The Beatles. Par BEATLES THE. John Lennon et Paul McCartney ont écrit quelques-unes des meilleures chansons d'amour du 20e siècle. Trois favoris sont inclus dans ce medley qui aura votre ronflement public le long. Comprend: Ici, là et partout, And I Love Her, PS J'aime You.Available séparément: SATB et SAB. ShowTrax CD également disponible. Env performance. 04:40. / Rép International / Feuillet / Chant et Piano

Un mouvement de Philip Glass de son opéra Einstein on the Beach dans le style marque un minimum de Glass. Ce court intermède est le premier des cinq morceaux Jouer au genou utilisé pour ponctuer l'Opéra entre les actes. Ecrit pour choeur SATB et orgue / Chant Et Piano

Par WOOLRICH JOHN. This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting, which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Recueil / Piano, Chant et Guitare

Référence unique par son ISBN 73999390254 cette partition musique de Haendel George Friedrich n'est autre que Handel Samson Full Score Satb qui a été composée pour Piano Et Chant. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50324010. / Piano Et Chant / 196 pages / Partition

Ricordi, the well-known printer of classical opera, presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions, in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical, easy-to-follow editorial lay-out. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves. / Voix Et Piano

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Chant Et Piano

Par PUCCINI GIACOMO. Vocal Score to Giacomo Puccini's Messa Di Gloria for mixed voice choir and Piano accompaniment./ Répertoire / Chant et Piano

Une courtepointe est souvent désigné comme un édredon, et c'est dans ce sentiment de chaleur et de la protection que j'ai conçu cette courtepointe musicale.Sur les six chansons qui composent la courtepointe, deux sont chorale pour commencer, mais ils ne sont pas des répliques exactes des originaux. Adaptations de divers types ont été faites, et que les deux derniers chiffres sont présentés en détail. Versions abrégées des autres sélections sont essentiellement dues au facteur de premier plan de passe d'un numéro à l'autre. J'utilise une technique de couture où l'on lyriques ou musicales segment soit chevauchements ou prévoir ce qui suit.Le compositeur était un homme non seulement par la conviction que nous pouvons peut imaginer un monde meilleur, mais par le précepte hébraïque de 'tikun olam', que nous sommes obligés de le réparer. Peut-être cette courtepointe Bernstein peut faire partie de ce processus de guérison. 'Jack Gottlieb / Piano Et Chant

The simple melody and delicate rhythms of this Beatles classic work perfectly in a choral arrangement. This version is for SATB choir with piano accompaniment. Also available for SSA with Piano Accompaniment (NO91289). / Chant Et Piano

Twelve superb arrangements of Christmas favourites for SATB mixed voices, guaranteed to add sparkle and glitz to every choral concert. Christmas Pops! is an essential addition to every choir library and should be on every choral singer's Christmas list! This festive collection covers a wide range of styles and festive moods from simple four part settings to extended divisi arrangements wittily and inventively crafted by the cream of today's choral arrangers including: Richard Allain, Henry Capper-Allen, Ralph Allwood, Hywel Davies, John Gardner, Matthew O'Donovan, Tom Recknell, Bertie Rice and Jonathan Wikeley. / Chant Et Piano