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Herrmann Eduard - Violin Concertos - Violin And Piano Reduction - Violin
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Schirmer
Description Collection of three concertos for the Violin, edited and fingered...
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Description Collection of three concertos for the Violin, edited and fingered by Eduard Herrmann. Includes a Piano accompaniment, Violin part and Violin 2 part for the Concerto For Two Violins In D Minor, BWV 1043 Concertos included: A minor Concerto, BWV 1041; E Major Concerto, BWV 1042; Concerto for Two Violins in D minor, BWV 1043. Songlist Concerto In A Minor BWV 1041 Concerto In E BWV 1042 Double Concerto In D Minor BWV 1043
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Library Of Violin Classics
Violin and Piano
-
Intermediate
Music Sales
A compendium of classic solos for the Violin. This expansive volume contains the...
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A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon
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Album Of Violin Pieces Solo Piano
Violin and Piano
-
Intermediate
Music Sales
This book of violin pieces provides a wide variety of style, color, and characte...
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This book of violin pieces provides a wide variety of style, color, and character, including the most noteworthy compositions in musical history, all carefully revised and edited. While the student will find the contents of this book invaluable for recreation and practice, the virtuoso will recognise this set of selections as indispensable to his library. Includes Piano accompaniment. Suitable for intermediate standard (grade 4-5). / Piano
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Violin Classics Interm. Level Violin And Piano
Violin and Piano
[Sheet music]
-
Intermediate
Hal Leonard
Compilations de littérature de violon appropriée pour les étudiants, classés...
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Compilations de littérature de violon appropriée pour les étudiants, classés par niveau de difficulté. / Violon Et Piano
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Vivaldi Four Seasons Complete Violin/Piano (Les quatre saisons)
Violin and Piano
-
Intermediate/advanced
Schirmer
Une édition spéciale de Vivaldi célébré ensemble de quatre Concertos pour v...
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Une édition spéciale de Vivaldi célébré ensemble de quatre Concertos pour violon, ensemble en un seul volume somptueux. Tout d'abord composée en 1725 les thèmes picturales et les textures des quatre saisons de Vivaldi sont devenus parmi les plus largement exécutées et familiers de moments musicaux jamais composés. Les délices de swift et florissant du printemps aux tensions clairsemées de l'hiver, les concertos sont sont répertoire requis pour tout violoniste, de concert avec des spectacles populaires dans le monde de Nigel Kennedy, Yehudi Menuhin et bien davantage. Cette nouvelle édition de bibliothèque Of Classics du Schirmer musicale réunit tous les quatre concertos en un seul volume à un excellent prix, complet avec une réduction de Piano - l'occasion idéale pour ajouter que ces merveilleux et historiquement importants travaille à votre propre répertoire. / Violon Et Piano
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Tunes You'Ve Always Wanted To Play Violin
Violin and Piano
-
Intermediate
Chester
Faciles classiques pour violon avec accompagnement au piano. Plus de 20 favoris ...
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Faciles classiques pour violon avec accompagnement au piano. Plus de 20 favoris record dont Beethoven ' Menuet en G ', ' Eine Kleine Nachtmusik ' et ' The Four Seasons '. Niveaux 3-5. / Violon
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Kuchler F. - Concertino In D Op.15 - Violin, Piano
Violin and Piano
[Sheet music]
-
Intermediate
Bosworth
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Songe
Français
Violin and Piano
[Sheet music]
Billaudot
Cette partition SONGE de Fleurette Bernard a été éditée par les éditions Bi...
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Cette partition SONGE de Fleurette Bernard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6598. Cette oeuvre d'une durée de 00:02:20 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violon Et Piano / Partition
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Portnoff - Fantaisie Russe N°2, Re Mineur - Violon / Piano
Français
Violin and Piano
[Sheet music]
-
Beginner
Bosworth
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Rieding O. - Concerto In B Minor Op.35 - Violon, Piano
Violin and Piano
-
Intermediate
Bosworth
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Rieding Oscar - Concertino Op.21 En La Majeur - Violon,piano
Violin and Piano
[Score and Parts]
-
Intermediate
Bosworth
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Sonate / Andantino Quietoso Op. 6 / Mélancolie For Piano And Violin
Violin and Piano
-
Intermediate
Barenreiter
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in...
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Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's correspondence proves that he was directly involved in the printing of the sonata. Consequently, our new scholarly performing edition draws mainly on the first edition of the separate violin part. For the piano part, the first edition of the version for violoncello and piano, which appeared during Franck's lifetime, was an important source as many engraver's errors found in the first printing of the violin version had been corrected in this violoncello version. In addition to these sources, both autograph scores of the violin sonata (Franck's working copy and his fair copy) were consulted to clarify questionable readings.Bärenreiter's new edition also includes two short separate movements for the same instrumentation: the early 'Andantino quietoso? op. 6 (1843), a hauntingly beautiful piece composed for performances with Franck's violinist brother Joseph, as well as 'Mélancolie?, first published after Franck's death in 1911. This second piece is based on a solfège exercise and written at the height of the composer's creative powers, at about the same time as his famous violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the three compositions (Ger/Fr/Eng), a complete list of sources, editorial notes and a Critical Commentary (Eng).- Pioneering new Urtext edition- Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng)- Two small individual movements for violin and piano published for the first time- Detailed Critical Commentary (Eng) / Violon Et Piano
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Piccolo Paganini Vol. 2
Violin and Piano
[Sheet music]
Peters
30 intermediate recital pieces for violin and piano. Par . Following the success...
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30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano
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Sonatas In F Minor And E-Flat Major For Violin And Piano
Violin and Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano
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Sonata Movement For Violin And Piano C Minor Woo 2
Violin and Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violin and Piano
[Sheet music]
Hal Leonard
by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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10 Brilliant Miniatures (SARASATE PABLO DE)
Violin and Piano
[Sheet music]
Hal Leonard
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after h...
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Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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