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PIANO
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Piano solo (1658)
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All Instruments (39)
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String Trio: violin, viola, ce… (37)
C Instruments (33)
Choral 2-part (33)
Choral TTBB (33)
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Alto Saxophone (32)
French Horn and Piano (31)
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Violon 1 (6 parts) Violon 2 (6… (28)
Woodwind Quintet: flute, oboe,… (28)
Accordion (28)
2 Flutes (duet) (27)
String Quintet: 2 violins, 2 v… (27)
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CD (23)
Children choir (22)
Medium voice, Piano (22)
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Melody line, (Lyrics) and Chor… (20)
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Piano Quartet: piano, violin, … (19)
Tenor Saxophone (19)
Harpsichord (18)
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Low voice, Piano (18)
Descant (Soprano) Recorder (17)
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String Quintet: 2 violins, vio… (16)
Guitare et Musique de Chambre (16)
Wind ensemble (16)
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2 Trombones (duet) (13)
Bassoon, Piano (duet) (13)
Solistes, Choeur d'Enfants, 3 … (13)
2 Clarinets (duet) (13)
Choral SSAA (13)
Choeur SATB/SATB, 2 Orgues et … (12)
Choeur SATB/SATB, (8 Instrumen… (12)
Bass guitar (12)
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Opera (12)
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Jazz Ensemble (11)
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Solistes, Div. Instruments à … (11)
Piano et Orchestre (11)
Partition de Poche (11)
Pocket, Study conductor (11)
Choeur SATB/SATB, (8 Instrumen… (11)
2 Guitars (duet) (11)
2 Saxophones (duet) (10)
Piano Accompaniment (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Choeur d'Enfants, Solistes, In… (10)
Voice, Guitar (10)
Clarinette, Viola and Piano (t… (10)
Choeur SATB, 2 Flûtes Travers… (10)
Violin, Clarinet, Piano (trio)… (9)
Solistes SST, Choeur SATB/SATB… (9)
Orchestre: Solistes SATB, Choe… (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Tenor voice, Piano (9)
Violin, Viola (duet) (9)
Violin, Viola and Orchestra (9)
Saxophone Quartet: 4 saxophone… (9)
Trombone and Piano (8)
Quatuor de Cordes (8)
Quatuor à vent (8)
Choeur SATB, 2 Cors, Violon So… (8)
Harp (8)
Oboe, Bassoon (duet) (8)
Solistes ATB, Choeur SATB, (Tr… (8)
Flûte Traversière, Hautbois,… (8)
Horn and Orchestra (8)
Horn and String Quartet (Quint… (8)
Choeur SATB, 2 Tubes en plasti… (8)
Solistes SATB, Choeur SATB, Fl… (8)
Choral, Orchestra (8)
3 Violons, Alto et Violoncelle… (8)
Brass Quartet (8)
Clarinette, Alto et Piano (8)
Flûte Traversière Clavecin e… (8)
B Flat, E Flat, C and Bass cle… (8)
Choeur SSATB, 2 Violons (Corne… (8)
Voice, Organ (8)
Solistes SATB, Choeur SATB/SAT… (8)
Petit Orchestre: Récitant, So… (8)
2 Cellos (duet) (8)
Orchestre Et Orgue (7)
Violon, Violoncelle et AccordÃ… (7)
Solistes, Choeur d'Enfants à … (7)
Quatuor (7)
Conducteur (7)
Baryton Et Orchestre (7)
Clarinette, 2 Violons, Viole e… (7)
Flûte Traversière, Violon, G… (7)
Choeur d'Enfants, 9 Solistes, … (7)
Educatif (7)
Choeur Mixte (SATB), Instrumen… (7)
3 Clarinettes en Sib et Clarin… (7)
Clarinet Quartet: 4 clarinets (7)
Choeur ST, 2 Violons, 2 Altos … (7)
2 Recorders (duet) (7)
Saxophone and Piano (7)
Soprano voice (7)
Violon 1, Violon 2, Alto, Viol… (7)
Chant (7)
Flute ensemble (7)
Piano Quintet: piano, violin, … (7)
Recorder Quartet (7)
Livre Scolaire (6)
Soli (SATB), Chor (SATB) und K… (6)
Treble (Alto) Recorder (6)
4 Parties Mixtes Et Orchestre (6)
Solo S (T), Viola da braccio (… (6)
Bb Instruments (6)
Guitar Tab, Voice, Bass, Drum (6)
Choeur d'Enfants à 1 à 3 Par… (6)
Violine und Orchester (6)
Oboe and String quartet (6)
Saxhorn en Sib (6)
Conducteur et Poche (6)
Choeur d'Enfants SSA, Flûte T… (6)
