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Percussion Ensemble
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Eric Whitacre: Higher Faster Stronger (Percussion/Piano Parts): Piano &
Percussion, Piano (duet)
Chester
3 Percussion parts and 1 Piano for Higher Faster Stronger by Eric Whitacre Co...
(+)
3 Percussion parts and 1 Piano for Higher Faster Stronger by Eric Whitacre Commissioned by BBC Radio 3. First performance 29 August 2012 at the BBC Proms Royal Albert Hall London by the BBC Singers EricWhitacre Singers ensemblebash (percussion) and Christopher Glynn (piano) conducted by the composer.Scoring: Triple chorus (SATB) including solo sopranoPercussion (3 players)PianoDuration: c.5 minutes
16.99 GBP - Sold by Musicroom UK
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Nico Muhly: Pillaging Music: Chamber Ensemble: Parts
Percussion, Piano (duet)
[Sheet music]
-
Intermediate/advanced
St Rose Music Publishing
2 Performance Scores and Pre-Recorded CD-Written for percussion quartet. The per...
(+)
2 Performance Scores and Pre-Recorded CD-Written for percussion quartet. The percussion consists of a 5-octave marimba and a table of assorted junk. This could include frying-pans metal bowls plastic tape dispenser CD case and a cowbell or two.Includes 2 performance scores. Download the pre-recorded element HERE . If you encounter any problems please email promotion@musicsales.co.uk .
27.99 GBP - Sold by Musicroom UK
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L'Anniversaire Des Farfadets
Français
Chant, Piano, Guitare Et Percussions
Armiane
/ Chant, Piano, Guitare Et Percussions
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Leçons de danse (HENZE HANS WERNER)
2 Pianos et Percussion
[Score and Parts]
-
Advanced
Schott
from the ballet Le fils de l'air - Der Sohn der Luft. Par HENZE HANS WERNER. In ...
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from the ballet Le fils de l'air - Der Sohn der Luft. Par HENZE HANS WERNER. In den Jahren 1995/96 komponierte Hans Werner Henze das Ballett Le fils de l’air ou L’enfant changé en jeune homme. Nach der – zauberischen – Verwandlung durch die Künste der Gaukler, in deren Welt sich der Knabe verirrt, wird ihm in einer Tanzszene „das Handwerk des Akrobaten“ gelehrt. Da die Musik dieser Szene lediglich für Schlagzeugensemble, Harfe und Klavier geschrieben ist, wurde sie vom Komponisten ausdrücklich auch für separate Aufführungen mit diesem Instrumentarium vorgesehen. / Niveau : Avancé / Répertoire / 2 Pianos et Percussion
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Salsa Guidebook X Piano And Ensa
Piano solo
Sher Music Company
260 pages, remplis d'exemples musicaux pour piano, basse, batterie instruments ...
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260 pages, remplis d'exemples musicaux pour piano, basse, batterie instruments à percussion ensemble et salsa. Pour commencer l'avancée des joueurs.Sont également inclus des extraits de partitions musicales, montrant comment chaque instrument s'inscrit dans chaque variation de salsa, un hist synopsis, nombreuses photos d'artistes de la salsa et une importante discographie de musique Afro-caribéenne. / Piano (Ou Clavier)
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La Camisa Negra: Ensemble: Score
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Peer Musik Verlag
Moliendo Café-This volume in the Peer Music Combo series contains two pieces L...
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Moliendo Café-This volume in the Peer Music Combo series contains two pieces La Camisa Negra and Moliendo Caf? with parts for the following instruments:Piano/Vocal (with text) C - voice rhythm guitar with melody 1-2 . Violin 1-2. Voice in Bb 3rd Part in Eb 4th Part in Eb + Bb percussion/melody bass.
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Patricia: Ensemble: Score
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Peer Musik Verlag
Mambo Jambo-This volume in the Peer Music Combo series features two pieces Patr...
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Mambo Jambo-This volume in the Peer Music Combo series features two pieces Patricia and Mambo Jambo with parts for the following instruments:Piano/Vocal (with text) C - voice rhythm guitar with melody 1-2. Violin 1-2. Voice in Bb 3rd Part in Eb 4th Part in Eb + Bb percussion/melody bass.
