Par BERLIN IRVING. Il s'agit de recueil de chansons de Berlin en définitive - vraiment magnifique collection contenant 50 des meilleures chansons de Irving Berlin pour piano et voix avec les accords de guitare dans un grand volume de 216 page. Il s'agit de la troisième d'une série de nouveau intitulée ' The Platinum Collection '. Toutes les chansons dans cet ouvrage sont nouvellement gravé et ont été soigneusement fait des recherches et publié sous la direction de fournir la meilleure édition publiée. Aucune autre série ne peut prétendre être comme définitives comme nouvelle Collection la musique Faber Platinum./ Recueil / Piano, Chant et Guitare

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap 52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like Today Ablution, Adam's Apple, Affirmation, Alfie's Theme, All Alone (Left Alone), All My Tomorrows, Along Came Betty, Alto Itis, April Skies, Aquellos Ojos Verdes (Green Eyes), Ask Me Now, At The Mambo Inn, Azure Baby, It's Cold Outside, Bags And Trane, Bags' Groove, Baia (Bahla), Bali Ha?i, Ba-lue Bolivar Ba-ldes-arb (Bolivar Blues), Barbara, Be-bop Big P, Billie's Blues (I Love My Man), Bill's Hit Tune, Bird Feathers, Birdland, Bitches Brew, Blackberry Winter, Bloomdid, Blue ?n Boogie, Blue Serge, Blue Seven, Blue Silver, Blues By Five, Blues For Wood, Blues In The Closet, Bohemia After Dark, Bolivia, Born To Be Blue, Bossa Antigua, Bouncing With Bud, Bright Boy, Brilliant Corners, Buster Rides Again, Bye Bye Blackbird Caldonia (What Makes Your Big Head So Hard?), Caravan, Careful, Chameleon, Chasin' The Trane, Circle, Cold Duck Time, Comin' Home Baby, Continuum, Cool Blues, Cousin Mary, Crazy She Calls Me, Criss Cross Dance Of The Infidels, Day By Day, Day Dream, 'deed I Do, Dewey Square, Dheamy, Dig, Dindi, Do I Love You Because You're Beautiful?, Don't Ever Go Away (For Causa De Voce), Don't Explain, Don't Worry 'Bout Me, Doxy, Duff Early Morning Mood, East To Wes, Eclypso, Elogie, Elora, Emancipation Blues, Estate, Eye Of The Hurricane Farmer's Trust, Feels So Good, Fever, Fields Of Gold, Filthy Mcnasty, Five Brothers, Fly Me To The Moon (In Other Words), Flying Home, Fox Hunt, Freight Trane, Frenest, Full Moon And Empty Arms, Funkallero, Funky Georgia On My Mind, Gettin? It Togetha, Girl Talk, Glad To Be Unhappy, Gregory Is Here, Grooveyard H

Par BERLIN IRVING. 30 chansons de quelques-uns des jamais aimé de la plupart des films. Chansons comprennent être attentif, c'est mon coeur, Pâques Parade, Happy Holiday, joue à joues, soeurs, haut-de-forme, cravate blanche et queues, White Christmas et plus./ Recueil / Piano, Chant et Guitare

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre

Le livre réel est extrêmement précis, soignée et vise avant tout, pour un usage pratique. Cette deuxième édition nouvelle contient tunes qui sont réarrange et re-transcribed afin que vous pouvez étudier et jouer ces oeuvres avec précision. / Instruments En Do

Deuxième album du Tracy Chapman, Carrefour, sorti en 1989 n'était pas aussi rentable que son premier album, mais encore atteint de platine. Ce recueil de chansons album correspondant est arrangé pour voix et piano et guitare cordes. / Piano/Vocal/Guitare (PVG) / 80 pages / Partition

Arrangeur: James Galway. Par LETHIERE CHARLES. Charles Le ThiÚre's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise, and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway, and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. Charles Le Thi and eacute - re's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three-act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. / Niveau : 4 / Opéra-opérette / Répertoire / Flûte Traversière et Piano

Gian Carlo Menotti (1911--2007) is best remembered as an opera composer and founder of three international performing arts festivals. Menotti has left behind a lasting legacy of lyrical and accessible music. Poemetti: 12 Pieces for Children was first published in 1937. These descriptive pieces demonstrate Menotti's celebrated lyric gift as well as the careful craft that characterizes his work. Taken as a whole, the set can be seen as Menotti's version of an 'Album for the Young,' recalling images of his colorful childhood in Italy. These brief compositions are varied in meter, tempo, character, texture, and technical demands and are suitable for developing the musical imagination and keyboard facility of pianists at the intermediate level. The collection is pianistic in style, with each piece serving as a miniature technical etude. The titles are evocative and aid the performer in conceptualizing a convincing interpretation. / Piano

'Godzilla!' is the main title theme from the 2014 blockbuster remake of the monster movie classic. Composed by critically acclaimed composer Alexandre Desplat, this dark and brooding piece perfectly captures the mood of the movie. When you play this sheet music edition, be careful not to conjure up the creature! / Piano

Robert D. Vandall's four duet fantasies on classic carols have now been compiled into one spectacular collection. These extended fantasies incorporate exhilarating rhythms and unexpected harmonic changes, making them fantastic performance vehicles for early intermediate to late intermediate pianists. Careful balancing of the primo and secondo parts gives both performers a chance to shine. Titles: Carol of the Bells * Deck the Hall * Jingle Bells * Joy to the World. / Ensemble Music, Miscellaneous, Piano Music, Scores / Recueil / Piano

Complementing the Impromptus and Moments musicaux, the Wiener Urtext Edition also presents a new edition of the three late piano pieces D 946. Careful study of Schubert's autographs has led to various retouchings in the musical text, in D 946/2 for instance to the supplementation of a bar. The edition offers a new approach to the issue of the second episode of D 946/1, deleted by Schubert in the autograph, but included in the posthumous first edition and meanwhile embraced in modern concert practice. The separate edition of these repertoire pieces that have enjoyed increasing popularity since the 1970s has been expanded to include the two piano piano pieces D 916B/C that have survived as fragments and have been completed by Robert D. Levin in close observance of Schubert's compositional principles. Like the three piano pieces D 946, both works originate from the context of the Impromptus and have survived in the composer's autograph sketches. Their inclusion in this volume completes the picture of Schubert's late keyboard output and provides new impulses for the pianistic concert repertoire. / Piano