Piano Trio: Violin, Viola, Pia… (6)
Soprano, 4 Parties Mixtes 2 Tr… (6)
Vocal duet, Piano (6)
Saxhorn en Sib en Clé de Sol … (6)
Tenor Saxophone and Piano (6)
Flute Quartet: Flute, Violin, … (6)
4 Guitars (Quartet) (6)
Choeur d'Enfants à 1 Partie, … (5)
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Solistes, Div. Instruments à … (5)
Clarinette (Clarinette De Bass… (5)
String Quartet : 4 violas (5)
Djembe (5)
Choeur Mixte (SATB), Orchestre… (5)
Travaux Pour Choeurs (5)
Violon, Viole Et Orchestre (5)
Soli (AB), Choeur Mixte (SATB)… (5)
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Choeur SSATB, 2 Violons et Bas… (5)
Choeur d'Enfants à 1 Partie, … (5)
Viola and orchestra (5)
2 Violons, Alto, Violoncelle (5)
Saxophone ensemble (5)
Marimba (5)
Choeur d'Enfants à 1 Partie, … (5)
Bassoon (5)
Clarinet Ensemble (5)
Baryton, Choeur Mixte (SATB), … (4)
Trio à Cordes (4)
Percussion Ensemble (4)
3 Trompettes et Concert Band o… (4)
2 Oboes, 2 Clarinets, 2 Horns … (4)
Bassoon, Violoncello (4)
Soprano, Choeur Mixte (SATB), … (4)
Musique de chambre (4)
Piano Quartet: piano, 2 violin… (4)
Bugle Et Piano (4)
Baryton (Mezzo-Soprano) Et 3 C… (4)
Flute, Oboe, Clarinet, Bassoon… (4)
Flute Trio: 3 flutes (4)
Orgue et Musique de Chambre (4)
Choral SSAATTBB (4)
Clarinette en Sib et Clarinett… (4)
Baryton, Choeur Mixte Et Orche… (4)
4 Clarinettes en Sib et Clarin… (4)
Choeur Mixteor (SATB), Orchest… (4)
Guitare, Cor Anglais, Alto, Cl… (4)
Musical Awakening (4)
Solistes SATB, Choeur SATB, 2 … (4)
Low voice (4)
Flûte Traversière ou Violon)… (4)
Clarinette, Cor, Alto et Piano… (4)
Music Theory (4)
Guitare, Cor Anglais, Alto et … (4)
Accordéon, Vibraphone et Mari… (4)
Piano, Voice, Guitar tablature… (4)
2 Violins, Piano (4)
Violon, Alto, Violoncelle et P… (4)
Voix et Orff-Instruments (4)
Flûte à Bec, Guitare et Musi… (4)
2 Clarinettes ou Violon et Alt… (4)
Choeur Mixte (SSATB) Et Instru… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
Orchestre à Cordes et Piano (4)
Orgue, 3 Trompette et 3 Trombo… (4)
String quintet (4)
Trio à vent (4)
Trompette ou Bugle et Piano (4)
Bläsersextett : 2 Klarinette… (4)
Livret (4)
Choeur de Femmes (4)
Choral Unison (4)
:: (4)
Flute Quartet: 4 flutes (3)
Harmonica (3)
Tuba ou Basson (3)
1 Ou 2 Flûte(s) Traversière(… (3)
Clarinette, Violon et Piano (3)
Piccolo, Piano (3)
Trombone or Tuba or Euphonium (3)
Choeur Mixte (SSATB) et Instru… (3)
Choeur Mixte Et Instruments Di… (3)
Flute, Viola and Piano (3)
Brass Quintet: 2 trumpets, hor… (3)
Violin, Cello, Organ (3)
English Horn (3)
Méthodes Diverses (3)
Tuba, Euphonium ou Saxhorn ou … (3)
Soprano, Ténor, Baryton et Or… (3)
Solistes SSTB, Choeur SATB/SAT… (3)
Recorder, Piano (3)
Descent (Soprano) Recorder, Pi… (3)
Carte Postale (3)
Bassoon, Orchestra (3)
Chant et Guitare (3)
Clarinet and Strings (3)
Bläseroktett : 2 Oboen, 2 Kl… (3)
2 Oboen, 2 Klarinetten, 2 Bas… (3)
1 Piano, 6 hands (3)
Soliste et 2 Parties Choeur d'… (3)
String Duo, String Trio (3)
Ensemble Mixte (3)
Choeur d'Enfants 1 Partie, Nar… (3)
Choeur d'EnfantSBegleitband, d… (3)
TTBB (3)
Clarinet, Cello, Piano (trio) (3)
Trompette ou Bugle ou Cornet o… (3)
Ensemble de Chambre, 9 Instrum… (3)
3 Clarinets (trio) (3)
2 Voix (ST/SA/SBar) et Quatuor… (3)
4 A 6 Parties Mixtes (Chant Co… (3)
String trio (3)
4 Contrebasses (3)
Solistes, Récitant, Choeur d'… (3)
Clarinettes Et Autres Instrume… (3)
Organ, Trumpet (duet) (3)
Flûte à Bec et Fanfare (3)
ENS::Ensemble (3)
Mandolin (3)
Trombone ou Tuba et Piano (3)
Choeur De Femmes (SSA) A Cappe… (3)
Double bass, Orchestra (3)
Percussion, Piano (duet) (3)
Accordéon et Orchestre (3)
Solistes, Récitant, Choeur d'… (3)
Voix, Instruments (3)
2 Violas (duet) (3)
Concert band, Choral (3)
Instruments A Vent (3)
Choral SSATB (3)
Choeur Mixte, Soprano et Orche… (3)
Horn Ensemble (3)
Catalogue Des Oeuvres (3)
2 Oboen, 2 Klarinetten, 2 Fag… (3)
Concert Band et Solistes (3)
Harp, Flute (duet) (3)
3 Recorders (trio) (3)
Cello Ensemble (3)
2 Pianos Et Orchestre (3)
