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Three
PIANO
Violin and Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (1981)
Choral SATB (968)
Piano, Vocal and Guitar (788)
Concert band (766)
String Quartet: 2 violins, vio… (455)
Guitar (441)
Guitar notes and tablatures (422)
Choral 3-part (407)
Organ (381)
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Violin and Piano (245)
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Flute (197)
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1 Piano, 4 hands (115)
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Easy Piano (74)
Viola (74)
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Alto Saxophone (67)
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Piano Trio: piano, violin, cel… (63)
Saxophone (63)
Musical course - Solfege (60)
C Instruments (57)
Alto Saxophone and Piano (55)
Trombone (54)
Double Bass (52)
Flute Trio: 3 flutes (50)
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Jazz Ensemble (47)
High voice, Piano (47)
French horn (42)
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Bass guitar (41)
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Bb Instruments (39)
Chamber Orchestra (38)
Harp (38)
Medium voice, Piano (38)
All Instruments (36)
Mandolin (36)
Oboe (35)
Tenor Saxophone (34)
Choral SSAA (33)
Choral Unison (32)
Choral TTBB (31)
Oboe, Piano (duet) (31)
Recorder Ensemble (31)
String Trio: 3 violins (31)
Accordion (30)
Chant (29)
Travaux Pour Choeurs (27)
2 Pianos, 4 hands (27)
String Trio: violin, viola, ce… (26)
3 Clarinets (trio) (26)
Bassoon (26)
Tuba (25)
Low voice, Piano (25)
2 Saxophones (duet) (23)
Bassoon, Piano (duet) (23)
1 Piano, 6 hands (23)
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Descant (Soprano) Recorder (22)
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2 Violins (duet) (22)
Violon, Ensembles de Cordes et… (21)
Percussion (21)
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Guitare (21)
Orchestra, Violin (21)
Clarinet Quartet: 4 clarinets (21)
Wind ensemble (21)
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2 Flutes (duet) (20)
Dulcimer (19)
Guitar Ensemble (19)
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Tuba and Piano (19)
Pennywhistle (18)
Music Theory (18)
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Eb Instruments (18)
Partition de Poche (17)
Flute and Guitar (17)
Soprano voice, Piano (17)
Musical Awakening (17)
Voice, Guitar (17)
Snare drums (16)
Piano Quintet: piano, 2 violin… (16)
2 Cellos (duet) (16)
Solo SATB, Choeur SATB, Hautbo… (15)
3 Saxophones (trio) (15)
2 Guitars (duet) (15)
Harpsichord (15)
3 Violons, Basse Viol et Basse… (14)
Cello, Orchestra (14)
Trombone and Piano (14)
Tenor voice, Piano (14)
Violin, Cello (duet) (14)
Harmonica (14)
Piano Accompaniment (14)
:: (14)
Madrigaux (13)
3 Recorders (trio) (13)
Choral, Orchestra (13)
French Horn and Piano (13)
Flûte Traversière Violoncell… (12)
Solistes (SATB), Choeur Mixte … (12)
Violon ou Violoncelle, Violonc… (12)
Trio avec Piano (12)
Flûte Traversière Cymbales e… (12)
Oboe, Violin, Viola and Violon… (12)
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Mezzo-Soprano voice, Piano (11)
Quintette à vent (11)
