Par BUTTERWORTH HELEN. This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing. / Ensemble Music / Recueil / Violon, Alto, Violoncelle et Contrebasse

Par LLOYD WEBBER ANDREW. Cats Suite No.1 in the Stringsets series contains a score and 16 parts (for violins 1 and 2, violin 3 or viola, cello and optional double bass). It is appropriate for intermediate level players (approximately Grades 3-5) and includes three movements: The Old Gumbie Cat, Memory and Skimbleshanks from the hit musical by Andrew Lloyd Webber, all expertly arranged by Tony Osborne. / Ensemble Music / Répertoire / Violon, Alto, Violoncelle et Contrebasse

Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes and is dedicated to the violist Scott Nickrenz, who directed the chamber music series at Spoleto. In arranging the commission, Mr. Nickrenz made three stipulations: make my modernist idiom accessible for summer-festival listening, provide a challenge for brilliant string players accustomed to 19th-century repertory, and give the piece a loud ending. The idea of composing a set of waltzes came from the pleasure I took in playing waltzes by Schubert and Chopin at the piano. Waltzes incorporates occasional references to the music of past composers, but always in ways that fit within my own musical language. Its instrumentation for “low” string quartet is reminiscent of Schubert’s Vienna./ Répertoire / Violon, Alto, Violoncelle et Contrebasse

Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 1(pic, afl).1.ca(bob).2 (Acl).2b Clarinette 1.cbn-4.2.2.0-timp.7perc(s.d., small dr., t.d., b.d., clashed cym., sus.cym., 2w.bl., cast., tri., mar., vib., glock., tub.bells, 5tuned Gg, claves)-hp.cel-Strings (8.8.6.4.4 min) - Durée: 32' -/ Répertoire / Violon, Alto, Violoncelle et Orchestre

Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 1(pic, afl).1.ca(bob).2 (Acl).2b Clarinette 1.cbn-4.2.2.0-timp.7perc(s.d., small dr., t.d., b.d., clashed cym., sus.cym., 2w.bl., cast., tri., mar., vib., glock., tub.bells, 5tuned Gg, claves)-hp.cel-Strings (8.8.6.4.4 min) - Durée: 32' -/ Répertoire / Violon, Alto, Violoncelle et Orchestre