Une partie de la croissance constante de renommée mondiale, Joy Of ... série, The Joy Of première année de piano est une méthode de répertoire pour le pianiste commence par le professeur de renom, arrangeur et musicologue, Denes Agay.Cette édition CD inclut nouvellement enregistrés, spectacles de grande qualité de la musique que l'on trouve dans le livre. Ces pistes de démontrer comment les pièces doit retentir et, dans certains cas, fournir une partie de piano avec lequel l'élève peut jouer en même temps.Sous la direction éditoriale établie par Denes Agay, The Joy Of ... série couvre une grande variété de genres musicaux, y compris les classiques, folk, jazz, blues, du ragtime et de la musique pour enfants.Les élèves et les enseignants du monde entier ont accueilli livres de leur choix imaginative de matériel, les paramètres constants et accessibles, grand format de style. Les nouveaux titres sont constamment ajoutées à une gamme déjà vaste, veiller à ce que la série se poursuit comme un trésor vital croissante de la meilleure musique du monde. / Piano

This songbook contains easy Piano arrangements for 20 of the world's greatest classic rock songs.From Steppenwolf's Born To Be Wild to The Eagles' Hotel California and Bon Jovi's Livin' On A Prayer, this collection is packed full of hits that any rock fan will be familiar with.The pieces in Really Easy Piano: Classic Rock span a prolific period in the history of rock music, from the 1960-1990s and include favourites by Thin Lizzy, Metallica, The Kinks, David Bowie, Aerosmith, Queen, Journey and more.Each song comes complete with lyrics and chords and features informative background notes, as well as handy hints and tips that will help you to improve your performance. / Piano

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano

Intermediate/Advanced Piano Solo. Par BRUBECK DAVE. Dave Brubeck has been described as a 'musician who always crossed generational boundaries'. He has been, and will continue to be, one of the great geniuses of American music. Book 1 contains Piano solos. / Jazz / Recueil / Piano

Piano and voice arrangements, complete with lyrics and guitar chord boxes, for each track from this superb album, containing 42 of the very best songs from Costello's illustrious career. / Piano/Vocal/Guitare (PVG)

Edgar Knecht is a jazz pianist who has created his own unique style. His début CD, 'Good Morning Lilofee? (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, 'Dance On Deep Waters?, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as 'Es freit der wilde Wassermann? or 'Die Gedanken sind frei? gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.- Eight songs for piano- Appealing literature- Ad lib improvised partsContentsLilofee, Gedankenfreiheit (Freedom of Thought), Tiefe Wasser (Deep Waters), Nachttraum (Dream at Night), Fenjas Lullaby, Schwesterlein (Little Sister), Frühling (Spring), Wiegenlied (Cradle Song)The AuthorEdgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues. / Piano

C Instruments. The Real Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. Clear and accurate, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. Arranged for C instruments, this volume contains 400 songs, including Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va and many more well-known tunes./ Recueil / Instruments en Do

Ce livre contient une sélection des meilleurs airs de Thomas Moore connues, tirées de ses mélodies irlandaises mis ici en tant que simple arrangements pour voix avec accompagnement de piano. Un des artistes les plus célèbres et respectés de l'Irlande, Moore était un grand poète, acteur et chanteur et de la beauté et poignant de son travail est évidente ici. Ces dix-huit pièces représentent quelques uns de ses meilleurs travaux et sont adaptés à tous les amateurs de musique et de poésie avec les airs traditionnels offrant un paysage sonore détaillée pour accompagner les mots évocateurs des chansons.Comprend La dernière rose de l'été, La rencontre des eaux et éprouve de la tristesse tes jours se terminant jeunes. / Voix / 36 pages / niveau : Facile / Partition

Retrouvez les plus grands titres de Bossa Nova en transcriptions piano, voix et diagrammes d'accords guitare. Titres : Água De Beber (Water To Drink) - Águas De Março (Waters Of March) - Bahia (Na Baixa Do Sapateiro) - Berimbau - Bim-Bom - Black Orpheus - Call Me - Captain Bacardi - Chega De Saudade (No More Blues) - A Day In The Life Of A Fool (Manha De Carnaval) - Desafinado (Off Key) - Dindi - Estate - Favela - A Felicidade - Gentle Rain (from the Motion Picture THE GENTLE RAIN) - The Gift! (Recado Bossa Nova) - The Girl From Ipanema (Garôta De Ipanema) (from THE COLOR OF MONEY) - Ho-Ba-La-La - How Insensitive (Insensatez) - If You Never Come To Me (Inutil Paisagem) - Jazz 'N' Samba (Só Danço Samba) (from the film COPACABANA PALACE) - Little Boat (O Barquinho) - The Look Of Love (from CASINO ROYALE) - Look To The Sky - A Man And A Woman (Un Homme Et Une Femme) (from A MAN AND A WOMAN) - Mas Que Nada - Meditation (Meditacao) - Menina Flor - Misty Roses - O Grande Amor - O Pato (The Duck) - Once I Loved (Amor Em Paz) (Love In Peace) - One Note Samba (Samba De Uma Nota So) - Only Trust Your Heart - Petite Fleur - Quiet Nights Of Quiet Stars (Corcovado) - Samba De Orfeu - The Shadow Of Your Smile (Love Theme from THE SANDPIPER) - So Nice (Summer Samba) - Song Of The Jet (Samba do Avião) (from the film COPACABANA PALACE) - Telephone Song - Triste - Vivo Sonhando (Dreamer) - Watch What Happens (from THE UMBRELLAS OF CHERBOURG) - Wave - Zingaro (Retrato Em Branco E Preto) / Piano/Vocal/Guitare (PVG)

