 1794. Schweigl Ignaz: Grundlehre der Violin. Zweiter Theil 1795. Lohlein George Simon: George Simon Lohlein's Anweisung zum Violinspielen (. . . ) mit Verbesserungen und Zusatzen - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). - Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5828
ISBN 9790230658287. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Bartolomeo CAMPAGNOLI (2) - Francesco FANZAGO - Giuseppe TARTINI (4-5). Table of contents: Fanzago Francesco: Elogi di Giuseppe Tartini - 1792. Tartini Giuseppe: Libro de regole, ed esempi - s. d. Tartini Giuseppe: Regole per arrivare a saper ben suonare - s. d. Campagnoli Bartolomeo: Nuovo metodo della mecanica - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - University of California (USA). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6391
ISBN 9790049063913. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. George Simon LoHLEIN - Johann Friedrich REICHARDT (2) - Karl TAUBER VON TAUBERFURT. Table of contents: Lohlein George Simon: Anweisung zum Violinspielen - 1774. Reichardt Johann Friederich: Schreiben uber die Berlinische Musik - 1775. Reichardt Johann Friederich: Antwort Schreiben eines Ton-Kunstler - 1782. Reichardt Johann Friederich: Ueber die Pflichten des Ripien-Violonisten - 1776. Tauber Von Tauberfurt Karl: Uiber meine Violine - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
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