Flute, Basso continuo (3)
Choeur d'Enfants à 1 à 2 Par… (3)
Streichorchester (3)
Saxophone Ténor et Piano (3)
Bagpipe (3)
Voix Et Orchestre (3)
Violoncelle (Partie Séparée)… (3)
Oboe, Organ (2)
Biography (2)
Clarinette Ou Trompette Et Pia… (2)
Choeur Mixte, Soprano et Piano… (2)
Choeur De Femmes Ou D'Enfants … (2)
Flûte à Bec et Brass Band (2)
CHAM::Chamber Group (2)
3 Percussions (2)
Contrebasse (Partie séparée)… (2)
Descant (Soprano) Recorder, Ba… (2)
2 Voix (ST/SA/SBar) et Piano (2)
Choeur Mixte Instruments Ad Li… (2)
Voix Basse(s) Et Piano (2)
Bois (2)
Baritone Saxophone (2)
Percussions 3-4 (2)
Soli (STB) Et Orchestre (2)
Banjo (2)
Duo de marimbas. (2)
Saxophone Soprano (2)
Solistes SA et Orgue (2)
2 Flûtes à Bec et Guitare (2)
Réduction Piano (2)
2 Violons, Alto, Basse et 2 C… (2)
Soli and Orchestra (2)
Choral CD (2)
Flûte Traversière (Ad Libitu… (2)
Violin ensemble (2)
Children choir, Piano (2)
Bläseroktett - 2 Oboen, 2 Kl… (2)
2 Trompettes (duo) (2)
S, A, T, B, Choeur Mixte A 4 A… (2)
Choeur d'Enfants 1 Partie, Par… (2)
Flûte Traversière Et Hautboi… (2)
Trumpet, Orchestra (2)
Violin, Double bass (duet) (2)
Solistes (TB), Choeur Mixte (S… (2)
Choeur SATB/SATB et Basse Cont… (2)
Orchestre d´Harmonie (2)
Clarinette, Basson, Cor, 2 Vio… (2)
Cor en Mib (2)
Trio (2)
Clarinet Quintet: 5 clarinets (2)
Violon Solo Ou Violon Et Piano… (2)
Choeur Mixte, Alto et Piano (2)
Soprano voice, Orchestra (2)
Flute, Bassoon (duet) (2)
Clavier et Piano (2)
Guitare et Voix (2)
Chant, Piano (2)
Choeur Mixte (SAATTB) (2)
Scores (2)
Viola, Cello (duet) (2)
Choeur SAM (2)
Trombone, Organ (2)
4 Solistes, Choeur Et Orchestr… (2)
Percussions 1-2 (2)
Choeur SATB, 2 Violons, Alto, … (2)
Accordion and Orchestra (2)
3 Trompettes et Concert Band/H… (2)
4 Parties Mixtes (2)
Flûte A Bec, Guitare Et Musiq… (2)
Choeur Mixte (SATB/SATB) (2)
Clarinette (2 Clarinettes) Et … (2)
String Trio: 2 violins, cello (2)
Violin, Guitar (duet) (2)
Saxophone Baryton (2)
Choeur de Femmes ou d'Enfants (2)
Baryton, Choeur Mixte (SATB), … (2)
Guitar, Bassoon (2)
Baryton (2)
Cor en Fa (2)
String Quintet : Violin, 2 vio… (2)
Saxophone and Orchestra (2)
Concert Band et Saxophone Sopr… (2)
Cello, Organ (2)
Chant, Violon, Violoncelle et … (2)
Voice and Orchestra (2)
Timpani (2)
Parties (2)
Voix et Instruments (2)
Choeur d'Enfants (2)
Chœur Mixte [SATB] a Capella (2)
Orgue, Piano Et Récitant (2)
English horn, Piano (2)
Choeur Mixte, Ténor et Orches… (2)
Choeur d'Enfants à 1 Partie e… (2)
Flûte traversière (2)
Ensemble de Bois (2)
Choeur Mixte (SABar) (2)
Solistes:SATB-Choeur:SSAATTB-2… (2)
2 Clarinets, Piano (2)
Choeur et ensemble vocal (2)
Cor Anglais (2)
Choeur De Femmes (SSA) Et Viol… (2)
2 Flûtes à Bec (2)
Clavier ou Orgue Electronique (2)
Pauke / Schlagzeug (2)
Livres (2)
Choeur Mixte, Basse et Orchest… (2)
Oboe and Orchestra (2)
Ensemble de Percussions à Cla… (1)
2 Voix soprano (1)
Sopran solo, Violine (Flöte,… (1)
Choeur Mixte SATB et Piano (1)
2 Clarinettes Ou 2 Trompettes … (1)
Clarinette (1)
Voix Moyenne (1)
Piano, Violon Et Violoncelle (1)
Choeur Mixte (SSATB) (1)
Choeur Mixte (MezBar) (1)
2 Pianos, Percussions Et Orche… (1)
Trombone ou Baryton ou Tuba ou… (1)
Orgue Sans Pédale (1)
Choeur Mixte (ATB) Ou Choeur D… (1)
3 Clarinettes Sib et Clarinett… (1)
Choeur De Femmes (SSAAA) (1)
Trio De Cuivres (1)
Choeur Mixte (SA Hommes) Et Or… (1)
Cymbales Frappees (1)
Voix (Choeur D'Enfants) Et Orf… (1)
Clarinette, Basson Et Piano (1)
Concert Band ou Harmonie et Ba… (1)
Flûte Traversière, Clarinett… (1)
2 Flûtes à Bec et Basse Cont… (1)
Quintette De Pianos (1)
Piccolo (1)
SOP/VLN/VLC/PFA::Soprano, Viol… (1)
Saxophone Alto en Mib 1-2 (1)
1 Ou 2 Clarinettes (1)
Ensemble A 4 Parties (1)
Saxophone Alto Ou Baryton (1)
4 Percussions (1)
Violon (Flûte) Et Piano (1)
Flûte A Bec Soprano Et Flûte… (1)
Instrument en cle de fa (Bass)… (1)
4 Voix, Choeur(s) Et Orchestre… (1)
4 Saxophones (Clarinettes) (1)
Xylophone (ou marimba) (1)
Choeur de Femmes (SSAA) et Per… (1)
Clavecin (1)
