Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general

Nations - Concerto For Piano And Orchestra was composed by Asbjørn Schaathun in 2015-16. Premiered by Ingfrid Breie Nyhus and Oslo Philharmonic conducted by Christian Eggen on Mar 31 2016.

Studienpartitur - STP - piano and orchestra instrumentation: Grofé, Ferde composer: Gershwin, George translator preface (English): McCulloch, Derek preface: Schmidt, Christian Martin Éditeur: Eulenburg Série: Eulenburg Miniature Scores pages: 72 Contenu - Preface/Vorwort - Rhapsody in Blue

Alec Rowley's Miniature Concerto for Piano and Orchestra. This edition is scored for Piano with a second Piano reduction of the original Orchestral Score.

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3 écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée

Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -

for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.

Par SCHUMANN ROBERT. Concert Piece For Pianoforte And Orchestra/ Répertoire / Piano et Orchestre

Mozart, Wolfgang Amadeus Concerto for Pianoforte and Orchestra no. 26 D major K. 537 Coronation Concerto This new piano reduction of Mozart?s ?Coronation Concerto? K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318). A separate Urtext solo piano part is included in this piano reduction edition allowing the soloist not only to play the work as customary in recent decades, but also, for the first time since Mozart?s era, to improvise above the tutti basses and to conduct the ensemble from the piano. The new edition is supplemented by a separate booklet containing cadenzas and selected lead-ins by August Eberhard Müller, Carl Reinecke and Max Reger. ? Urtext edition based on the New Mozart Edition (NMA) ? Separate Urtext solo piano part included ? Enclosed booklet with cadenzas ? Provides new impetus for period performance practice

Commissioned by the Salzburg Festival. First performed in August 1988 by the Austrian Radio Symphony Orchestra conducted by the composer with Krystian Zimerman. Duration c.27 mins. Full score and orchestral material available onhire from the publishers.

Par SCHUMANN ROBERT. Concert Piece For Pianoforte And Orchestra/ Répertoire / Piano et Orchestre

Par SCHUMANN ROBERT. Concert Piece For Pianoforte And Orchestra/ Répertoire / Piano et Orchestre