A unique CD and matching folio specially developed for male singers auditioning for shows revues and bands. The CD gives you full professional backing tracks each recorded in the most appropriate key for the make voice. Themusic features ten songs arranged for Piano Voice and Guitar which are accessible for you or your accompanist. Make a big impression at auditions with these ten classical favourites carefully selected to bring out thebest of your talent.

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Complete Piano Sonatas, Volume II écrite et composée pour Piano vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Piano / Partition

Piano Sonata A major op. post. 120 D 664-A highly authoritative Urtext edition of Franz Schubert's pastoral Piano Sonata In A D.664 Op.120 posth. as edited by Paul Mies and fingered by Hans-Martin Theopold.

16 German Dances and two Ecossaises op. 33-Schubert au piano livrant la richesse inépuisable de ses airs de danse des amis dansant et plai-santant autour de lui ? cette image fait partie des clichés circulant couramment dès lors qu?il s?agit de ce compositeur. Le terme de «Schubertiades» inventé pour l?illustrer est devenu une expression consacrée. Sur les plus de 300 pièces de danse composées par Schubert pour le piano 177 parurent tout de même de son vivant réparties en huit recueils. Parmi elles figurent les 16 danses allemandes et deux écossaises op. 33 des années 1823/24.

Qui ne conna?t pas la ?Sonata facile? compos?e par Mozart en 1788. Mais quiconque travaille cette Sonate en Ut majeur particuli?rement appr?ci?e sait qu?elle n?est pas aussi ?facile? ? ex?cuter. Son surnom d?ailleurs n?est pas de Mozart mais provient de la page de titre de la premi?re ?dition parue ? titre posthume. Mais qu?on ne se r?jouisse pas trop vite: Mozart lui-m?me la mentionne dans son catalogue d??uvres autographe comme ?une petite sonate pour piano pour d?butant?.

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

Par BRAHMS JOHANNES. Em Pianoehlungen: Chormusik der Romantik - Literaturem Pianoehlung - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor - / Musique traditionnelle / Répertoire / Voix

Hob. I:105-Authoritative Henle Urtext Edition of Haydn's Concertante In B Flat Hob.I:105 for Oboe Bassoon Violin and Cello set here with a Piano reduction of the original orchestra material.

Night Pieces op. 23-Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. ?Writing a ?Corpse Fantasy? since Monday ? he wrote in his diary on 31March. While he was preparing the composition for publication three-quarters of a year later he chose the title Night Pieces with reference to E. T. A. Hoffmann. However Schumann probably did not want the work to beperceived as being so nocturnal and dark because he associated with it the desire that it should ?pleasantly remind? one of his brother who had in the meantime died. This is now being publishing it in a newly revised version byErnst Herttrich reflecting the latest in scholarly research.