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Rapport Critique (2)
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STRING ENSEMBLE (2)
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Cor en Fa (2)
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Guitar, Bassoon (2)
Ténor Solo, Violon Solo, SATB… (2)
Book (2)
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Solistes SATB, Choeur SATB, 2 … (2)
Baryton Solo, Choeur et Orches… (2)
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Cor Anglais (Hautbois), Trompe… (2)
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Flute and Guitar (2)
Solistes SATB, Choeur SATB, (4… (2)
Cornet and Piano (2)
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Xylophone (2)
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Paganini Variations for solo Piano and Orchestra (Lutoslawski, Witold)
Piano and Orchestra
[Sheet music]
Chester
Nouvelle partition à partir des Variations pour deux pianos (1941), faite...
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Nouvelle partition à partir des Variations pour deux pianos (1941), faite à la demande d'une amie du compositeur, Felicja Blumenthal, qui donna la première représentation à Miami en novembre 1979 avec le Florida Philharmonic Orchestra, dirigé par Brian Priestman. Durée : environ 9 minutes. Partition complète et matériel orchestral disponible à la location auprès des éditeurs. / Classique / Partition /
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Concerto For Piano (Harpsichord) And Orchestra F Major Hob. XVIII:3
Piano and Orchestra
G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...
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Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3 écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée
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Robert Schumann: Great Works For Piano And Orchestra: Piano: Score
Piano and Orchestra
Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...
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Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
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Ligeti Gyorgy - Concerto - Piano And Orchestra
Piano and Orchestra
Schott
for Piano and Orchestra Instrument : Piano and Orchestra Type : study score Nom...
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for Piano and Orchestra Instrument : Piano and Orchestra Type : study score Nombre de Pages : 140 Content : Vivace molto ritmico e preciso - II Lento e deserto - III Vivace cantabile - IV Allegro risoluto, molto ritmico - V Presto luminoso
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Asbjørn Schaathun: Nations - Concerto For Piano and Orchestra: Piano: Score
Piano and Orchestra
[Score]
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Intermediate/advanced
Wilhelm Hansen
Nations - Concerto For Piano And Orchestra was composed by Asbjørn Schaathun in...
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Nations - Concerto For Piano And Orchestra was composed by Asbjørn Schaathun in 2015-16. Premiered by Ingfrid Breie Nyhus and Oslo Philharmonic conducted by Christian Eggen on Mar 31 2016.
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Frédéric Chopin: Concert Works For Piano And Orchestra: Piano: Instrumental
Piano and Orchestra
Concert Works For Piano And Orchestra
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Béla Bartók: Concerto For Piano And Orchestra No.1: Piano: Study Score
Piano and Orchestra
[Sheet music]
Universal Edition
Concerto For Piano And Orchestra No.1
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A Notte Alta (CASELLA ALFREDO)
Piano and Orchestra
[Score]
Ricordi
Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchest...
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Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchestre / Date parution : 1905-06-30/ Répertoire / Piano et Orchestre
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Witold Lutoslawski: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
[Score]
Chester
Commissioned by the Salzburg Festival. First performed in August 1988 by the Aus...
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Commissioned by the Salzburg Festival. First performed in August 1988 by the Austrian Radio Symphony Orchestra conducted by the composer with Krystian Zimerman. Duration c.27 mins. Full score and orchestral material available onhire from the publishers.
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Asbjørn Schaathun: Nations - Concerto For Piano and Orchestra: Piano: Part
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
This is the solo Piano part for Nations - Concerto For Piano And Orchestra by As...
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This is the solo Piano part for Nations - Concerto For Piano And Orchestra by Asbjørn Schaathun. Score: WH32852
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Witold Lutoslawski: Concerto For Piano And Orchestra (Solo Part): Piano: Part
Piano and Orchestra
[Sheet music]
Chester
Commissioned by the Salzburg Festival. First performance given by the Austrian R...
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Commissioned by the Salzburg Festival. First performance given by the Austrian Radio Symphony Orchestra conducted by the composer with Krystian Zimerman on piano.
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Olivier Messiaen: 7 Hai-Kai: Orchestra: Study Score
Piano and Orchestra
[Sheet music]
Leduc, Alphonse
1.Introduction; 2.Le Parc de Nara et les Lanternes de Pierre; 3.Yamanaka Cadenza...
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1.Introduction; 2.Le Parc de Nara et les Lanternes de Pierre; 3.Yamanaka Cadenza; 4.Gagaku; 5.Miyajima et le Torii dans la Mer; 6.Les Oiseaux de Karuizawa; 7.Coda (for piano and orchestra)
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Concerto For Violin And Orchestra A Minor Bwv 1041
Violin and Piano
[Sheet music]
G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition
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Gershwin G. - Rhapsody In Blue - Piano And Orchestra
Piano and Orchestra
[Study Score / Miniature]
Eulenburg
Studienpartitur - STP - piano and orchestra instrumentation: Grofé, Ferde comp...
