Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori ALLEGRO APP. OP 70 PIANO ET 2 PIANO REDUCTION ORCHESTRE de Saint-Saëns Camille. Cette partition qui est éditée par les éditions Durand fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

La référence R13042 15 de l'éditeur Billaudot dont l'auteur célèbre est Gavinies Pierre, qui a pour titre ADAGIO ET ALLEGRO, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori ALLEGRO ASSAI EN SOL DIESE MINEUR OPUS 39 Nø8 de Alkan Charles-Valentin. Cette partition qui est éditée par les éditions Billaudot fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano 2 Mains peut être chez vous dans quelques jours. / Piano 2 Mains / Partition

One of Béla Bartók's best-known and most popular works for Piano the Allegro Barbaro was composed in 1910-11. Bartók himself enjoyed performing the piece in concerts and recorded it severaltimes. A recording from 1929 referred to by Bartók as the ?authentic recording? contains very interesting departures from the printed version as far as tempo articulation and even the number of ostinatomeasures are concerned. These elements have been included in the musical text for the first time in this Henle Urtext edition and are clearly annotated. With this first Bartók Urtext edition editor László Somfai offers aninsight into the many and varied musical impulses that will be demonstrated in the Béla Bartók Complete Critical Edition which will be jointly published by Editio Musica Budapest and G. Henle from 2016.

This edition marks the beginning of Bärenreiter?s publication of Schubert?s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert?s late works, composed between 1826 and 1828 which are amongst the most important works in the piano duet repertoire. '
Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects from the critical commentary of the ?New Schubert Edition? complete the edition, which presents the compositions in a clear score format.'
'
- Based on the Urtext of the ?New Schubert Edition?'
- Scholarly-critical edition reflecting the latest state of research'
- Suggestions on performance practice by Mario Aschauer'
- Detailed foreword (Ger/Eng) and critical commentary (Eng)'
- With optimum page-turns'
'
Contents'
Variations on a Theme from L. J. Ferdinand Hérolds opera ?Marie? by op. 82,1 (D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952) / [Pièces pour Piano 4 Mains 1 Piano Volume 3] / Classique / Partition / Cartonné / Plats de carton /

Content : Sonata No. 1 in C Major I: Allegro II: Andante III: Menuet Sonata No. 2 in B-flat Major I: Moderato II: Largo III: Menuet Sonata No. 3 in C Major I: Allegro II: Andante III: Menuetto Sonata No. 4 in D Major I: Allegro II: Menuetto III: Menuet IV: Menuet Sonata No. 5 in A Major I: Allegro II: Menuet III: Presto Sonata No. 6 in G Major I: Allegro II: Menuetto III: Adagio IV: Allegro molto Sonata No. 7 in C Major I: Allegro moderato II: Menuet III: Finale. Allegro Sonata No. 8 in G Major I: Allegro II: Menuet III: Andante IV: Allegro Sonata No. 9 in F Major I: Allegro II: Menuet III: Scherzo. Allegro (non troppo) Sonata No. 10 in C Major I: Moderato II: Menuet III: Finale. Presto. Sonata No. 11 in G Major I: Presto II: Andante III: Menuet Sonata No. 12 in A Major I: Andante II: Menuetto III: Finale. Allegretto) Sonata No. 13 in E Major I: Moderato II: Menuetto III: Finale. Presto. Sonata No. 14 in D Major I: Allegro moderato II: Menuetto III: Presto Sonata No. 15 in C Major I: Allegro II: Minuetto III: Air. Moderato Sonata No.16 in E-flat Major I: Andante II: Menuet III: Presto Sonata No. 17 in B-flat Major I: Allegro II: Andante III: Allegro Sonata No. 18 in B-flat Major I: Allegro moderato II: Moderato Sonata No. 19 in D Major I: Moderato II: Andante III: Finale. Allegro assai. Sonata No. 20 in C Minor I: Moderato II: Andante con moto III: Finale. Allegro. Sonata No. 21 in C Major I: Allegro moderato II: Adagio III: Finale. Presto. Sonata No. 22 in E Major I: Allegro moderato II: Andante III: Finale. Tempo di Menuetto. Sonata No. 23 in F I: Allegro moderato II: Andante III: Finale. Presto. Sonata No. 24 in D Major I: Allegro II: Adagio III: Finale. Presto. Sonata No. 25 in E-flat Major I: Moderato II: Tempo di Menuetto Sonata No. 26 in A Major I: Allegro moderato II: Menuetto al Rovescio III: Finale. Presto. Sonata No. 27 in G Major I: Allegro con brio II: Menuetto III: Finale. Presto. Sonata No. 28 in E-flat Major I: Allegro moderato II: Menuetto III: Finale. Presto. Sonata No. 29 in F Major I: Moderato II: Adagio III: Tempo di Menuetto