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Quizas Quizas Quizas: Ensemble: Score
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Peer Musik Verlag
Angelitos Negros-This volume in the Peer Music Combo series includes two pieces ...
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Angelitos Negros-This volume in the Peer Music Combo series includes two pieces Quizas Quizas Quizas and Angelitos Negros with parts for the following instruments: Piano/Vocal (with text) C - voice rhythm guitar with melody 1-2. Violin 1-2. Voice in Bb 3rd Part in Eb 4th Part in Eb + Bb percussion/melody bass.
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Jacques Loussier: Play Bach: Ensemble: Instrumental Album
Français
Piano, Bass, Drums (trio)
-
Intermediate/advanced
CARISCH
Adaptations pour piano jazz-Play Bach is a collection of pieces by J.S. Bach as ...
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Adaptations pour piano jazz-Play Bach is a collection of pieces by J.S. Bach as interpreted by Jacques Loussier and his trio arranged for Piano Double Bass and Percussion. Including six songs Play Bach features the best of these iconic arrangements.A French composer and pianist Jacques Loussier is perhaps best known for his trio's jazz renditions of Bach's works. Their recording of 'Air On The G String' became well-known through its use in a long-running British advertisement.
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Maria Elena: Ensemble: Score
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Peer Musik Verlag
Frenesi-This volume in the Peer Music Combo series features two pieces Maria El...
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Frenesi-This volume in the Peer Music Combo series features two pieces Maria Elena and Frenesi with parts for the following instruments:Piano/Vocal (with text) C - voice rhythm guitar with melody 1-2. Violin 1-2. Voice in Bb 3rd Part in Eb 4th Part in Eb + Bb percussion/melody bass.
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Giner Bruno : Piano Traces. Cycle 2
Piano solo
Dhalmann
Collection 'Carnets du 21e siècle'.6 pièces pour piano solo.- Récit- Mécanis...
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Collection 'Carnets du 21e siècle'.6 pièces pour piano solo.- Récit- Mécanisme à 'cinq-huit'- Harmoni(qu)es sympathi(qu)es- Valse esqui(s)se- D'une gondole oubliée - (Des)accords1 à 4 mn par pièce.Ce recueil, extrêmement varié, permet au pianiste d'aborder un langage contemporain original...Ce recueil, extrêmement varié, permet au pianiste d'aborder un langage contemporain original.Les différentes pièces de Piano Traces font appel à l'essentiel des acquis pianistiques du 2o cycle : notes répétées, études de sonorités, travail rythmique, contrastes dynamiques, exploration de toute l'étendue du clavier (Valse esqui(s)e intègre même un instrument de percussion joué par le pianiste lui-même).Les différentes pièces peuvent être jouées indépendamment les unes des autres ou faire l'objet d'une seule et même oeuvre.Et au-delà des aspects purement techniques, c'est bien de musique qu'il s'agit ! Une musique pour l'oreille, exigeante sans être rébarbative, originale sans être déconcertante.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Clavier, Piano Et Solo
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C. Bull: Team Strings: Cello: Instrumental Tutor
Piano, Vocal and Guitar
Faber Music Limited
For everyone who wants to play strings. Team Strings is ideal for individual mi...
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For everyone who wants to play strings. Team Strings is ideal for individual mixed instrument groups or class tuition. Allows violin and viola or cello and bass to be taught in the same lesson; integrates with Team Brass Team Woodwind Team Recorder and Team Percussion to provide mixed instrumental ensembles; contains carefully graded music in a wide variety of styles from Baroque and Classical to Folk Film and Jazz; develops instrument-related aural skills improvisation and composition; offers helpful notes for the teacher together with piano accompaniments ensemble scores and parts for wind brass and percussion. Includes a 2-Octave Scale in the key of C Major. This edition includes a CD of over 75 digital backing tracks of all the melodies excerpts and pieces for individual and group use.
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Classics For Two (Piano Accompaniment): Piano Accompaniment: Instrumental Album
Piano Accompaniment
[Sheet music]
-
Intermediate
FJH
Arranged to be playable by any combination of band instruments these duets cove...
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Arranged to be playable by any combination of band instruments these duets cover a wide range of styles from the Baroque Period to the 20th Century. Difficulty ranges from grades II through IV providing a great deal of flexibility for the needs of young musicians. In addition to the mallet duet lines the percussion book provides an optional percussion line that can be used in place of or in addition to a duet line. Perfect for smaller ensembles with unusual instrumentation and for solo and ensemble festivals.
