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PIANO
Violin and Piano
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3 Ragtimes
Violin and Piano
Schott
Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ...
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Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ans après la mort de son principal représentant, Scott Joplin, le film 'The Sting' a rendu ce style une fois populaire bien connus et à la mode à nouveau. Cette petite select / Violon Et Piano
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Naji Hakim: Concerto for Violin: Violin: Score
Violin and Piano
Leduc, Alphonse
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studi...
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Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training Hakim's compositions are created from a wealth of knowledge and understanding Concerto For Violin being no exception. Composed in 2002 Concerto For Violin with String Orchestra or Piano reduction accompaniment is highly modern in composition. With a typical performance lasting about 35 minutes the concerto is made up of three movements. Thesolo Violin line addresses many virtuosic techniques including double and triple stops articulation complex rhythms varying bowings and a huge range of performance directions amongst other aspects. For all advanced violinists seeking varied modern repertoire Hakim's Concerto For Violin is an essential addition to the repertoire. This is a reduction for Violin and Piano.
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
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Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Pyotr Ilyich Tchaikovsky: Canzonetta From Violin Concerto In D Op.35: Violin:
Violin and Piano
[Sheet music]
Wilhelm Hansen
Considered one of the most technically difficult works for the Violin Tchaikovs...
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Considered one of the most technically difficult works for the Violin Tchaikovsky’s Violin Concerto in D major Op. 35 is one of the best known Violin concertos constantly performed by the world’s greatest artists. The genius of Tchaikovsky translates beautifully in the expressive second movement of the concerto. Canzonetta is a lyrical andante in G minor which should be played with a lot of sentiment for best results. This edition is arranged for Violin solo with a Piano accompaniment replacing the ensemble part.Russian composer Pyotr Ilyich Tchaikovsky’s works included symphonies concertos operas ballets chambermusic and a choral setting of the Russian Orthodox Divine Liturgy. He was the first Russian composer whose music made a lasting impression internationally some of his compositions are among the most popular theatrical music in the classical repertoire.
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Martin Suckling: Three Venus Haiku: Violin: Score
Violin and Piano
Faber Music Limited
These three exquisite miniatures ? composed in 2009 and lasting a total of 5 min...
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These three exquisite miniatures ? composed in 2009 and lasting a total of 5 minutes ? are responses to the poetry of George Bruce. In the first Soloist and Piano are fused together as a single instrument as if singing from a great distance. Suckling describes the following movements as ?inside a beam of light? and ?a never-ending lullaby?. Three Venus Haiku exist in versions for a number of different solo instruments with Piano and this edition is intended for either Flute or Violin.
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Robert Schumann: Violin Sonata No.2 In D Minor Op.121: Violin: Instrumental Work
Violin and Piano
G. Henle
Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sona...
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Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sonata was written in October/November 1851 only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata especially in the finale is characterised bythe close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski who later became the composer?s biographer reported that ?smiling in his kind-hearted manner? the composer had said to him: ?I did not likethe first violin sonata; so I then wrote a second one which is hopefully better.? Schumann was apparently referring to the great differences in the expressive content: Whereas the first sonata with three movements seems rathermelancholy and dark overall the second ?Great Sonata? with four movements is bursting with energy and ends in vibrant D major.
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Max Reger: Klarinettensonate Opus 107: Violin: Instrumental Work
Violin and Piano
G. Henle
Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for pri...
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Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for printing he remarked: 'You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano.' He wrote the violin parthimself adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet he had tried out the work with a violinist. 'Should the critics claim once again that it is incomprehensible -then these gentlemen are simply first class asses. The work sounds very good is intimate chamber music and not difficult to play together.' There is nothing more to be said.
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Sonaten und Partiten für Violine solo (BACH JOHANN SEBASTIAN)
Violin and Piano
[Sheet music]
Ricordi
herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edit...
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herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-09-20/ Recueil / Violon
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Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
Violin and Piano
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Advanced
Ricordi
a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the A...
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a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings. / Niveau : Avancé / Répertoire / Violon et Piano
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First Solo Pieces Vol. 2 - Violin And Piano
Violin and Piano
Schott
Handel: Bourée Handel: Hornpipe Schubert: Andante Schubert: German Dance Bach: ...
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Handel: Bourée Handel: Hornpipe Schubert: Andante Schubert: German Dance Bach: Gavotte in D Liadoff: Berceuse Liadoff: Danse of the Mosquito Brahms: Two Minuets Schubert: Minuet and Trio Festing: Andantino e Menuetto Beethoven: Bagatelle, op. 33/6 Anonymous: Greensleeves, Divisions to a Ground Corelli: Allegro Bizet: The Spinning Top Mozart: Pantomime and Passepied Schubert: Andante arr. Lambert: Copeo Haydn: Rondo all'Ongarese
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Italienische Violinmusik der Barockzeit 1: Violin: Instrumental Album
Violin and Piano
[Sheet music]
G. Henle
Les sonates en solo composées en Italie à partir des premières décennies du ...
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Les sonates en solo composées en Italie à partir des premières décennies du 17e siècle se distinguent par leur virtuosité instrumentale et l?originalité de la pensée baroque dont elles sont traversées. Ces deux aspects ont été pris en compte dans le choix des morceaux retenus pour cette série intéressante de recueils de musique italienne pour violon de la période baroque. Le premier volume se concentre sur deux groupes: d?une part Corelli à Rome Torelli à Bologne et Veracini à Florence et d?autre part les trois célèbres représentants de la dernière génération de compositeurs baroques italiens ? Geminiani Tartini et Locatelli ? dont le rayonnement s?étendait de Padouejusqu?en Angleterre en passant par Amsterdam. Toutes les ?uvres ont été éditées sur la base des sources originales garantissant ainsi une vision claire de ces joyaux de l?art baroque dans une édition urtext qui a fait ses preuves. Dans la préface figurent des explications quant aux pratiques de jeu et à la réalisation de la basse continue. Une liste des différentes variantes complète cette édition urtext approfondie.
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Sheila M. Nelson's Baroque Violinist
Violin and Piano
Boosey and Hawkes
Une collection originale de pièces pour violon et clavier. Norme intermédiaire...
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Une collection originale de pièces pour violon et clavier. Norme intermédiaire. Spécialement choisis par professeur distingué de chaîne Sheila Nelson. Chaque pièce comporte un aspect particulier de la technique de baroque et comprend des conseils judicieux de wr XVIIIe siècle / Violon Et Piano
26.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Bedrich Smetana Antonin Dvorak: The Czech Book: Violin Solo: Instrumental Album
Violin and Piano
Lauren Keiser Music Publishing
For Violin and Piano Two Works by Dvorák
18.99 GBP - Sold by Musicroom UK
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First Solo Pieces Vol.2
Violin and Piano
Schott
/ Violon Et Piano
20.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Classical Pieces
Violin and Piano
Schott
/ Violon Et Piano
20.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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