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Clarinet, Orchestra (11)
Children choir (11)
Solistes SST, Choeur SSAATB, 2… (10)
Balalaïka Et Piano (10)
Brass Quartet (10)
ENS::Ensemble (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
3 Guitars (trio) (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Soprano voice (10)
Children choir, Piano (10)
Solistes SATB, Choeur SATB, 2 … (10)
4 Guitars (Quartet) (10)
Baritone voice, Piano (10)
Organ, Trumpet (duet) (10)
Bass Clef Instruments (9)
Violon, Ensembles de Cordes et… (9)
4 Compagnons, 4 Voleurs, Direc… (9)
Orchestre: Choeur SSA, Flûte … (9)
Conducteur (9)
Flute, Cello, Piano (trio) (9)
B Flat, E Flat and C Instrumen… (9)
Flute ensemble (9)
Ukulele Ensemble (9)
Piano Quartet: piano, violin, … (8)
Violin, Basso continuo (8)
Quintette de Cuivres (8)
Guitare (Fingerpick) (8)
2 Trumpets (duet) (8)
Violon, Alto, Violoncelle et C… (8)
Brass Quartet: 2 trumpets, hor… (8)
Hautbois, 2 Flûtes Traversiè… (8)
Flûte Traversière, 2 Violons… (8)
Choral SSAATTBB (8)
Flûte Traversière, Clarinett… (8)
Horn Ensemble (8)
Soli and Orchestra (8)
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Violin, Guitar (duet) (8)
Biography (8)
Low voice (8)
Medium Voice (8)
2 Violas (duet) (7)
Timpani (7)
Orchestre Et Orgue (7)
Cello, String Bass (duet) (7)
School Ensemble (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
Choeur SATB, 2 Hautbois, 2 Cla… (7)
2 Violons Et Basse Avec Basse … (7)
Flûte à Bec, 2 Flûtes Trave… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Euphonium or Saxhorn and Piano… (7)
Piano, Guitar (Chords) (7)
Flute Quartet: 4 flutes (7)
Ensemble Mixte (7)
Euphonium (7)
B Flat, E Flat, C and Bass cle… (7)
Guitare ou Banjo ou Ukulélé (6)
Guitare Electrique (6)
Flute, Viola and harp (6)
Flute, Clarinet and Bassoon. (6)
Violin, Horn and Piano (6)
Lap Steel Guitar (6)
String Trio: 2 violins, cello (6)
Children choir, Instruments (6)
Guitar, Flute, Clarinet (6)
Oboe, Clarinet, Bassoon (trio)… (6)
Solo S, Choeur SATB, 2 Violons… (6)
Solistes SATB, Choeur SATB, Pa… (6)
Voice and Orchestra (6)
Organ, Piano (duet) (6)
String Quartet : 4 violas (6)
Clarinet, Cello, Piano (trio) (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Recorder, Piano (6)
Hohe Stimme, Melodie-Instrume… (6)
Marimba (6)
Petit Choeur SATB et Choeur SA… (6)
Balalaika (6)
Descent (Soprano) Recorder, Pi… (6)
Saxophone and Orchestra (6)
Dobro (6)
Violin, Viola (duet) (6)
Trumpet, Trombone (duet) (6)
Clavecin (6)
String Quintet: 2 violins, 2 v… (5)
Piano, Guitar (duet) (5)
Clarinette (Clarinette De Bass… (5)
Flute, Clarinet (duet) (5)
Orchestre et Piano (5)
Brass Quartet: 2 trumpets, 2 t… (5)
Handbells (5)
Harp, Flute (duet) (5)
Clarinet, Bassoon (duet) (5)
2 Trombones (duet) (5)
Clarinet Ensemble (5)
Soprano, Piano (5)
Cello, Guitar (duet) (5)
Percussions Diverses (5)
Tenor Saxophone and Piano (5)
3 Trombones (trio) (5)
Djembe (5)
Flute, Basso continuo (5)
High voice (5)
Violon Ou Flûte, Violoncelle … (4)
Clarinette (4)
Clarinette, Violon, Alto, Viol… (4)
Flexible Instrumentation (4)
Woodwind Quartet: any 4 woodwi… (4)
2 Violons, 2 Altos et 2 Violon… (4)
Clarinet, Violin, Cello, Piano… (4)
3 Violons et Basse (4)
Solo S (T), Flûte à Bec F1 (… (4)
English horn, Piano (4)