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Sounds of Worship: Piano: Instrumental Work
Piano solo
Brookfield Press
Classic hymns have been arranged for the flexible “Sounds of” series...
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Classic hymns have been arranged for the flexible “Sounds of” series. For solos and ensembles this collection brings together great hymns of the faith. Whether it's a soloist using a book (accompanied by piano orfully-orchestrated accompaniment track) or two three four players...or a full orchestra Sounds of Worship is a uniquely flexible idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mixand match lines with different instruments and combinations of players. Available: Conductor's Score (with Acc. CD) Flute Oboe Trumpet Clarinet Trombone Horn Alto Saxophone Tenor Saxophone Violin Cello Bass/Tuba Percussion Piano/Rhythm Accompaniment CD.
13.99 GBP - Sold by Musicroom UK
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Easy Funk Play Along
Keyboard
[Sheet music + CD]
Advance Music
The Easy Funk Play-Along series for wind and brass instruments now also contains...
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The Easy Funk Play-Along series for wind and brass instruments now also contains parts for the rhythm section. Now it is possible to provide live accompaniment to a varied wind ensemble consisting of flutes, clarinets, saxophones, trumpets and/or trombones (4 parts in each tune book with CD) on piano/keyboards, guitar, electric bass and percussion - ideal for school and music school ensembles.The score and all parts are available individually and can be used simultaneously in instrumental lessons. / Clavier
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Duckett Bull: Team Strings. Piano Accompaniment/Score: Violin: Instrumental
Piano Accompaniment
[Sheet music]
-
Intermediate
I.M.P.
Teams Strings Is ideal for individual group and class tuition Allows violin an...
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Teams Strings Is ideal for individual group and class tuition Allows violin and viola or cello and bass to be taught in the same lesson Contains carefully-graded music in a wide variety of styles from Baroque and Classical to Folk Film and Jazz Develops instrument-related aural skills improvisation and composition Offers helpful notes for the teacher together with piano accompaniments ensemble scores and parts for wind brass and percussion
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Francisco Coll: Piano Concertino: Orchestra: Instrumental Work
Piano solo
Faber Music Limited
Francisco Coll?s vivid and unpredictable Piano Concertino 'No seré yo quien dig...
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Francisco Coll?s vivid and unpredictable Piano Concertino 'No seré yo quien diga nada' (?I?m not saying nothing?) is one of his most striking scores to date. Written for Nicolas Hodges this four-movement work with its idiosyncratic instrumentation (a bottom-heavy ensemble of Lower Strings Wind Brass and Percussion) flinty harmonies and taut rhythmic profile made a strong and lasting impression on audiences. For its UK premiere in 2014 (with the CBSO conducted by Thomas Adès) Coll added a substantial cadenza to showcase Hodges? formidable musicality even further. Drawing on material fromelsewhere in the work it provides a dynamic bridge between the icy third movement ? Interlude ? and the frenzied acrobatics of the final Postlude.
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Christopher Wilson: Music Factory: Keyboard Workbook 1: Electric Keyboard:
Keyboard
[Sheet music]
Faber Music Limited
This is part of a series of inter-related instrumental workbooks for keyboard g...
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This is part of a series of inter-related instrumental workbooks for keyboard guitar bass guitar and percussion. Planned so that concepts are carefully introduced consolidated and extended the workbook comprises three progressive volumes each containing twenty-five units. They support and complement the teacher’s resource through an innovative approach that encourages a creative attitude towards learning an instrument. Many sections contain work on improvisation and sight-reading and alternate units provide an ensemble piece arranged for all the instruments covered by this project. Each book covers the same curriculum requirements regardless of instrument however this book acts both as a classroom resource and as an introduction to the art of keyboard technique.
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Dogs And Birds Piano Method 2 Bundle (LUSHER ELZA / CHRIS)
Piano solo
[Sheet music]
Faber Music Limited
Par LUSHER ELZA / CHRIS. Teams Strings Is ideal for individual, group and class ...