Ensemble De Flûtes A Bec (SSA… (1)
Soprano Ténor, Baryton et Orc… (1)
Double Choeur Mixte (1)
Plusieurs Clarinettes (1)
Voix Solo, Choeur Mixte et Orc… (1)
String Trio: 3 cellos (1)
Soliste, Choeur D'Hommes Et Or… (1)
Accordéon Avec Paroles (1)
S, B, 4 Parties Mixtes Instrum… (1)
Flûte à Bec Piccolo, 2 Violo… (1)
Trompette Et Orchestre (1)
Trio A Cordes (1)
Orgue (Clavecin) (1)
Clavecin, Piano Ou Piano-Forte… (1)
Ténor et Orchestre (1)
GTR/BGTR/DRUMS::Guitar, Bass G… (1)
Saxophone Alto 1 (1)
Choeur de Chambre (Choeur Mixt… (1)
Voix, Flûte à Bec et Percuss… (1)
Brass Quartet: 4 trombones (1)
Woodwind Quartet: any 4 woodwi… (1)
Choeur ATB (TTB) et Basse Cont… (1)
3 Saxophones (trio) (1)
Flûte Traversière, Hautbois,… (1)
Mezzo-Soprano voice, Piano (1)
Choeur D'Enfants (SMez) Avec C… (1)
Choeur SA (M) (1)
Choeur D'Hommes (TTBB) Et Choe… (1)
Choeur Mixte (SAB) et Piano (1)
3 Parties Voix Aigues (SSA), F… (1)
Conga (1)
Soprano (Ou Mezzo-Soprano) Et … (1)
Choeur SATB, Choeur à 1 Parti… (1)
Flûte Traversière Clarinette… (1)
Quintette (1)
Mezzo-Sopran und 4 Schlagzeug… (1)
Drum set and Piano (1)
Klarinett (A), Streichquartet… (1)
Solistes (STB) et Orchestre (1)
Klavierauszug - Sopran solo, … (1)
Mezzo-Soprano, Flûte Traversi… (1)
Choeur de Femmes (SMezA) (1)
Flûte à Bec et Piano (1)
Choeur SATB, (Basse Continue) (1)
10 Instruments A Vent, Violonc… (1)
4 Parties Similaires (1)
Hautbois, Clarinette, Cor, Bas… (1)
Trombone ou Baryton ou Tuba ou… (1)
Choeur d'Hommes et Baryton (1)
Voix et Choeur et Orchestre (1)
Quatuor De Flûtes A Bec Et Gu… (1)
Saxophone Tenor Ou Soprano (1)
Choeur De Femmes Ou D'Enfants … (1)
Voix et Orgue (1)
Flûte à Bec et Concert Band … (1)
Trombone 1-2 en Do (1)
Bassoon and Viola (1)
1 Ou 2 Flûtes A Bec Soprano (1)
3 Parties Mixtes (SAT) (1)
Treble (Alto) Recorder, Basso … (1)
Voix et Ensemble Mixte (1)
4 Cellos (1)
Trombone or Euphonium (1)
Trio (2 Soli Avec Réduction D… (1)
Choeur D'Enfants, Choeur De Na… (1)
Cymbales ou Piano (1)
Cornemuse (1)
Choeur et Instruments (1)
Percussions (1)
Mezzo-Soprano (Alto) Et Piano (1)
Soprano, Flûte Traversière, … (1)
Variété (1)
1 A 3 Flûtes A Bec Aigues Et … (1)
Soli, gemischter Chor, 2 Klav… (1)
Klavier und Flöte (Violine) (1)
Choeur Mixte Flûte Traversiè… (1)
Harpe Et Autres Instrument A C… (1)
Solo S (T) et Orgue (1)
Pennywhistle (1)
Nursery rhyme (1)
Book (1)
Streicher (1)
Guitare Lap Steel (1)
Piano 2 Ou 4 Mains (1)
Quatuor De Flûtes (1)
Piano et Petit Orchestre (1)
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Trio A Cordes (Violon, Alto Et… (1)
Vibraphone, Marimba and Cello (1)
3 Trompettes, 3 Trombones Et O… (1)
Hautbois et Orchestre à Corde… (1)
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Voix d'Hommes (1)
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Voix Moyenne et Orgue (1)
Children choir, Instruments (1)
Guitare Flatpick et Fingerpick… (1)
VCE/ORCH::Voice, Orchestra (1)
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From Bartók To Stravinsky
Piano solo
[Sheet music]
Schott
Quinze des pièces plus simple ont été sélectionnés dans le répertoire du X...
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Quinze des pièces plus simple ont été sélectionnés dans le répertoire du XXe siècle. Six de ces ne dépassent pas le compas d'un cinquième. Nous avons délibérément omis de pièces de travaux qui devrait, sans échec, être inclus dans tous les enseignement de piano, de Bartók ' Mikrokosmos ' et ' For Children '. Avec leurs mélodies attrayants et une structure simple et organisée de rythme et de l'harmonie, les pièces de cette sélection prouvent qu'accès à la musique contemporaine peuvent être faites facile même pour les débutants. / Piano
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Wolfgang Amadeus Mozart: Mature Piano Pieces: Piano: Instrumental Album
Piano solo
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Intermediate/advanced
ABRSM Publishing
Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes th...