Violon et Clarinette (4)
Flûte Traversière, Clarinett… (4)
Voice, Clarinet, Piano (4)
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3 Violons, Bas Viol et Basse C… (4)
Piano, 2 Violons, Alto, Violon… (4)
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Ensemble A Vent (4)
OPERA::Op‚ra (4)
2 Flutes, Piano (4)
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Hautbois, Basson et Piano (4)
Soli (T (Evangelist), B (Jesus… (4)
Trio à Cordes (4)
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Voix Mixtes (4)
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Flûte Traversière, Hautbois … (4)
Flûte Traversière Cordes et … (4)
Trompette ou Bugle et Piano (4)
Opéra (4)
Chamber Music (4)
Ensemble de Vents (4)
Pocket, Study conductor (4)
Percussions (4)
Concert band, Choral (4)
2 Recorders (duet) (4)
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Solo S (T), Flûte à Bec et B… (3)
Violin, Viola and Orchestra (3)
3 Percussions (3)
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Quatuor de Cuivres graves et O… (3)
SSAX(3)/TSAX::Saxophone Sopran… (3)
Violin, Clarinet, Piano (trio)… (3)
4 Cellos (3)
Bagpipe (3)
Violes de Gambe (3)
Saxhorn en Sib Basse Continue (3)
Treble (Alto) Recorder, Piano (3)
Instruments à Vent (3)
Solistes, SATB et Orchestre (3)
T-shirt (3)
Clarinet Quintet: 5 clarinets (3)
Clavier Electronique et Ligne … (3)
Conga (3)
Horn, Trumpet, Trombone (trio)… (3)
Voix Haute (3)
Baryton (3)
Solistes STB, Choeur SSATB, Ha… (3)
Soprano Saxophone and Piano (3)
S, A, A, T, B, Choeur Mixte A … (3)
3 Pianos (3)
Oboe, Basso continuo (3)
Big Note Piano (3)
Choral CD (3)
Woodwind Quartet (3)
Ensemble (3)
Flute, Violin and Violoncello (3)
Vibraphone (3)
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Brass Trio (3)
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Baryton, Choeur Mixte Et Orche… (3)
3 ou 4 Violoncelles (3)
Flexible Ensemble (3)
Violoncello, Basso continuo (3)
4 Bassoons (3)
Vocal duet (3)
Voix Hautes (3)
Piccolo, Piano (3)
Piano Trio: Violin, Viola, Pia… (2)
Harpsychord (2)
2 Violins, Piano (2)
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Trombone ou Tuba et Piano (2)
Chœur Mixte [SATB] et Orchest… (2)
Folk Ensemble (2)
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SOP/BAR/ENS::Soprano, Baritone… (2)
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Viola da Gamba (2)
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Mezzo-Soprano et Orchestre (2)
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Nursery rhyme (2)
FLT/OB/CLT/BASS CLT/BSN/HN::Fl… (2)
Flûte A Bec Soprano (Solo Ou … (2)
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Set de Cordes (2)
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Soprano, SATB et Orchestre (2)
5-String Banjo (2)
VLN/VLC::Violon/Violoncelle (2)
3 Flûtes à Bec Alto ou Flût… (2)
Voix Moyennes, Voix Hautes et … (2)
Choeur et Piano (2)
Marimba or Xylophone and Piano… (2)
Stationery (2)
Saxophone Quintet: 5 Saxophone… (2)
Guitar and String Quintet (2)
2 Pianos et Orchestre (2)
Ensemble Flexible (2)
2 Marimbas (2)
Saxhorn and Piano (2)
Bass Clarinet, Piano (2)
Baritone voice (2)
Mittlere Stimme, Melodie-Inst… (2)