Memorable tribute from one musical genius to another, reproduced from authoritative editions, reveals Liszt's remarkable capacity for translating orchestral effects into pianistic terms. An astonishing, brilliant, and sensitive tribute to the master by the 19th-century's greatest piano virtuoso. Content : Preface: Liszt's handwritten note Preface: English translation Introduction Glossary Symphony No. 1 in C Major, Op. 21 I. Adagio molto-Allegro con brio II. Andante cantabile con moto III. Menuetto: Allegro molto e vivace IV. Adagio-Allegro molto vivace Symphony No. 2 in D Major, Op. 36 I. Adagio molto-Allegro con brio II. Larghetto III. Scherzo: Allegro IV. Allegro molto Symphony No. 3 in E-flat Major (Eroica), Op. 55 I. Allego con brio II. Marche funèbre: Adagio assai III. Scherzo: Allegro vivace IV. Finale: Allegro molto Symphony No. 4 in B-flat Major, Op. 60 I. Adagio-Allegro vivace II. Adagio III. Allegro vivace IV. Allegro, ma non troppo Symphony No. 5 in C Minor, Op. 67 I. Allegro con brio II. Andante con moto III. Scherzo: Allegro IV. Allegro

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]

Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Unabridged republication of the works originally published by Edition Peters, n.d Content : Piano Trio No. 1 in D minor, Op. 49 Molto allegro ed agitato Andante con moto tranquillo Scherzo. Leggiero e vivace Finale. Allegro assai appassionato Piano Trio No. 2 in C minor, Op. 66 Allegro energico e con fuoco Andante espressivo Scherzo. Molto allegro quasi presto Finale. Allegro appassionato

Contains 15 of Schubert's best-loved, most popular four-hand compositions, including Three Military Marches, Sonata in C Major, Variations in A-flat Major on an Original Theme, Andantino Varie in B Minor on French Motifs, more. Contenu : Three Military Marches, Op. 51, D.733 1. D Major 2. G Major 3. E-flat Major Two Characteristic Marches, Op. 121, D.886 1. C Major 2. C Major Children's March in G Major, D.928 Overture (Ouverture) in F Major, Op. 34, D.675 Sonata in B-flat Major, Op. 30, D.617 (dedicated to Count Ferdinand Palffy d'Erdöd) 1. Allegro moderato 2. Andante con moto 3. Allegretto Sonata in C Major, Op. 140 (Grand Duo), D.812 1. Allegro moderato 2. Andante 3. Scherzo. Allegro vivace 4. Allegro vivace Rhondo in A Major, Op. 107, D.951 Variations in A-flat Major on an Original Theme, Op. 35, D.813 (dedicated to Count Anton Berchtold) Variations C Major on a Theme (Was einst vor Jahren) from Hérold's opera Marie, Op. 82, No.1, D.908 (dedicated to Cajetan Neuhaus, Professor of Philosophy in Linz) Andantino Varié in B Minor on French Motifs, Op. 84, No. 1, D.823 Lebensstürme (Storms of Life), Characteristic Allegro in A Minor, Op. 144, D.947 Fantasia in F Minor, Op. 103, D.940 Four Polonaises, Op. 75, D.599 1. D Minor 2. B-flat Major 3. E Major 4. F Major Four Ländler, D.814 1. E-flat Major 2. A-flat Major 3. C Minor 4. C Major Fugue in E Minor, Op. 152, D.952

Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu?édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.

Cette ?uvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d?Antonio Vivaldi.
Le printemps est le nom que porte le concerto n° 1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.
Son introduction, comme le troisième mouvement de l'?uvre (L?Été), sont les passages les plus célèbres de cet opus.
Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L?ensemble de l??uvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :


Allegro
Voici le Printemps,
Que les oiseaux saluent d'un chant joyeux.
Et les fontaines, au souffle des zéphyrs,
Jaillissent en un doux murmure.


Ils viennent, couvrant l'air d'un manteau noir,
Le tonnerre et l'éclair messagers de l'orage.
Enfin, le calme revenu, les oisillons
Reprennent leur chant mélodieux.

Largo
Et sur le pré fleuri et tendre,
Au doux murmure du feuillage et des herbes,
Dort le chevrier, son chien fidèle à ses pieds.

Allegro
Au son festif de la musette
Dansent les nymphes et les bergers,
Sous le brillant firmament du printemps. / Classique / Transcriptions pour piano de David Neyrolles / Partition / Agrafé /