Nine Beautiful Arrangements by Mona Rejino Hal Leonard Student Pi. Par . 9 superbes arrangements pour piano solo des titres de vos films Disney préférés ! Idéal pour les spectacles, les cours ou tout simplement pour s\'amuser ! Tirés de COCO : Proud Corazon - Remember Me (Lullaby) - Un Poco Loco - Tirés d\'ENCANTO : Dos Oruguitas - Surface Pressure - We Don\'t Talk About Bruno - Tirés de FROZEN II : All Is Found - Into the Unknown - Show Yourself. / Date parution : 2022-11-10/ Recueil / Piano

Music from the Motion Picture Soundtrack. Par ANDERSON-LOPEZ KRISTEN / LOPEZ ROBERT. The sequel to the uber-popular Disney film Frozen is here, and the soundtrack features more songs from Robert Lopez and Kristen Anderson-Lopez. Our matching songbook includes easy arrangements with lyrics to the new breakout song 'Into the Unknown - ” a continuation from the first film, 'Reindeers Are Better Than People - ” and 6 more new songs. / Niveau : Très Facile / Recueil / Piano

Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include ?A Million Dreams? (The Greatest Showman), ?Shotgun? (George Ezra), ?Havana? (Camila Cabello), ?Into the Unknown? (Frozen 2), ?Star Wars: Main Theme? (John Williams) and more. Demonstration tracks are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard./ Recueil / Piano

Music from the Motion Picture Soundtrack. Par ANDERSON-LOPEZ KRISTEN / LOPEZ ROBERT. 8 songs for beginning piano solo with lyrics from the 2019 sequel: All Is Found - Into the Unknown - Lost in the Woods - The Next Right Thing - Reindeer(s) Are Better Than People (Cont.) - Show Yourself - Some Things Never Change - When I Am Older. / Niveau : Facile / Recueil / Piano

Softer, gentler arrangements of 34 more favorites. Par . Softer, gentler piano solo arrangements of 34 more favorites, including: Bella Notte ? Feed the Birds (Tuppence a Bag) ? God Help the Outcasts ? I Just Can't Wait to Be King ? I Wan'na Be like You (The Monkey Song) ? Into the Unknown ? Out There ? The Place Where Lost Things Go ? The Rainbow Connection ? Stay Awake ? and more. / Date parution : 2021-12-09/ Recueil / Piano

Upper Elementary to Lower Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Par BACH JOHANN SEBASTIAN / GOUNOD CHARLES. The French Bach cult, which began in the early 19th century, reached an initial highpoint around 1850. Charles Gounod, still largely unknown at the time, also studied Bach?s works intensively ? his chorales, motets, and the preludes and fugues of the 48. He is said to have improvised his expressive, cantabile melody over the famous broken chords of Bach?s C-major Prelude BWV 846 from the 48 at a private performance in 1852. This arrangement would later became world famous when underlaid with the text of the Ave Maria. Several instrumental versions of it were initially published in 1853, including one for solo piano by Gounod himself that is presented here for the first time as an Urtext edition. / Date parution : 2023-05-06/ Répertoire / Piano

Par JONES STEPHEN. This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935 - the collection is thus something of a 'time capsule' with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Music from the Motion Picture Soundtrack. Par ANDERSON-LOPEZ KRISTEN / LOPEZ ROBERT. The sequel to the uber-popular Disney film Frozen is here, and the soundtrack features more songs from Robert Lopez and Kristen Anderson-Lopez. Our matching songbook includes the new breakout song 'Into the Unknown,” a continuation from the first film, 'Reindeers Are Better Than People,” and 6 more new songs: All Is Found - Lost in the Woods - The Next Right Thing - Show Yourself - Some Things Never Change - When I Am Older. / Niveau : Facile / Recueil / Piano