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Clarinette Basse et Concert Ba… (2)
Voice, Organ (2)
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Brass Quartet (2 Trumpets, Ho… (2)
Flexible Wind Ensemble (2)
Violon 2 (2)
Bassoon, Violoncello (2)
Trio De Pianos (2)
Accompagnement Piano (2)
E Flat Instruments (2)
Voix de femme (Soprano ou Mez… (2)
Vocal duet, Piano (2)
Trumpet, Orchestra (2)
Descant (Soprano) Recorder, Ba… (2)
Orgue et Concert Band ou Harmo… (2)
Choeur STB, Alto Solo et Orgue… (2)
Mariachi (2)
Oboe, Flute (2)
FLT/CLT/OB::Flute, Clarinet, O… (2)
Women's Choir (SS), Piano, Me… (2)
Euphonium, Piano (duet) (2)
Solo and Duet Guitar (2)
Sextuor à Vent (2)
CD (2)
PF (2)
Ensemble Flexible à 5 Parties… (2)
Viola, Guitar (duet) (2)
Solistes TTB, Choeur TTB et Or… (2)
Choeur SATB et Orchestre (2)
Guitar, Bassoon (2)
2 Parties Voix Aigues (SA) (2)
Trompette en Sib ou Bugle ou B… (2)
Partition D'Orchestre (2)
Mezzo-Soprano voice (2)
1 Piano, 3 hands (2)
Voix Aigües et Piano (Quintet… (2)
DVD concert (2)
REC/VLN/VLA/VLC::Fl–te … B… (2)
Violin, Organ (2)
Lute (2)
Saxophone ensemble (2)
Double basses ensemble (2)
Fake Book (2)
SAB (2)
Choeur Mixte (SATB) Et Basse C… (2)
Saxophone et Concert Band ou H… (2)
Chœur Mixte SATB et Quatuor … (2)
3 A 5 Saxophones (2)
Accessoire (2)
VCE/PFA::Voice, Piano Accompan… (2)
Brass ensemble, Percussion (2)
Instruments en Clé de Fa (2)
Mezzo-Soprano, Orchestra (2)
5TET/STR ENS::Quintet, String … (2)
2 Et 3 Violoncelles (2)
Ensemble de Bois (2)
Guitare Fingerpicking (2)
Percussions et Concert Band ou… (2)
3 Voix Mixtes Et Instruments D… (2)
String Trio: 2 violins, viola (2)
Flute, Organ (duet) (2)
Solistes, Chœur Mixte SATB et… (2)
12 Parties de Choeur a Cappell… (2)
Elektrische Flöte, Elektrisc… (2)
Saxophone Soprano (2)
Mallet Percussions (2)
5 Part Flexible Band et Opt. P… (2)
Voix Mixtes SAB et Piano (2)
4 Parties Voix Aigües (SSAA) … (2)
Chant et Guitare (2)
Voix Moyenne Et Orchestre (2)
Choral SSATB (1)
Cornet and Piano (1)
Trompette (Ou Cornet), Cor En … (1)
Clavecin, Pianoforte, Orgue (1)
MAND(2)::Mandolin (Duet) (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
Choeur Mixte SATB et Piano (1)
Violoncelle (Partie Séparée)… (1)
3 Flûtes à Bec SAB/STB (1)
Oboe / Violin / Recorder / Fl… (1)
Soli, Chor und Klavier (1)
FLT/CLT/OB/BSN/HN/PERC::Fl?te … (1)
Lyrics & Chords (1)
Orchestre A Cordes (Première … (1)
Quatuor Variable (1)
Bassoon / Cello (1)
Saxophone Soprano et Piano (1)
Oboe and Orchestra (1)
RECORDER TRIO, RECORDER ENSEM… (1)
Petit Orchestre (1)
Hautbois Et Cor (1)
Livret (1)
Voix Moyennes et Guitare (1)
Choeur SMsA/SMsA/TBB/Rock-Choe… (1)
4 Voix Mixtes a Cappella (1)
3 Parties Voix Aigues (SSS) Et… (1)
SATB/PF DUET::SATB, Piano Duet… (1)
Guitar and Bass Tablatures, Ch… (1)
Choeur Mixte (SAB), 2 Trompett… (1)
Trompette En Sib Ou Autre Inst… (1)
Recorder, Bass Continuo (1)
Voix Solo, Choeur Mixte et Orc… (1)
Exemplaire Complet (1)
Flute, Violin, Guitar (1)
ENS/VLN::Ensemble d'cole/Vio… (1)
FLT/VLN/PFC::Flûte Traversiè… (1)
Tenor, Piano (1)
Choeurs d'Opéra (1)
Solistes (SATB), Choeur Mixte … (1)
Choeur (SATB) et Brass Band (1)
PF/ENS/ELEC::Piano, Ensemble, … (1)
Trompette en Do / C et Orgue (1)
Orgue et Clavier (1)
Oboe, Percussion (1)
Instruments à Cordes (1)
