Par HAHN REYNALDO. Le Rossignol Eperdu & Vol. 2 is the second volume of a set of two by Reynaldo Hahn. It features three main parts for advanced pianists. This volume 2 includes: II. Orient 31. En caï que 32. Narghile 33. Les Chiens de Galata (Effet de nuit sur la Corne d'Or) 34. Rêverie nocturne sur le Bosphore 35. La Rose de Blida 36. L'Oasis (Biskra) III. Carnet de Voyage 37. L'Ange Verrier (Cathedrale de Bourges) 38. Le Jardin de Petrarque 39. La Nativite (Crèche de Nuremberg) 40. Faunesse dansante (Le Rosso & Palais de Fontainebleau) 41. Les Noces du Duc de Joyeuse (Musee de Versailles) 42. Le Petit Mail (Rêveries de Calvin adolescent) 43. Les Pages d'Elizabeth (Temple Gardens) 44. La Jeunesse et l'Ete ornaent de fleurs le tombeau de Pergolène 45. Vieux bahuts (Musee d'Orleans) IV. Versailles 46. Hommage à Martius 47. La Reine au jardin 48. Le Reveil de Flore 49. Le Banc songeur 50. La Fête de Terpsichore 51. Adieux au soir tombant 52. Hivernale 53. Le Pèlerinage inutile Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Piano

Par HAHN REYNALDO. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn was best known for his contributions to the French Melodie, however his other works have never gone amiss. His Le Rossignol Eperdu Poèmes for Piano represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his instrumental compositions often contain expressions of his otherwise hidden emotions and moods. Suitable advanced pianists, the first volume of Hahn 's Le Rossignol Eperdu Poèmes provides pleasant and evocative performance pieces, incorporating a range of expressions, rhythms and other musical features./ Répertoire / Piano

The unacquainted listener upon hearing a piece from the Hahn piano repertoire is often surprised by its powerful charm – a testament to the composer’s unique musical sensibility. Although some of Hahn’s musical ideas have roots in the long tradition of Romanticism they also present a host of new images scarcely seen in earlier scores Each piece in this collection is based on a single formula that varies little from start to finish. An exception to this unique principle occurs in the IInd piece where the young woman takes fright at the “flaming red eye of the setting sun watching her through the branches”. As a conclusion ReynaldoHahn offers a “very free” cadence that takes up and comments on the initial theme: the crackling notes culminate in a fortissimo blaze rapidly followed by a progressive lull that slowly fades away.

Reynaldo HAHN (Caracas, Venezuela 1875 - Paris 1947) n'a que trois ans lorsque ses parents s'installent en France. Enfant prodige, il fait ses débuts à l'âge de six ans dans le célèbre salon de la princesse Mathilde, cousine de l'empereur Napoléon III ; il y chante des ai d'Offenbach en s'accompagnant au piano. Au Conservatoire où il entre à dix ans, il est l'élève de Decombes, Lavignac, Dubois et surtout Massenet qui sera pour lui un ami et un protecteur. Son ?uvre est principalement tournée vers la musique vocale : mélodies, opérettes, opéras. On lui doit aussi de nombreuses musiques de scène, des concertos, pièces instrumentales et de musique de chambre. / Classique / Partition /

Par HAHN. Composed by Reynaldo Hahn, Sonatine En Ut Majeur (1907) is a piece for Piano for intermediate players. This really melodious piece is divided in three main movements. 1. Allegro Moderato in C The main theme starts the piece with an accent on the tonic arpeggio. Counterpoint principle is also used thanks to a canon in two measures. 2. Andantino Rubato in G Written in the form ABA, this movement is then continued by four variations of the theme. 3. Final in G The piece ends on a coda with harmonious arpeggios, played after a ternary dance. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Piano

Venezia is a set of six songs of music by Reynaldo Hahn. For Voice and Piano the lyrics are written both in Venetian dialect and in French. The Piano score requires an upper-intermediate technique as per the Voice. A small guide to correct pronunciation is given at the beginning of the book. The six songs are: - “Sopra l’acqua indormenzada” by Pietro Pagello - “La Barcheta” by Pietro Buratti - “L’avertimento” by Pietro Buratti - “La Biondina in Gondoleta” by Antonio Lamberti - “Che peca !” by Francesco Dall’ Ongaro - “La Primavera” by Alvise Cigogna Some of these pieces are dedicated to renowned women such as Giorgio Sand the Countess of Guerne born Ségur and Ernesta Sterne. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many pieces and melodies for different instruments.

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. Portraits De Peintres for Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. Portraits De Peintres is made up of four movements based on the poems of Marcel Proust depicting four different artists. Hahn's Portraits De Peintres contains a variety of different features making for a pleasant and evocative work for intermediate pianists.

Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's compositions are possibly not as well-known as they ought to be. Premières Valses for Piano, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and hiscompositions often contain expressions of his otherwise hidden emotions and moods. With each of the ten waltzes in Premières Valses containing a variety of different features, Hahn 's compilation provides pleasant and evocative pieces for intermediate pianists./ Répertoire / Piano

Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle Époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes. Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to 'Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.

Par HAHN. Le Ruban Dénoué is one of the most important pieces by Reynaldo Hahn. This set of twelve waltzes for 2 pianos was conceived as entertainment for Hahn's friends and has a strong melodic aspect. It is one of the greatest pieces of work composed by Hahn in terms of harmony and, written at the end of his Piano writing period - it is a good transition toward his second period that is more focused on comedies and operas./ Répertoire / Piano

Reynaldo Hahn's Les Feuilles Blessees is a collection of 11 songs for Voice with Piano accompaniment. 1.Dans le Ciel 2.Encor sur le Pavé 3.Quand reviendra l'Automne 4.Belle Lune d'Argent 5.Quand je viendrai m'asseoir 6.Eau printanière 7.Donc vous allez 8.Compagne de l'Ether 9.Pendant que je médite 10.Roses en Bracelet 11.Aux Rayons du Couchant

Selected French Works - Édition de Bruno Jouard. Par . Cette anthologie rassemble 10 pièces originales pour flûte et piano qui reflètent l'élégance, la sensibilité, le charme mais aussi l'éclectisme de la musique française entre la fin du XIXe siècle et la seconde moitié du XXe siècle. Les pièces ont été sélectionnées et éditées par Bruno Jouard, flûtiste français de renommée internationale. / Date parution : 2021-12-09/ Recueil / Flûte Traversière et Piano