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Ike
PIANO
Violin and Piano
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Craig Armstrong: My Love Is Like A Red Red Rose (Violin/Piano): Violin:
Violin and Piano
[Sheet music]
Chester
My Love Is Like A Red Red Rose (Violin/Piano)
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 1 K.6-9: Violin:
Violin and Piano
G. Henle
Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius ...
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Wunderkind Sonatas I K. 6-9 for Piano and Violin-At the time Mozart?s genius recognised at an early age could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna older by five years were admired as being 'Wunderkinder' (prodigies) on theirtravels through Western Europe between 1763 and 1766. The piano sonatas ?with a violin accompaniment? K. 6 9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds colour butnot as an equal partner unlike in the later great violin sonatas (see HN 77 80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know ?everything? todiscover some treasures.With marked and unmarked string parts
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Pop Performance Pieces: Violin: Mixed Songbook
Violin and Piano
[Sheet music]
-
Intermediate
Chester
Pop Performance Pieces includes 10 carefully selected contemporary and classic ...
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Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Violin with aPiano accompaniment suitable for Grade 2-5 students as well as teachers. With a Piano score separate Violin part and performance hints and tips these fun pieces will hone yourskills and develop ensemble playing.These pieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classicslike Simon
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Leos Janacek: Works for Violin and Piano: Violin: Instrumental Work
Violin and Piano
-
Intermediate
Barenreiter
This edition contains all of Janá ek?s works for Violin and Piano - the Sonata ...
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This edition contains all of Janá ek?s works for Violin and Piano - the Sonata as well as the Romance and Dumka composed while he was still a student.Though probably written as early as 1914 Janá ek?s Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leo? Janá ek (Vol. E/1) with a clearer notation to optimise readability.For the Dumka the editor has drawn on the sole autograph source the Violin part (still considered lost when the above mentioned Complete Edition volume waspublished) and the revised version contained therein. Unlike the first edition it also contains Janá ek?s detailed dynamic markings.Newly engraved edition with notation adapted to conform with modern usage.Revised version of Dumka with original dynamic markings.Foreword by leading Janá ek scholar Alena N mcová (Cz/Eng/Ger)
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 2: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Viennese Sonatas 1781-1788 with fragments and variations-This new publication in...
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Viennese Sonatas 1781-1788 with fragments and variations-This new publication in two volumes contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully Bärenreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '... a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006)
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 1: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contain...
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Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378
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Joaquín Turina: El Poema De Una Sanluquena: Violin: Instrumental Work
Español
Violin and Piano
[Sheet music]
Unión Musical Ediciones
In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Un...
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In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ?muchachas? the girls of Sanlúcar who it is said ?don?t get married? because the boys of Sanlúcar marry outsiders. Turina wrote the work for ?those beautiful Andalusian girls living in a sad and never-ending dream.? Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina?s years studying in Paris as well as his native Spain combined with the composer?s own unique Voice.
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Ludwig van Beethoven: Sonata For Violin And Piano Volume 1: Violin: Instrumental
Violin and Piano
G. Henle
Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano ...
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Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano And Violin) Volume 1 is a beautiful collection of works for Violin and Piano composed by Beethoven. These sonatas provide a wonderful addition to the repertoireand will present an enjoyable challenge to the violinist and pianist alike.This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The solo violin part is alsoincluded on a separate insert.
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Jigs Reels & Hornpipes: Violin: Mixed Songbook
Violin and Piano
Boosey and Hawkes
Complete Edition ( Violin And Piano )-Edward Huws Jones’ popular series of...
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Complete Edition ( Violin And Piano )-Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band. The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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Claude Debussy: Sonata For Violin And Piano In G Minor: Violin: Instrumental
Violin and Piano
G. Henle
Debussy wrote his solitary Violin Sonata in the closing days of his life plague...
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Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.
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Violin and Piano: Piano: Instrumental Album
Violin and Piano
[Sheet music]
Willis Music
A Collection of 43 Famous Compositions Arranged for Violin with Piano Accompanim...
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A Collection of 43 Famous Compositions Arranged for Violin with Piano Accompaniment-43 famous compositions for Violin in a variety of styles. Includes American folk songs like “Home on the Range” and “Oh Susanna”; Viennese waltzes like “Beautiful Blue Danube” and “Schönbrunner Waltz”; famous Violin solos like “Mazurka” and Paganini's “Introduction and Theme”; famous classical songs like “Panis Angelicus” by Franck and “Serenade” by Schubert; and many more.