Choral SSATBB (1)
Saxophone (Soprano, Alto, Tén… (1)
2 Violins and Basso (1)
Orgue, Cuivres et Percussion (1)
Violon Solo (1)
TBN/EUPH/BSN::Trombone/Euphoni… (1)
Mezzo-Soprano et Bande ou 3 Vo… (1)
2 Clarinettes Et Plus (1)
Chant et Harpe (1)
2 Trompettes (duo) (1)
Trio De Batteries (1)
MEZ/PFA::Piano Accompaniment (1)
Guitare Tablatures Flatpick et… (1)
Guitare, Banjo ou Ukulélé (1)
Instruments Divers Ad Libitum … (1)
2-6 Flûtes à Bec [Aa/St/Stt/… (1)
TPT(3)::Trompette(Trio) (1)
Piccolo (1)
SSATB et Orgue (1)
Wind Sextet - 2 Bb Clarinets,… (1)
CHAM::Chamber Group (1)
3 Flûtes à Bec [S,A,T] (1)
Choeur Ou Voix (1)
Solistes, Choeur Mixte (SATB) … (1)
3 Bassons (1)
VLC or BSN/PFA::Accompagnement… (1)
SOP/PF::Soprano, Piano (1)
Saxophone Alto et Ténor (1)
Soli, Choeur Mixte Et Orgue (1)
Percussion Quartet (1)
3 Trompettes en Sib ou Do (1)
2 Piano Préparés (Prepared P… (1)
PF/VLN/VLC::Piano, Violon, Vio… (1)
Parties Supplémentaires (1)
3 Saxophones (Aaa/Att) (1)
Violin ensemble (1)
Voix, Stikking Instruments, Pe… (1)
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Voices, Choir and Orchestra (1)
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VLA/LUTE::Viola, Luth (1)
2 A 4 Parties Choeur (1)
Choeur (SATB) Et Orgue (1)
3 French horns (trio) (1)
Baritone Saxophone, Piano (1)
2 Parties Voix Aigues (SA) Et … (1)
2 Trompettes, Cor (Ou Trompett… (1)
3 Parties Voix Aigües (SSA) e… (1)
Choeur A L'Unisson (Ad Libitum… (1)
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Cordes (1)
Baryton (Ad Libitum), Choeur M… (1)
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SOP/TEN/BAR/PFA::Soprano, Teno… (1)
BRASS QUARTET, FLEXIBLE BRASS… (1)
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Trombone ou Tuba Basse Continu… (1)
3 Hautbois (1)
3 Oboes (1)
Ensemble A Vent Et Choeur Ad L… (1)
Klavierauszug - Sopran solo, … (1)
Score (1)
Mezzo-Soprano, Flûte Traversi… (1)
Cloudlifter (1)
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4 Saxophones [SATBar] (1)
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Violon, Orchestre à Cordes et… (1)
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Tout Instrument (1)
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Three Pieces For Violin/Piano Op. 11
Violin and Piano
Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...
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Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces, Pastorale, Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed.Brimming with melodic invention and radiant lyricism, the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord, with an Elgarian influence firmly on its sleeve. Romance exhibits the best kind of artistic simplicity, a musical love-letter featuring an achingly heartbreaking conversation between the two instruments, often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance, a fitting end to this series of dialogue between the Violin and Piano.Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments. / Violon Et Piano
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Ian Venables: Three Pieces Op. 11: Violin: Instrumental Work
Violin and Piano
Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...