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Eighteen pieces edited and annotated by Richard Jones for the ABRSM. Includes the Fantasia In C Minor K.396.
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Wolfgang Amadeus Mozart: 25 Early Pieces: Piano: Instrumental Album
Piano solo
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Easy
ABRSM Publishing
Easier Piano Pieces 67-This compilation includes 'Menuett in F K.2' other early...
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Easier Piano Pieces 67-This compilation includes 'Menuett in F K.2' other early works and pieces from the 'London Notebook'.
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Intermediate Classical Era Favorites: Piano: Instrumental Album
Piano solo
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Intermediate
Hal Leonard
The Classical Piano Sheet Music Series includes compilations of intermediate-lev...
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The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This volume includes: LUDWIG VAN BEETHOVEN:Contradance in C Major, WoO 14, No. 1 · Ecossaise in G Major, WoO 23 · German Dance in G Major, WoO 8, No. 6 ·German Dance in C Major, WoO 8, No. 7 · German Dance in B-flat Major, WoO 13, No. 2 · Minuet in G Major, WoO 10, No. 2 ·Sonatina inG Major, Anh. 5, No. 1 MUZIO CLEMENTI: Sonatina in C Major 36, No. 1 · Sonatina in C Major, Op. 36, No. 3 ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 · Sonatina in C Major, Op. 168, No. 3 JAN LADISLAV DUSSEK:Sonatina in G Major, Op. 20, No. 1 FRANZ JOSEPH HAYDN: Allegro from Sonata in C Major, Hob. XVI/1 · Arietta from Variations in E-flat Major, Hob. XVII/3 FRIEDRICH KUHLAU: Sonatina in C Major, Op. 55, No. 1 · Sonatina in C Major,Op. 55, No. 3 WOLFGANG AMADEUS MOZART: Adagio for Glass Harmonica, K. 356 (617a) · Allegro from Sonata in C Major, K. 545 (Sonata facile) · Andantino in E-flat Major, K. 236 (588b) · Contradance in G Major, K. 15e · Funeral Marchfor Signor Maestro Contrapunto, K. 45a · German Dance in C Major, K. 605, No. 3 · Piece for Clavier in F Major, K. 33B · Rondo in C Major, K. 334 (320b)
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Mozart, Wolfgang Amadeus : Piano Sonata C major K. 309 (284b)
Piano solo
[Sheet music]
G. Henle
«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ...
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«Je veux le composer tout à fait d?après le caractère de Mlle Rose». Voici ce que répondit Mozart à la question de savoir comment il allait concevoir l?Andante de sa Sonate en Ut majeur. Il avait fait la connaissance de Rosina Cannabich à Mannheim durant l?automne 1777. Composée à son intention, la Sonate K. 309 lui fut tout de suite présentée lors d?une leçon, si bien que d?après les dires de son professeur, elle la jouait déjà de manière «admirable» en décembre 1777. Afin que de nombreux élèves puissent faire de même, nous présentons ce joyau de la musique de piano de Mozart, jusqu?alors seulement disponible dans les recueils intégrals des sonates (HN 1 et 3), sous la forme d?une édition séparée avec, en sus, une nouvelle préface de l?éditeur.
1er MOUVEMENT Le premier mouvement de la sonate K 309 en ut majeur est un modèle pour enseigner la structure de la forme sonate. Dans les formes sonate, pas plus que dans la fugue de Bach, aucun dogme ne sert de base au processus de composition, mais chaque sonate apporte une nouvelle variation à un principe fondamental. Cela impliquait, pour Mozart, l?obligation stricte de se conformer à certains schémas sans pour autant laisser entraver sa propre liberté de création. Pour ses mouvements de sonates en tonalités majeures, il était, par exemple, favorable à la dominante comme la plupart de ses contemporains. Sur ce point, Haydn, en revanche, se délectait à tenter de nouvelles expériences.
Il serait peut-être utile, par une brève analyse, de montrer quel était le modèle de référence d?une «forme d?allegro de sonate» pour Mozart, et le premier mouvement de la sonate en ut majeur K 309 est, à cet égard, un exemple idéal pour un tel examen. Le premier thème est un début caractéristique en marcato, suivi d?une «réponse» de cinq mesures. La quarte descendante et la sixte ascendante du début forment un des motifs favoris de Mozart; c?est son procédé mélodique habituel. Il l?utilise souvent en mineur comme en majeur et beaucoup de ses thèmes commencent par ce motif (pour exemple le deuxième mouvement de la sonate en la majeur K 331 et l?Adagio en si mineur K 540 et certains thèmes des Symphonies K 114, 124, 319/II et 551/II). Les sept mesures du thème principal sont répétées avec une légère variation. Les mesures 12 à 30 viennent conclure la période du premier thème par une phrase réponse (3 3 mesures). La transition fait appel à un nouveau matériau puis, dans la mesure 35 (âpres 2 mesures préliminaires) vient un second thème cantabile à la dominante (sol majeur), comprenant deux fois quatre mesures. Il est également repris et s?achemine vers un thème de clôture plein d?allant (groupe conclusif) qui traverse un passage d?ornementation pianistique (m. 43) et enferme une merveilleuse réduction des mesures 35 et 36 dans la mesure 45. L?exposition se termine par une «codetta» de cinq mesures. Le développement présente d?abord le motif d?exposition en sol mineur puis les différentes idées du premier thème sont élaborées. Dans cette démarche, Mozart s?en réfère beaucoup plus aux principes d?école qu?il ne le fait d?habitude. Deux autres expositions du motif du départ nous conduisent à la réexposition dans la mesure 94. Le second thème, maintenant à la tonique, s?est interverti avec son accompagnement. On assiste à un rappel du début dans une coda qui s?impose avec force.
