Par CHEFSON SABINE / MASSON THIERRY. / classique / Répertoire / Flûte Traversière ou Violon et Harpe ou Piano

Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists, Les Méandres De Viviane is made up of four sections which tell the story of the fairy, Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire, with a typical performance lasting around three minutes. Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances. / Flûte Traversière

13 Pieces by 8 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Upper Intermediate edition features 13 pieces by 8 composers, including: Johannes Brahms: Waltz in A-flat Major, Op. 39, No. 15 · Frédéric Chopin: Nocturne in F minor, Op. 55, No. 1 · Frédéric Chopin: Polonaise Militaire, Op. 40, No. 1 · Frédéric Chopin: Waltz in D-flat Major Minute, Op. 64, No. 1 · Frédéric Chopin: Waltz in C-sharp minor, Op. 64, No. 2 · Scott Joplin: The Cascades · Franz Liszt: Liebestraum No. 3 · Felix Mendelssohn: Spring Song from Songs Without Words, Op. 62, No. 6 · Wolfgang Amadeus Mozart: 12 Variations on Ah! vous dirai-je, maman, K.265 · Wolfgang Amadeus Mozart: Rondo alla Turca from Sonata in A Major, K. 331 · Sergei Rachmaninoff: Prelude in C-sharp minor, Op. 3, No. 2 · Sergei Rachmaninoff: Prelude in G minor, Op. 23, No. 5 · Pyotr Il'yich Tchaikovsky: June (Barcarolle) from The Seasons. / Niveau : Supérieur Intermédiaire / Classique / Recueil / Piano

This fifth volume in the Classical Piano Solos series features 19 original pieces from the masters, suitable for pianists at a Grade 5 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Beethoven's 'Moonlight? sonata (1st mvmt) and Rachmaninoff's famous C-sharp prelude, as well as lesser-known gems from Samuel Coleridge-Taylor ('They Will Not Lend Me a Child?), Anatoly Lyadov ('Prelude in B Minor?), and Rameau ('Les niais de Sologne?). All four main periods are represented.Editor's note: The final section of the Rachmaninoff prelude is presented on one visually-accessible page - the Chopin waltz (Op. 69/1) is based on original autographs rather than the oft-performed Fontana edition. / Piano

Arrangeur: Siegfried Petrenz. Par BACH JOHANN SEBASTIAN. The importance of the Art of Fugue, a late work of Bach, is undisputed. The composer died while preparing it to be printed. The work has been given the highest recognition by musicians and music lovers ranging from his contemporaries to the present day. This stands in sharp contrast to the reception of the work. It is scarcely to be found in the piano repertoire or ib concert programs and, above all, it is almost entirely absent from the curriculum in the study of music. One the reasons for this – the technical demands which the fugues and canons present – has been addressed with the present edition of the work. The four-voiced notation of the score from the firstedition has been distributed over two pianos, and each piano part is allotted its own score. This follows the model of Bach, who arranged Contrapunctus 13, the three-voiced mirror fugue, for two harpsichords. Thus each player has two voices to play – somewhat on the level of difficulty of the two-part inventions – and these parts present no extraordinary technical demands. The goal of this edition is to give pianists and music lovers, but above all music students the possibility to get to know this work, one of the greatest work of music literature, by playing it and reaping the rewards of “incredible” musical experiences and knowledge./ Répertoire / 2 Claviers

In 2005, ITV celebrated an impressive 50 years of television service, and this commemorative set of Piano solos captures some of their best-loved programmes. As the great bastion of local broadcasting, ITV has played a vital role in presenting regional concerns and characteristics across a national and international network. Their series have become synonymous with the places and times they represent... Inspector Morse and Oxford, Emmerdale and rural Yorkshire, Coronation Street and the changing face of Manchester. Furthermore, ITV have been responsible for some thrilling period drama, including Foyle's War , Hornblower and Sharpe , as well as outstanding contemporary presentations such as Cold Feet . Enjoy a nostalgic moment or two, and help celebrate the achievements of this significant organisation with this collection of themes that television fans of all generations will adore! / Niveau : Assez Facile / TV, Film, Comédie musicale / Recueil / Piano