(+)
Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces Pastorale Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed. Brimming with melodic invention and radiant lyricism the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord with an Elgarian influence firmly on its sleeve.Romance exhibits the best kind of artistic simplicity a musical love-letter featuring an achingly heartbreaking conversation between the two instruments often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance a fitting end to this series of dialogue between the Violin and Piano. Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments.
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Herbert Howells: Three Dances: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The T...
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Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The Three Dances are delightful miniatures written in 1915 in relatively carefree student days (relatively because the Great War was already a year old and Howells through ill health which nearly killed him in 1917 was exempted from active service). They were composed for a young fellow-student George Whittaker a highly gifted violinist who had entered the College aged only eleven. Certainly the music has no hint of the momentous events beginning to take shape and which would fundamentally affect one of his closest friends Ivor Gurney and kill a number of others.
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Frank Bridge: Three Pieces: Violin: Instrumental Album
Violin and Piano
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Intermediate
Faber Music Limited
These three pieces were written seperately between 1901 and 1910 for cello and p...
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These three pieces were written seperately between 1901 and 1910 for cello and piano but are arranged here for Violin and Piano. Three of Frank Bridge's more popular and familiar works from his early days of composition are included here and although masterful and beautiful are rather conservative in the use of traditional techniques.
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Martin Suckling: Three Venus Haiku: Violin: Score
Violin and Piano
Faber Music Limited
These three exquisite miniatures ? composed in 2009 and lasting a total of 5 min...
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These three exquisite miniatures ? composed in 2009 and lasting a total of 5 minutes ? are responses to the poetry of George Bruce. In the first Soloist and Piano are fused together as a single instrument as if singing from a great distance. Suckling describes the following movements as ?inside a beam of light? and ?a never-ending lullaby?. Three Venus Haiku exist in versions for a number of different solo instruments with Piano and this edition is intended for either Flute or Violin.
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Franz Schubert: Three Sonatas for Violin and Piano op. 137 1-3: Violin:
Violin and Piano
[Sheet music]
Barenreiter
for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Pian...
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for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Piano Op. 137.Sonata in D major Op.post. 137 1: D 384.Sonata in A minor Op.post. 137 2: D 385.Sonata in G minor Op.post. 137 3: D 408.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.
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Roman Kim: Three Romances for Violin and Piano: Violin: Instrumental Work
Violin and Piano
Barenreiter
The young Violin virtuoso Roman Kim arranges and composes Violin music with high...
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The young Violin virtuoso Roman Kim arranges and composes Violin music with high musical challenges and technical aplomb.Following his inimitable and unsurpassable arrangement of Bach’s “Air” for Violin solo (BA5140) Bärenreiter is now publishing an edition of his own compositions.These three romances give Violinists ample opportunity to display their skills and to entrance the audience. Kim’s concert success (most recently in China) and particularly his large circle of YouTube fans are very impressive.
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Wim Dirriwachter: Three European Folk Dances for violin and piano: Violin:
Violin and Piano
Harmonia
Three European Folk Dances for violin and piano
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Making The Grade: Grade Three: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Chester
A terrific volume of fifteen carefully arranged and graded pieces for young viol...
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A terrific volume of fifteen carefully arranged and graded pieces for young violinists. Making the Grade Violin And Piano is spread across three volumes each containing appropriate and attractive popular repertoire withpiano accompaniments which will provided needed relief from set pieces whilst inadvertently continuing the development of technique!
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Juliusz ?uciuk: Three Miniature Pieces: Violin and Accomp.: Instrumental Album
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Three Miniature Pieces
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Bright Sheng: Three Fantasies: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Schirmer
Three fantasy movements which draw on uniquely different inspirations.
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Pyotr Ilyich Tchaikovsky: Works for Violin and Piano: Violin: Score and Part
Violin and Piano
G. Henle
This substantial volume contains all of the works that Tchaikovsky composed or a...