2eme MOUVEMENT Le deuxième mouvement de cette sonate est un Andante un poco adagio introspectif. Mozart avait fait part dans une lettre de sin désir d?adapter cet Andante au caractère de la jeune pianiste Rosa Cannabich pour laquelle il l?avait écrit : «c?est une jolie et charmante jeune fille, tout comme cet andante. Elle est très mûre et posée pour son âge, elle ne parle pas beaucoup et c?est toujours avec grâce et gentillesse».
3eme MOUVEMENT C?est un Rondo élégant et fluide, d?une longueur inusitée, qui clôt cette sonate. / [Sonate pour piano en Ut majeur K. 309 (284b)] / Classique / Partition / Agrafé /
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Béla Bartók: Romanian Folk Dances: Piano: Instrumental Work
Piano solo
[Sheet music]
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Intermediate
Chester
This is a new edition of Béla Bartók?s popular Romanian Folk Dances in its ori...
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This is a new edition of Béla Bartók?s popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery this publication is essential for pianistsinterested in the work of the Hungarian composer.When Bartók?was just 23 years old he visited the Transylvanian town of?Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named LidiDósa he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work. Romanian FolkDances?remains one of Bartók's most popular and enduring works evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on atraditional melody which Bartók?penned during his travels.? Including newly engraved masterpieces?Stick Dance Waistband Dance In One Spot Dance From Butschum Romanian Polkaand Fast Dance this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidancethroughout. Romanian Folk Dances also?features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguingbackstory of this work.? One of the most important 20th century composers and along with Liszt one of Hungary's finest musical minds Bartók?held a strong fascination for folkmusic. Through his studies recordings and arrangements he composed some incredible music like these?Romanian Folk Dances ?while simultaneously initiating the field of
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Wolfgang Amadeus Mozart: Piano Concerto No. 12 in A Major K.414: Piano &
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the app...
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'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Mozart W.a. - Piano Sonata C Major K. 309 (284b)
G. Henle
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Mart...
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Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozartâs great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda
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Fauve II (K-REEN)
Français
Piano, Voice
Capte Note
Compositeur(S): K. Patient (K-Reen)/M. Kourtzer. Par K-REEN. Auteur: K. Patient ...
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Compositeur(S): K. Patient (K-Reen)/M. Kourtzer. Par K-REEN. Auteur: K. Patient (K-Reen)/ Feuillet / Chant et Piano
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AntonÃn Dvo?ák: Slavonic Dances Op. 46: Piano Duet: Instrumental Album
1 Piano, 4 hands
[Score]
Barenreiter
for Piano four hands-It was the Slavonic Dances for Piano Duet Op.46 which broug...
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for Piano four hands-It was the Slavonic Dances for Piano Duet Op.46 which brought Anton n Dvo ák unexpected international fame. An unerring business instinct led Fritz Simrock at the beginning of 1878 to ask the Czech composer for some works for piano duet into which Dvo ák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s Hungarian Dances Dvo ák refrained from a literal portrayal of individual kinds of dance. As a result he created unique masterpieces of European music for domestic use and concert performance.This edition of both series of the Slavonic Dances is based on the CompleteEdition of the Works of Anton n Dvo ák. The main sources are the first editions published by Simrock. Separate editions of these works based on the Complete Edition of Anton n Dvo ák s Works vol. V/5New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana RentschNewly engraved in score format
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Béla Bartók: Sonatina: Piano: Instrumental Album
Piano solo
G. Henle
Béla Bartók's Sonatina for solo Piano. Suitable for pianists at an intermediat...
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Béla Bartók's Sonatina for solo Piano. Suitable for pianists at an intermediate level. In his Sonatina Bartók used different melodies taken fromRomanian instrumental folk. From examining the sources it is clear to see how in 1915 the piece slowly evolved out of a series of Piano transcriptions of Romanian folk melodies into its three-movement form. This HenleUrtext Edition has been released prior to its publication as part of the Complete Edition. In this edition Bartók specialist László Somfai outlines the work’s exciting genesis and expounds onBartók’s later revision during which he not only changed the tempi but also the fingerings. The insightful notes on the work's background are complemented by indications on how to play the verycomplex Piano notation by Bartók himself and from his recordings. This edition provides an invitation to pianists to rediscover this Sonatina.
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Béla Bartók: 15 Hungarian Peasant Songs: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
In a note for the planned first edition of his Hungarian Peasant Songs in 1914 ...
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In a note for the planned first edition of his Hungarian Peasant Songs in 1914 Bartók wrote that ?the melodies published here are folksongs in the truest sense of the word; more precisely peasant songs?. Bartók initiallywithdrew this work from publication however and added new pieces to it using folk music he had collected in the meantime. The first edition was only finally published in 1920. The Bartók scholar László Somfai explains the work?scomplicated genesis in his preface. The comments at the close of this edition include important indications regarding performance practice derived from the two recordings that the composer made of several of its pieces in 1927 and1936. The musical text here follows that of the corresponding volume of the Bartók Complete Edition that is currently in preparation. This is yet another highly popular Bartók work on offer from G. Henle Publishers!