Une sélection de 125 incontournables de l'artiste en transcription 'real book' ligne mélodique et accords chiffrés internationnaux. Titres : Acknowledgement - Africa - Afro Blue - After The Crescent - After The Rain - Airegin - Alabama - All Blues - All Or Nothing At All - Amen - Ascension - Ascent - Attaining - Bessie's Blues - Big Nick - Black Pearls - Blue Train (Blue Trane) - Blues Minor - Blues To Bechet - Blues To Elvin - Blues To You - Body And Soul - Brazilia - But Not For Me - By The Numbers - Bye Bye Blackbird - Cattin' - Central Park West - Chasin' The Trane - Compassion - Consequences - Cosmos - Countdown - Cousin Mary - Crescent - Dahomey Dance - Dear Lord - Dearly Beloved - The Drum Thing - Dusk-Dawn - Eclypso - Equinox - Evolution - Exotica - Expression - The Father And The Son And The Holy Ghost - Fifth House - Giant Steps - Goldsboro Express - Grand Central - Greensleeves - Harmonique - I Want To Talk About You - I'm Old Fashioned - Impressions - In A Sentimental Mood - India - Jupiter - Just For The Love - Lazy Bird - Leo - Liberia - Like Sonny (Simple Like) - Living Space - Locomotion - Lonnie's Lament - Love - Lush Life - Manifestation - Mars - Mary's Blues - Miles' Mode (The Red Planet) - Mr. Day - Mr. Knight - Mr. P.C. - Mr. Syms - Moment's Notice - My Favorite Things - My One And Only Love - Naima (Niema) - Nita - Offering - Ogunde - Olé - Oleo - Omicron - Paul's Pal - Peace On Earth - Pristine - The Promise - Psalm - Pursuance - Resolution - Reverend King (Rev. King) - Russian Lullaby - Satellite - Saturn - Selflessness - Serenity - The Sleeper - So What - Softly As In A Morning Sunrise - Some Other Blues - Song Of Praise - Song Of The Underground Railroad - Soul Eyes - Spiral - Spiritual - Summertime - Sun Ship - Syeeda's Song Flute - Theme For Ernie - To Be - Transition - Tunji - 26-2 - Up 'Gainst The Wall - Velvet Scene - Venus - Vigil - Vilia - Village Blues - We Six - Welcome - Wise One - Witches Pit - Your Lady / Tout Instrument

Voici The Music of Clint Mansell, un recueil de 20 morceaux étonnants tirés du vaste catalogue de bandes sonores du compositeur primé. Créés en étroite collaboration avec Clint et son équipe, les arrangements pour piano solo sont accompagnés d'introductions à certains films, offrant un aperçu inspirant de la production des bandes originales du point de vue du compositeur et du réalisateur . Ce folio exclusif comprend également une préface spécialement écrite par Clint lui-même.
Aftermath
An End, Once And For All
Death Is The Road To Awe
[exeunt]
First Movement
The Last Man
Leaving Earth
Lux Aeterna
Memories (Someone We'll Never Know)
The Night Cafe
The Painter On His Way To Work On The Road To Tarascon
Perfection
Summer Overture
A Swan Song (For Nina)
Together We Will Live Forever
Waves Crashing On Distant Shores Of Time
We Are All Stardust
Welcome To Lunar Industries
The Wrestler
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

A collection of pieces, all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips, performance notes and a simple, but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs. / Niveau : Facile / Recueil / Flûte Traversière

Par LEVY J. / MARGOSHES STEVE. Fame: The Musical has been dazzling audiences since its debut in 1988. Originally based off the award-winning 1980 movie, then a long-running television series and even a reality show, the musical follows the lives of a group of aspiring entertainers at New York's High School for Performing Arts. Catchy songs and spectacular dance numbers fill the Broadway hit that has now been produced in nearly 25 countries worldwide. This summer, Fame: The Musical began a new run at the prestigious Shaftesbury Theatre in London's West End. Alfred now introduces hit songs from the Fame: The Musical soundtrack. All songs include lyrics, melody line, and chord changes with professionally arranged piano accompaniment. Titles: Prologue: Pray I Make P.A. * Hard Work * I Want to Make Magic * There She Goes!/Fame * Let's Play a Love Scene * Mabel's Prayer * Think of Meryl Streep * Dancin' on the Sidewalk * These Are My Children * In L.A. * Let's Play a Love Scene (Duet) * Bring on Tomorrow * Fame. / Miscellaneous, Scores, Songbooks / Recueil / Guitare, Piano et Voix

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title 'Embryons desséchés? (Dessicated Embryos)(BA 10811). The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) (BA 10849) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The notation without barlines, the 'stories' beneath the music and the spoofsof well-known pieces of music, most strikingly the Funeral March from Chopin's Piano Sonata in B minor, make the work a barrel of musical fun. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness. These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie's French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes. / Piano