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This substantial volume contains all of the works that Tchaikovsky composed or arranged himself for Violin and Piano. The three larger Violin works opp. 26 34 and 42 which G. Henle Publishers also offers in individual practical editions are particularly well-known and popular. By contrast the three brief single movements with which Tchaikovsky presents charming adaptations of his own pieces promise to be genuine discoveries. Tchaikovsky’s Violin works have long suffered under corrupt musical editions heavily reworked later by violinists all the more important therefore that the editor responsible for this Urtextedition is Russian Tchaikovsky specialist Alexander Komarov. He consulted all of the relevant original sources in international archives thereby guaranteeing the highest reliability of this musical text. Ingolf Turban a Violin virtuoso of the first order supplied stylistically appropriate markings in the Violin part.
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Nikolai Medtner: Sonate Nr. 2 G-Dur op. 44: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Advanced
Zimmermann
Mostly known for his Piano sonatas Nikolai Medtner did write a few sonatas for ...
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Mostly known for his Piano sonatas Nikolai Medtner did write a few sonatas for Violin showing his ability to write music that suited the unique sound of a violin with a folksy and syncopated feel in several conponents of the sonata. His life's work consists of fourteen piano sonatas three more with violin three piano concerti a piano quintet two works for two pianos many shorter piano pieces and 108 songs.
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Violin Concerto 'Concentric Paths'
Violin and Piano
[Sheet music]
Faber Music Limited
Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2...
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Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti?s. Cast in three contrasting movements ? each linked by a preoccupation with circling musical figures ? the concerto, subtitled ?Concentric Paths? now occupies a place in standard repertoire. Two lithe, rhythmically driven movements ? Rings and Rounds ? bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty. ?In just 20 minutes, this three-movement piece does something magical. The way it swirls ethereally in the first movement, exerts a tragic and vice-like grip in the chaconne-like second part and finally propels you into the uninhibited flight of the finale is like being spun into an infinite space.? The Guardian (Tom Service) / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Ten Pieces For Violin and Piano: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Thames Publishing
Volume 2-The three pieces that form op 4 Idylle Pastourelle and Virelai were ...
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Volume 2-The three pieces that form op 4 Idylle Pastourelle and Virelai were published in 1883 with French titles to add glamour and appeal. All three works feature long attractive melodies with well-developed accompaniments. The pair that form op 13 Mot d’Amour and Bizarrerie are more contrasting in nature. Mot d’Amour was composed to pair with Salut d’Amour but was the less appealing of the two while Bizarrerie has distinct Spanish elements and is suggested by the editor Barry Collett as a fine encore piece.Violin was of course Elgar’s own instrument and the writing is idiomatic and sensitively created for the instrument.
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Pyotr Ilyich Tchaikovsky: Serenade Melancolique Op 26 For Violin & Piano:
Violin and Piano
G. Henle
for Violin and Piano-Following the publication of the Valse-Scherzo we continue...
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for Violin and Piano-Following the publication of the Valse-Scherzo we continue Henle's edition of Tchaikovsky?s complete works for violin and piano with the enchanting Sérénade mélancolique op. 26. This was Tchaikovsky?s first concertante work forviolin the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer originally for violin and orchestra but later also in a versionfor violin and piano. Since the autograph sources are lost this Henle edition is based on the Russian first editions which even in Tchaikovsky?s lifetime were issued in a number of revised versions. The editor RussianTchaikovsky scholar Alexander Komarov brings exemplary clarity to the confused state of the sources while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.
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Souvenir D'Un Lieu Cher (Violin And Piano) (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place)...
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Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano
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Naji Hakim: Concerto for Violin: Violin: Score
Violin and Piano
Leduc, Alphonse
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studi...