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Béla Bartók: Allegro Barbaro: Piano: Instrumental Work
Piano solo
G. Henle
One of Béla Bartók's best-known and most popular works for Piano the Allegro ...
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One of Béla Bartók's best-known and most popular works for Piano the Allegro Barbaro was composed in 1910-11. Bartók himself enjoyed performing the piece in concerts and recorded it severaltimes. A recording from 1929 referred to by Bartók as the ?authentic recording? contains very interesting departures from the printed version as far as tempo articulation and even the number of ostinatomeasures are concerned. These elements have been included in the musical text for the first time in this Henle Urtext edition and are clearly annotated. With this first Bartók Urtext edition editor László Somfai offers aninsight into the many and varied musical impulses that will be demonstrated in the Béla Bartók Complete Critical Edition which will be jointly published by Editio Musica Budapest and G. Henle from 2016.
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Wolfgang Amadeus Mozart: Piano Concerto No. 13 in C major K. 415: Piano &
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
Edition for piano two violins viola and violoncello-Edition for piano two vio...
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Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Béla Bartók: Three Hungarian Folk Tunes: Piano: Instrumetal Album
Piano solo
G. Henle
Of the many works Bartók composed on Hungarian and Romanian folk melodies bet...
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Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918 these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404) the drafts were left untouched for the next twenty years. Not until 1941 when Boosey
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Béla Bartók: Sechs Tänze In Bulgarischem Rhythms: Piano
Piano solo
G. Henle
These six dances form the final culmination of Bartók?s ?Mikrokosmos? (HN 1408-...
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These six dances form the final culmination of Bartók?s ?Mikrokosmos? (HN 1408-1410) that work of the century comprising over 150 pieces. He dedicated this grouping collected under its own title to the famous English pianist Harriet Cohen. Inspired this specialist for contemporary music found in them ?a whole world of music? and championed the pieces. Bartók himself added the dances to his concert repertory early on though initially in a reduced form that omitted the fifth dance which was not composed until the end of 1939 as one of the last works of the collection. Our practical standalone Urtext edition of these six dances also featuresan early version of the concluding piece and supplies interesting background details about Bartók?s own recital practice. This edition?s musical text is based on that of the Bartók Complete Edition.
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Béla Bartók: Romanian Folk Dances: Piano
Piano solo
G. Henle
Composées en 1915 les Danses populaires roumaines comptent parmi les ?uvres le...
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Composées en 1915 les Danses populaires roumaines comptent parmi les ?uvres les plus connues de Bartók ? et ce sous de multiples formes car outre les diverses éditions de la version pour piano et une orchestration plus tardive de Bartók lui-même il existe également des arrangements réalisés par des contemporains avec l?accord du compositeur. On peut aujourd?hui même avoir recours à des enregistrements des danses par Bartók lui-même; ces derniers avec des reprises variées et enrichies de doublures à l?octave illustrent en quelque sorte la «version de concert» des danses. Le spécialiste de Bartók László Somfai a mis de l?ordre dans cette abondante documentation et présente dansla Henle-Urtextausgabe les variantes essentielles pour le musicien directement dans le texte musical.
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AntonÃn Dvo?ák: Antonin Dvorak: Piano Concerto Op.33: Piano: Instrumental Work
Piano solo
Bosworth
Anton n Dvo ák?was a Czech composer. Following the nationalist example of Bed i...
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Anton n Dvo ák?was a Czech composer. Following the nationalist example of Bed ich Smetana ?Dvo ák?frequently employed aspects specifically rhythms of the folk music of Moravia and his native Bohemia. Dvo ák?s own style has been described as ?the fullest recreation of a national idiom with that of the symphonic tradition absorbing folk influences and finding effective ways of using them?.The?Piano Concerto?for Piano and Orchestra in G minor Op. 33 was the first of three concertos that the Czech composer completed?it was followed by a Violin concerto and then a Celloconcerto?and the?Piano Concerto?is probably the least known and least performed.This Bosworth edition of the solo Piano part of Dvo ák?s?Piano Concerto?is a perfect addition of an underappreciated piece to any pianists repertoire.
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Béla Bartók: Suite op. 14: Piano: Instrumental Work
Piano solo
G. Henle
The four-movement Suite op. 14 was composed in 1916 and was one of Bartók?s fav...
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The four-movement Suite op. 14 was composed in 1916 and was one of Bartók?s favourite piano works throughout his life. Unlike in his other works for piano of these years he did not use any folksong melodies or folkloristicelements here. Instead he endeavoured to achieve a new more ?abstract? transparent piano style that forgoes ornament and embellishment. A special feature of this Henle edition is the appendix with an additional Andante movementthat was originally intended to come before the Scherzo but which Bartók removed from the Suite only shortly before its publication in 1918. The Urtext edition of this important work in the concert repertoire follows the musicaltext of the Bartók Complete Edition. It has been edited by perhaps the most distinguished Bartók scholar in the world today László Somfai who has also written the comprehensive introduction to the work and who offers helpfulsuggestions regarding its interpretation.
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Béla Bartók: Mikrokosmos - Complete: Piano: Instrumental Album
Piano solo
[Sheet music]
Chester
This brand new edition presents Béla Bartók?s Mikrokosmos a progressive cycle...