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Studienpartitur - STP - piano and orchestra instrumentation: Grofé, Ferde composer: Gershwin, George translator preface (English): McCulloch, Derek preface: Schmidt, Christian Martin Éditeur: Eulenburg Série: Eulenburg Miniature Scores pages: 72 Contenu - Preface/Vorwort - Rhapsody in Blue
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Concerto D Major Op. 61 For Violin And Orchestra
Violin and Piano
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée
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Ludwig van Beethoven: Concerto No. 3 in C minor: Piano: Score
Piano and Orchestra
Barenreiter
for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is t...
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for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.
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Gero Stöver: 13 Easy Studies for Piano and Orchestra: Piano
Piano solo
Dowani
from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in ...
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from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll
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Wolfgang Amadeus Mozart: Concerto in D KV Anh.56: Violin: Study Score
Orchestra, Violin
[Sheet music]
Chester
reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f w...
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reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestraconducted by Diego Masson. This is the Study Score. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS.The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.
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Concerto A Minor Op. 54
Piano and Orchestra
[Study Score / Miniature + CD]
Eulenburg
Plus vous lirez, plus vous entendre ! La série Eulenburg Audio + Score contient...
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Plus vous lirez, plus vous entendre ! La série Eulenburg Audio + Score contient des trésors du monde orchestrale tirés du répertoire baroque, classique et romantique. Chacun des volumes de 50 se compose d'une note de présentation claire et faisant autoritaire, un inf / Piano Et Orchestre
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Debussy Clarinet And Saxophone Rhapsodies Piano And Orch. Versions
Piano and Orchestra
Hal Leonard
La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophon...
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La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophone ont toutes deux été composées à l'origine que des oeuvres de chambre avec accompagnements de piano. Plus tard, le compositeur disposées deux pièces pour grand orchestre, et ce volume unique contient la partition orchestrale et de chambre de l'arrangement de piano de ces deux oeuvres.En tant que compositeur principal considérée comme faisant partie du mouvement impressionniste français, la musique de Debussy est caractérisée par quelques innovations profondes dans l'orchestration et le mélange des tons instrumentale, privilégiant la chaleur du vent sur ??les cordes qui prédominait auparavant. Cette édition offre une occasion rare d'étudier l'utilisation de Debussy du timbre orchestral, en comparant chaque score à sa version de chambre d'origine. Par ailleurs, les versions piano de chaque oeuvre, dépouillé à l'essentiel très, fournissent un aperçu fascinant et franche dans l'approche harmonique de Debussy. / Scores
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Concerto for Pianoforte and Orchestra in D major op. 61 (BEETHOVEN LUDWIG VAN)
Piano solo
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately co...
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Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano
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Concerto for flute and orchestra (1985)
Flute and Piano
[Sheet music]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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Wolfgang Amadeus Mozart: Piano Concerto No. 20 in D minor K. 466: Piano:
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Mozart perfected the form of the modern piano concerto ...
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for Piano and Orchestra-Mozart perfected the form of the modern piano concerto which from about 1750 begins to show its affinity with sonata form in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the few concertos which remained in concert repertoire in the years following Mozart’s death. After the resuscitation of the other concertos it remained the most popular of all Mozart’s works in this genre and there can scarcely be a pianist who has not studied it or played it in a concert.Urtext of the New Mozart EditionFull score performance material (BA4873) two-piano reduction (BA4873-90) and study score format 22.5 x 16.5cm (TP147)available for sale
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Piano Concerto HPS 1646 (TURNAGE MARK-ANTHONY)
Piano and Orchestra
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmon...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmonic Orchestra in honour of Silvia Tóth and dedicated to Hans Werner Henze. It was composed in 2012?13 and first performed on 10 October 2013 at De Doelen, Rotterdam, Netherlands, by Marc-André Hamelin (piano) with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. This 20 minute work is formed of three movements and explores a wide range of moods and textures. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre et Piano
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Wolfgang Amadeus Mozart: Piano Concerto In C Minor K.491: Piano: Instrumental
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Mozart’s Piano Concerto In C Minor K.491 is one o...
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for Piano and Orchestra-Mozart’s Piano Concerto In C Minor K.491 is one of his best-known works in the genre not least because of the special character of its minor key (rarely encountered in Mozart’s music) and the dramatic contrast between the soloist and Orchestra.
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