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Par LUSHER ELZA / CHRIS. Teams Strings Is ideal for individual, group and class tuition Allows violin and viola, or cello and bass to be taught in the same lesson Contains carefully-graded music in a wide variety of styles, from Baroque and Classical, to Folk, Film, and Jazz Develops instrument-related aural skills, improvisation and composition Offers helpful notes for the teacher, together with piano accompaniments, ensemble scores, and parts for wind, brass, and percussion/ Méthode / Piano
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Christopher Wilson: Music Factory: Keyboard Workbook 2: Electric Keyboard:
Keyboard
[Sheet music]
Faber Music Limited
This is part of a series of inter-related instrumental workbooks for keyboard g...
(+)
This is part of a series of inter-related instrumental workbooks for keyboard guitar bass guitar and percussion. Planned so that concepts are carefully introduced consolidated and extended this is the second of three workbooks each containing twenty-five units. They support and complement the teacher’s resource through an innovative approach that encourages a creative attitude towards learning an instrument. Many sections contain work on improvisation and sight-reading and alternate units provide an ensemble piece arranged for all the instruments covered by this project. Each book covers the same curriculum requirements regardless of instrument however thisbook acts both as a classroom resource and as an introduction to the art of keyboard technique.
7.99 GBP - Sold by Musicroom UK
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Sarah Marks: Music Playtime: Piano Vocal Guitar: Classroom Resource
Piano, Vocal and Guitar
[Sheet music + CD]
Music Exchange
Sarah Mark’s Music Playtime is a enthralling collection of songs and activ...
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Sarah Mark’s Music Playtime is a enthralling collection of songs and activities which have their origins in the natural movements of children for example walking running jumping striding & skipping. Theycame from the author's desire to help children discover & develop a strong sense of rhythm from within themselves. All the songs are themed to fit in with National Curriculum guidelines & include development ofrhythm pitch ensemble playing experimentation with sounds use of ostinato dynamics & mood. Teacher’s notes also include suggestions for adding percussion and developing more advanced accompaniments. Music Playtime provides fun ways to raise children’s confidence team build and encourage exercise. Suitable for 4 – 7 year olds.
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Cantiga's Renaissance Festival Favorites (BIELEFELD ROBERT)
All Instruments
Mel Bay
For All Instruments With Guitar Chords. Par BIELEFELD ROBERT. Players of all kin...
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For All Instruments With Guitar Chords. Par BIELEFELD ROBERT. Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. The music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantiga's arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion. / Niveau : Débutant à Intermédiaire / Recueil / Tout Instrument
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Cage, John : 31'.57.9864'' For a Pianist
Piano solo
[Sheet music]
Peters
EP 6778?6781 to be used in whole or in part to provide a solo or ensemble for an...
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EP 6778?6781 to be used in whole or in part to provide a solo or ensemble for any combination of pianists, string players and percussionists; pre-recorded tape may be used to assist in the performance of 27'10.554'' /
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Ludwig van Beethoven: Piano Concerto No.5 In E-flat Op.73 - Emperor: Piano:
Piano and Orchestra
Barenreiter
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano ...
(+)
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73
Piano and Orchestra
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score
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Ludwig van Beethoven: Piano Concerto No.5 In E-flat Op.73 - Emperor: Orchestra:
Piano and Orchestra
[Set of Parts]
Barenreiter
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano ...
(+)
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.
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Ludwig van Beethoven: Piano Concerto No.5 In E-flat Op.73 - Emperor: Piano:
Piano and Orchestra
[Solo Part]
Barenreiter
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano ...
(+)
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.
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Beethoven L.v. - Concerto For Pianoforte And Orchester N°5 Op.73 - Piano Reduction
Piano solo
Barenreiter
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 5 E-flat major o...
(+)
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 5 E-flat major op. 73 Beethoven?s fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work?s performance. The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven?s sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages. As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano. ? Many wholly new corrections in the solo and orchestral parts ? Piano reduction with a separate solo part, as was customary in Beethoven?s day ? With Beethoven?s continuo figures for the first time in a modern edition Edition no.: BA 9025-90 ISMN: 9790006559091 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano, Piano Binding: Paperback Pages / Format: 67/49 S. - 31,0 x 24,3 cm
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Ludwig van Beethoven: Piano Concerto No.5 In E-flat Op.73 - Emperor: Piano:
Piano and Orchestra
Barenreiter
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano ...
(+)
E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.
5.50 GBP - Sold by Musicroom UK
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