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This brand new edition presents Béla Bartók?s Mikrokosmos a progressive cycle of 153 studies for Piano in a single volume for the first time. Designed to illustrate the musical and technicalprogressions suitable for beginner to advanced players this complete collection is invaluable for every pianist. All six volumes of Mikrokosmos are presented here exactly as the composer intended them.Featuring beginning études through to technical tours de force this unique publication also contains an extensive introduction Bartók's original preface and photography throughout. The initial piecesconsolidate a balanced technique ideal for students working towards Grade 1. The cycle advances through fundamentals such as hand co-ordination musicality aural skills and ensemble-playing taking the pianist to the complexGrade 8 level pieces found towards the end of the collection. Already accomplished players will find a wealth of material to enjoy as sight reading practice and concert pieces making this a versatile collection as well as aninsight into the mind and work of a great composer. Mikrokosmos evolved from the Piano lessons that Bartók gave to his own 9-year old son. Studies were written on the spot for young Peter Bartókto learn by next time. Over time the 153 pieces took form and they are collected here for beginner and advanced pianists to benefit from. Mikrokosmos lets students and teachers explore Bartók?sendlessly imaginative and inventive musical world as they develop their pianistic skills.
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AntonÃn Dvo?ák: Piano Concerto In G Minor Op. 33: Piano: Score
Piano and Orchestra
G. Henle
Piano Concerto g minor op. 33-Composé rapidement puis «fignolé» avec un soin...
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Piano Concerto g minor op. 33-Composé rapidement puis «fignolé» avec un soin méticuleux le Concerto pour piano en sol mineur de Dvorák est l?une des ?uvres majeures de la littérature pour piano tchèque. Le compositeur l?écrit en 1876 en deux mois à peine mais son travail de finition s?étend sur sept ans jusqu?au premier tirage. Rien d?étonnant donc à ce que la partition manuscrite de Dvorák soit surchargée de modifications et de corrections. Son autographe de 141 pages reflète de façon frappante ce travail de composition extraordinairement complexe: outre la notation initiale en effet il renferme diverses corrections effectuées au crayon au crayon rouge et bleu ou encore à l?encre rouge- en outre quelques passages sont recouverts d?une nouvelle version.La partition se trouvait jusqu?en 1990 en possession des héritiers de Dvorák. À l?instigation du pianiste András Schiff et grâce à son généreux appui financier nous présentons pour la première fois sous la forme d?une reproduction de grande qualité comparable dans les moindres détails à l?original le fac-similé complet de ce document musical. Il invite à découvrir et à revivre les différentes étapes du processus de composition. Et qui plus est c?est un cadeau idéal pour 2004 l?«année Dvorák» (? mais aussi bien sûr pour après ?).
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Béla Bartók: Improvisations On Hungarian Peasant Songs Op. 20: Piano:
Easy Piano
G. Henle
Op. 20-After his 15 Hungarian peasant songs (HN 1404) these Improvisations on H...
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Op. 20-After his 15 Hungarian peasant songs (HN 1404) these Improvisations on Hungarian peasant songs are the second of Bartók’s works to feature the words “Hungarian peasant songs” in their title.Themanner in which he confronts folk melodies with subtle avant-garde sounds here was later described by Bartók himself as venturing to “the outermost limits”. He also breaks up the song structures so radicallyinto their constituent motives that the title “improvisations” best conveys his approach to this folk music. The musical text of this Urtext edition edited by Bartók expert László Somfai is takenfrom the relevant volume of the Bartók Complete Edition.Comments at the close of this edition offer important hints on performance practice.
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Béla Bartók: Bartók Piano Collection Book 1: Piano: Instrumental Collection
Piano solo
[Sheet music + CD]
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Easy
Boosey and Hawkes
The Definitive Bartók Edition-The Definitive Bartók Edition brings together se...
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The Definitive Bartók Edition-The Definitive Bartók Edition brings together selected highlights from Béla Bartók?s extensive pedagogical piano catalogue for the very first time. Featuring repertoire from For Children Mikrokosmos Ten Easy Pieces Romanian ChristmasCarols Fourteen Bagatelles and others each volume has been compiled to be steadily progressive to aid learning.An accompanying audio CD features demonstration performances by Iain Farrington.
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Baroque to Modern: Intermediate Level: Piano: Instrumental Album
Piano solo
Schirmer
28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music...
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28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7
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Béla Bartók: For Children Vol. 1: Piano Solo: Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
For Children Vol. 1. Bartók composed his first pedagogical collection For Child...
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For Children Vol. 1. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey
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Béla Bartók: Roumanian Folk Dances: Piano: Instrumental Work
Piano solo
-
Intermediate/advanced
Universal Edition
The 'Romanian Folk Dances' undoubtedly rank amongst Bartók's most popular compo...
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The 'Romanian Folk Dances' undoubtedly rank amongst Bartók's most popular compositions. The earliest version is scored for piano (1915) and was published by Universal Edition in 1918. ln the preparation of this revised edition the last previous printed edition was compared with the available manuscript sources which include editions marked by Béla Bartók with corrections. His corrected copies of the violin-piano transcription (prepared by Zoltán Székely) as well as the orchestra arrangement were also considered.The major correction concerns metronome numbers. At various times since the work's first publicationthe composer slightly revised some of these tempi. ln the composer's lifetime the last printed editions of both violin-piano and piano versions produced during World War II bear corrections in his file copies the two being in agreement with each other as well as with the marked duration of each dance. The tempi found in these printed editions believed to be the composer's last word on the subject appear in this revised edition.' (Peter Bartók)
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