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Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training Hakim's compositions are created from a wealth of knowledge and understanding Concerto For Violin being no exception. Composed in 2002 Concerto For Violin with String Orchestra or Piano reduction accompaniment is highly modern in composition. With a typical performance lasting about 35 minutes the concerto is made up of three movements. Thesolo Violin line addresses many virtuosic techniques including double and triple stops articulation complex rhythms varying bowings and a huge range of performance directions amongst other aspects. For all advanced violinists seeking varied modern repertoire Hakim's Concerto For Violin is an essential addition to the repertoire. This is a reduction for Violin and Piano.
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Robert Schumann: Sonata For Violin And Piano In A Minor Op. 105: Violin:
Violin and Piano
[Sheet music]
-
Intermediate/advanced
G. Henle
Robert Schumann’s Sonata For Piano And Violin In A Minor Op. 105 (also kn...
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Robert Schumann’s Sonata For Piano And Violin In A Minor Op. 105 (also known as Violin Sonata No. 1) was written in only a few days in September 1851. It consists of three movements 1. Mitleidenschaftlichem Ausdruck (dotted quarter=68) 2. Allegretto (eighth note =96) and 3. Lebhaft (quarter note = 94) with the main theme present in all of them linking the whole sonata together.Thewealth of imagination energy of sentiment and depth of thought in the sonata was acknowledged by Wasielewski fellow musician and Schumann’s first biographer. This publication takes the composer’s personal copy of thescore and the separate Violin part as its principal sources coming as close to the original intentions of Schumann as possible. An editorial preface by Wiltrud Haug-Freienstein is also included in German English andFrench.This Sonata is challenging but rewarding for both Piano and Violin. Total performance time is approximately 18 minutes.
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Edward Mollenhauer: The Infant Paganini for Violin and Piano: Violin:
Violin and Piano
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Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 2: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Viennese Sonatas 1781-1788 with fragments and variations-This new publication in...
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Viennese Sonatas 1781-1788 with fragments and variations-This new publication in two volumes contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully Bärenreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '... a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006)
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 1: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contain...
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Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378
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Michael Nyman: On The Fiddle For Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
On The Fiddle consists of three pieces derived from scores to three Peter Greena...
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On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five is a version of the Shakespeare song setting made for Prospero's Books (1990). The second 'AngelfishDecay' is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to aviolin solo for Zoo Caprices (1986). For 'On The Fiddle' a piano part has been added. The final piece 'Miserere Paraphrase' was written for use in The Cook The Thief His Wife And Her Lover (1989) and is a transcription ofNyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. First performed on 27 August 1993. Duration c.15 mins. Score and part included.
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The Art of the Bow (TARTINI GIUSEPPE)
Violin and Piano
[Sheet music]
Hal Leonard
Variations on a Theme of Corelli for Violin and Piano. Par TARTINI GIUSEPPE. Als...
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Variations on a Theme of Corelli for Violin and Piano. Par TARTINI GIUSEPPE. Also known as Variations on a Theme of Corelli, The Art of the Bow is widely considered the first great method for violin. Aside from being invaluable to the development of technique, the variations which include piano accompaniment also serve as rich and rewarding solo material for recitals. This edition by Heifetz protege, Endre Granat, is based on comparison of the first three published editions and features meticulous attention to the details of bowing and fingering. Included in the publication is a letter from Tartini to his then 14-year-old violin student, Maddalena Lombardini, detailing an important lesson to violin performers which contains examples from this very imaginitive and musical set of variations. / Date parution : 2021-11-03/ Répertoire / Violon et Piano
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Johann Sebastian Bach: Violin Concerto In A Minor BWV 1041: Violin: Instrumental
Violin and Piano
[Reduction]
Barenreiter
Today the three Violin concertos BWV 1041–3 are among Johann Sebastian B...
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Today the three Violin concertos BWV 1041–3 are among Johann Sebastian Bach’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire. This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing fingering and comments on performance by Andrew Manze. Full score and performance material (BA5189) Violin and Piano reduction (BA5189-90) and study score of BWV1041-1042 (TP269) available for sale.
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