La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs .Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . Simultanément, le livre de poche pour des raisons pratiques , son volume Complete Edition tissu lié est publié avec les notes critiques . / Piano

30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the

Souvenir De Paganini (B. 37) was written in 1829 shortly after the phenomenal violinist Niccolo Paganini had amazed the Warsaw Musical world with a series of concerts. It is a set of Variations in A major on the theme Carnival of Venice (Paganini Op. 10) however it never erupts in showy virtuosity instead retaining a delicate simplicity that is perhaps even harder to master. Frédéric Chopin (1710-1849) was a Polish composer and virtuoso pianist whose compositional career was spent mostly in Paris. He only wrote music for the Piano and is best known today for his 12 Etudes and 24 Preludes a key part of anypianist?s repertoire.

Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Dover republication in two series of the three-volume edition published by Breitkopf

Franz Liszt dedicated the Grandes Etudes De Paganini to Clara Schumann whose pianistic genius he revered. Two of the Etudes in the collection deserve particular notice: no. 3 La Campanella (The Bell) enjoyed great celebrity for the extraordinary character of its sonorities. And in the closing a-minor Etude Liszt took his place next to many other composers with his variations on Paganini's famous capriccio theme.  The first edition of the arrangement of the six Etudes by the pianist and composer Ferruccio Busoni was published by Breitkopf & Härtel in single editionsbetween 1914 and 1923. 

Arrgt: Sarah Labrousse-Baert. Par PAGANINI NICCOLO. Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violon 1 Piano - Niveau de Difficulté : 6/6 - Avancé - Durée : 6 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Niccolo PAGANINI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Avancé / Classique, Pédagogique / Répertoire / Violon et Piano

[Variationen über ein Thema von Paganini Opus 35] / Classique / Editeur : Hans Kann / Doigtés : Hans Kann / Partition / Broché / Edition Urtext

Heft 3. Par PAGANINI NICCOLO. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Par PAGANINI NICCOLO. A major choral work by one of UE’s contemporary stars. The Mass was commissioned by the Westminster Cathedral Choir in celebration of the 75th birthday of Cardinal Basil Hume. Recorded by the Choir on both Teldec and Warner Classics labels. (Choral scores and instrumental parts are also available for sale. )/ Répertoire / Violon et Piano

Niccolo Paganini's Six Grand Etudes as arranged for solo Piano by Franz Liszt, and critically revised with fingering, pedalling and marks of expression by Paolo Gallico. / Piano