Includes five of the most popular of Beethoven's piano sonatas: No. 1 in F minor, Op. 2, No. 1 No. 8 in C minor, Op. 13 PathÚtique No. 14 in C-sharp minor, Op. 27, No. 2 Moonlight No. 17 in D minor, Op. 31, No. 2 The Tempest No. 26 in E-flat Major, Op. 81a Les Adieux (Das Lebewohl) / Piano

Edition complète en fac-similés de l'oeuvre de Fédéric ChopinPiano : Alex Szilasisur un athentique Piano PLEYELOeuvres proposées par Alex Szilasi19 Valses : 1 - KK IVb no11 (a-moll - A minor - La mineur) - 1'54''2 - - KK IVa no13 (Asz-dur - A flat major - La bémol) - 1'25''3 - - KK IVb no12 (E-dur - - E major - Mi majeur) - 2'23''4 - - KK IVa no14 (Esz-dur - E flat major - Mi bémol majeur) - 2'21''5 - - KK IVa no15 (e-moll - - E minor - Mi - mineur) - 2'58''6 - - KK IVb no10 (Esz-dur - E flat major - Mi bémol majeur) - 1'56''7 - - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bémol majeur) - 6'02''8 - - Op. - 34 no1 - Grande Valses Brillante (Asz-dur - A flat major - La bémol) - 5'56''9 - - Op. - 34 no2 - Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''10 - Op. - 34 no3 - Grande Valses Brillante (F-dur - - F major - Fa majeur) - 2'33''11 - - Op. posth. 69 no2 - (h-moll - - B minor - - Si mineur) - 3'34''12 - Op. posth. 70 no1 - (Gesz-dur - - G flat major - Sol bémol majeur) - 2'17''13 - Op. posth. 70 no2 (f-moll - - F minor - fa mineur) - 1'41''14 - Op. posth. 70 no3 - (Desz-dur - - D flat major - - Ré bémol majeur) - 2'31''15 - Op. - 64 no3 (Asz-dur - A flat major - La bémol) - 3'21''16 - Op. posth. 69 no1 - (Asz-dur - A flat major - La bémol) - 3'47''17 - Op. - 64 no1 (Desz-dur - - D flat major - - Ré bémol majeur) - 1'57''18 - Op. - 64 no2 (cisz-dur - - C sharp minor - - Ut dièse mineur) - 3'54''19 - Op. - 42 Grande Valse (Asz-dur - A flat major - La bémol majeur) - 4'02''Trois - Ecossaises : 20 - Op. posth. 72 no3 (D-dur - D Major - Ré majeur) - 1'05''21 - Op. posth. 72 no4 (G-dur - - G Major - - Sol majeur) - 0'37''22 - Op. posth. 72 no5 (Desz-dur - D flat Major - Ré bémol - majeur) - 0'37'' / Piano / niveau : 1 / Fac-Similés - Format: 12.5 X 14

Par CHOPIN FREDERIC. In 1845/46 Chopin composed his bel canto inspired “Barcarolle” in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor obtains new results and readings, especially regarding problematic passages. Chopin’s pedal indications from the other sources, which differ from the main source, are added in small print. Information on this is provided in the Critical Commentary, which also documents the numerous variants of the sources and editorial decisions. An informative preface (Ger/Eng) discusses the genesis of the work and Chopin’s specific understanding of the final shape of his works. Hardy Rittner supplements Chopin’s fingering from a historically informed perspective. He gives in-depth advice on central questions of performance practice (including cantilena style, rubato and pedal use) and discusses different interpretational approaches (Ger/Eng). Practical page turns (with fold-out page) and a reader-friendly engraving round off this new edition./ Répertoire / Piano

Fac-similé de l'édition originale anglaise en parties séparées : harpe ou piano forte primo - piano forte secondo.Présentation de Fabienne Leloup : Le trio Dussek-Krumholz-Pleyel - La harpe de Krumpholz - La harpe à Paris - Ignace Pleyel - Les pianos Pleyel - Le piano à Paris.Remarquable duo pré-romantique écrit par Dussek pour une formation peu courante, mais que l'on peut exécuter au piano.Une interprétation harpe et piano demandera aux interprètes un effort de style dans le jeu et un équilibre dans le toucher et la sonorité. / Harpe Et Piano Ou 2 Pianos / 27 pages / niveau : 1 / Fac-Similés - Format: 24 X 33