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Franz Joseph Haydn: Violin Concerto In G: Violin: Instrumental Work
Violin and Piano
G. Henle
Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Vi...
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Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was firstpublished a century after the Austrian composer?s death in 1909 and was little known before. The concerto is lovely and ingratiating to the ear consisting of 3 movements (Allegro moderato Adagio andAllegro) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will putplayers and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Pianoaccompaniment and two copies of the Violin score which is identical to that of the Haydn-Gesamtausgabe are enclosed as separate inserts. A preface in German English and French by editor Günter Thomas is included as well.
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
Violin and Piano
Dover Publications
One of the most beloved concertos in the violin repertoire this piece features ...
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One of the most beloved concertos in the violin repertoire this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David his close friend and concertmaster of the Leipzig Gewandhaus Orchestra for which the composer served as conductor. An instant success upon its 1845 premiere the concerto remains essential to the repertoire of every aspiring violin virtuoso.Edited by the distinguished teacher and performer Leopold Auer this authoritative practice and performance edition includes a 16-page insert of a separate removable violin part.Professional and amateur musicians alike will appreciate this durable yet inexpensive edition which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.Reprint of the Carl Fischer New York 1917 edition.
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Lili Boulanger: D'un Matin de Printemps: Violin: Instrumental Work
English
Violin and Piano
Faber Music Limited
The brevity of Lili Boulanger's life (1893-1918) does not obsecure its substanti...
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The brevity of Lili Boulanger's life (1893-1918) does not obsecure its substantial achievements. With the cantata 'Faust et Helene' (1913) she became the first woman to win the Prix De Rome and several large projects including 'D'un Matin De Printemps' and its companion piece 'D'un Soir Triste' both in various scorings followed during the last five years of her life. 'D'un Matin De Printemps' is remarkable for its sharpness and vigour: Lili's textures and harmonic language place her music in the French mainstream of the period while her sensitivity to the expressive character and technical demands of the violin are in evidence throughout this striking piece. This new authoritative performing edition by musicologist and performer Neil Heyde is an invaluable addition to the French early 20th century repertory for the instrument. The edition includes a full introduction and critical commentary.
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Robert Schumann: Violin Sonata No.2 In D Minor Op.121: Violin: Instrumental Work
Violin and Piano
G. Henle
Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sona...
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Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sonata was written in October/November 1851 only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata especially in the finale is characterised bythe close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski who later became the composer?s biographer reported that ?smiling in his kind-hearted manner? the composer had said to him: ?I did not likethe first violin sonata; so I then wrote a second one which is hopefully better.? Schumann was apparently referring to the great differences in the expressive content: Whereas the first sonata with three movements seems rathermelancholy and dark overall the second ?Great Sonata? with four movements is bursting with energy and ends in vibrant D major.
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Jones: The American Fiddler (New edition): Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Edward Huws Jones’ popular series of traditional fiddle repertoire now av...
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Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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The Celtic Fiddler (Neuausgabe): Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Edward Huws Jones’ popular series of traditional fiddle repertoire now av...
(+)
Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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The Ceilidh Collection: Violin: Score
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Complete Edition- Edward Huws Jones’ popular series of traditional fiddle ...
(+)
Complete Edition- Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band. The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Eitherformat is highly flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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Sonatas Band 1 Und 2
Violin and Piano
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
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Lullaby for Leo (HYUNG-KI JOO RICHARD)
Violin and Piano
Universal Edition
Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen...
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Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen touring with violinist Alexsey Igudesman, while composing, arranging, recording, and generally promoting the performance and enjoyment of classical music. Surprisingly, Lullaby for Leo represents his first published piece, 'one of the most personal pieces I've ever written,' according to the composer. A sleepless baby inspired Hyung-ki Joo to write this very personal piece. Whether the calming music for violin and piano was able to get Leo to sleep is unknown, but he loves the piece. This memorable gem takes young and old alike into the land of dreams and is suitable for concerts and competitions. An enchanting lullaby which cleverly suggests another and makes you smile – from one who, with his comedy duo partner Aleksey Igudesman, is world famous!/ Répertoire / Violon et Piano
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Subito (LUTOSLAWSKI WITOLD)
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
for violin and piano. Par LUTOSLAWSKI WITOLD. The title of this striking, virtuo...
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for violin and piano. Par LUTOSLAWSKI WITOLD. The title of this striking, virtuosic work refers to the continuous succession of sudden changes that occur within it, with contrasts of rhythm, dynamics and articulation. Written in 1992, it is Lutoslawski?s last composition. / Date parution : 2023-06-01/ Répertoire / Violon et Piano
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