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Vivaldi
PIANO
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Violon, Cordes et Basse Contin… (355)
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CD (12)
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2 Trompettes, Cordes et Basse … (8)
2 Violons, Violoncelle et Orch… (8)
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String Trio: 2 violins, cello (8)
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Exemplaire Complet (6)
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Tenor Saxophone (6)
Flûte à Bec F1, 2 Violons et… (6)
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Basse En Bb Et Piano (Orgue) (6)
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Book (5)
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Voice solo (5)
Flautino, 2 Violons, Alto, Cla… (5)
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2 Mandolines et Orchestre d'In… (5)
Descent (Soprano) Recorder, Pi… (5)
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Organ, Trumpet (duet) (4)
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Nursery rhyme (4)
2 Mandolines et Guitare (4)
Tuba Solo (3)
Choeur Mixte (SATB), Cordes et… (3)
2 Cellos (duet) (3)
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Contralto Et Basse Continue (3)
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Dulcimer (3)
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Violin, Violoncello and Double… (3)
Choral TTBB (3)
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Soprano voice (3)
High voice (3)
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Biography (3)
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2 Violons et Orchestre à Cord… (3)
Banjo (3)
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2 Choeurs SATB, Cordes et Orgu… (2)
2 Voix Femmes/Orchestre à Cor… (2)
Harpsichord (2)
Voice and Orchestra (2)
Violoncelle, Orchestre à Cord… (2)
Partition d'Ensemble (2)
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Contreténor et Orchestre à C… (2)
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Voix, 2 Violons, Alto Et Basse… (2)
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Voix de femme (Soprano ou Mez… (2)
Partie de Mandoline (2)
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2 Saxophones (duet) (2)
Trompette Solo (2)
Marimba (2)
2 Flûtes Et Orchestre A Corde… (2)
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Medium voice, Piano (2)
Clavier et Piano (2)
ContreTénor et Cordes (2)
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Octavin Et Piano (Ou Clavecin)… (2)
Clarinet Ensemble (2)
Trompette et Piano ou Orgue (2)
ELECTRONIC KEYBOARD GROUPS (2)
Cordes Et Basse Continue (2)
2 Sopranos, Alto, SATB Choeur,… (2)
Basse (2 Basses) Et Piano (2)
5 Trompettes (2)
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2 Violoncelles, Basse Continue… (2)
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2 Flûtes à Bec Alto ou Flût… (2)
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Musical Awakening (2)
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2 Flutes, Piano (2)
Carte Postale (2)
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Accordion (2)
Alto Solo (2)
Orgue Sans Pédale (2)
Solistes:2 Sopranos, Alto, Ten… (1)
Chant et Réduction Piano (1)
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Orchestre à Cordes et 4 Violo… (1)
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Violon 2 (1)
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Piccolo Et Orchestre A Vent (1)
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Choeurs (1)
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Livret Italien Anglais (1)
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Clarinette Solo (1)
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Viole d'Amour (1)
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Chant (1)
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Vivaldi Haydn Accolay Violon 2Cd
Français
Piano solo
[Sheet music + CD]
ID Music
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Haydn Accolay Violon 2Cd vous retrouverez tout le talent de ce compositeur. Ecrite pour Piano cette partition a été éditée par les éditions ID Music sous le numéro YOU010. / Piano / Partition Cd
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Orlando furioso, opéra(VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavi...
(+)
Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavier
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Concierto En Re M (VIVALDI ANTONIO)
Español
Piano, Guitar (duet)
[Sheet music]
Real Musical
Par VIVALDI ANTONIO. RM154254/ Répertoire / Guitare et Piano
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The Four Seasons Op. 8/1-4 (Les quatre saisons)
Deutsch
Piano solo
Schott
Quatre saisons' Vivaldi sont parmi les plus beaux et plus largement connu pièce...
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Quatre saisons' Vivaldi sont parmi les plus beaux et plus largement connu pièces maîtres baroques. Chacun des concertos pour quatre violon est précédée par un sonnet qui caractérise la saison représentée dans le concerto. On pense que les poèmes par Vivaldi himse / Piano
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
-
Intermediate
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voice
Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit ...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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La Dorilla Rv 709 (VIVALDI ANTONIO)
Chant et Réduction Piano
-
Intermediate
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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Recueil ? Airs d?opéra (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certa...
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Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. / Date parution : 2021-11-15/ Recueil / Basse
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Johann Sebastian Bach: Complete Keyboard Transcriptions of Concertos: Piano:
Piano solo
-
Intermediate/advanced
Dover Publications
by Baroque Composers-Sixteen of Bachâ??s transcriptions for solo keyboard instr...
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by Baroque Composers-Sixteen of Bachâ??s transcriptions for solo keyboard instruments (Piano and Harpsichord) of concertos for Violin and other non-keyboard instruments by Vivaldi Telemann and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann.
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Antonio Vivaldi: Gloria RV 589: Voice
Piano, Voice
Ricordi
Ed. Critica M.Talbot - Reduction for voice and piano by Antonio Frigé-The prese...
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Ed. Critica M.Talbot - Reduction for voice and piano by Antonio Frigé-The present reduction derives from the critical edition of the score published in this catalog in 2002 (PR 1362). Although it is not possible to establish with certainty the time and the occasion for which it was composed - between the end of 1716and beginning of 1717 - the Gloria RV 589 is the best known among the works Vivaldi wrote on this subject enough to be considered the Gloria by Vivaldi.The critical edition is based on the only source available the autograph full score now kept at the National University Library of Turin Codex Giordano 32. It restores the famous Vivaldi text based on the revised criteria by the Committee of theCritical Edition. The volume includes a synthetic introduction of the historical context and a choice of the critical Notes to the musical text.
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The Four Seasons op. 8/1-4 (VIVALDI ANTONIO)
Piano solo
[Sheet music]
-
Easy
Schott
Par VIVALDI ANTONIO. Vivaldi's 'Four Seasons' are amongst the most beautiful and...
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Par VIVALDI ANTONIO. Vivaldi's 'Four Seasons' are amongst the most beautiful and widely-known Baroque master pieces. Each of the four violin concertos is preceded by a sonnet which characterises the season depicted in the concerto. The poems are thought to be by Vivaldi himself. With explanatory texts and fully coloured illustrations, the edition is aimed at young and adult pianists. The easily playable arrangements and original pieces provide an ideal introduction to this work. / Date parution : 2022-05-17/ Répertoire / Piano
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Antonio Vivaldi: The Four Seasons - Le Quattro Stagioni: Piano
Piano solo
Ricordi
Transcription for Pianoforte / Italian - English Edition-Ever since their first ...
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Transcription for Pianoforte / Italian - English Edition-Ever since their first publication in 1725 LE QUATTRO STAGIONI (The Four Seasons) have collectively been known as one of the most significant compositions by Vivaldi. Today they are without doubt the most frequently programmed of Vivaldi´s works provided here in transcription for piano solo based on the critical edition of the score by Paul Everett and Michael Talbot published by Casa Ricordi in partnership with Istituto Italiano Antonio Vivaldi Fondazione Giorgio Cini (Venice).
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Vivaldi, Antonio : Le Printemps, Extrait des concertos pour violon `Les Quatre Saisons` (Colleciton Anacrouse)
Français
Piano solo
[Sheet music]
EBR Editions Bourges
Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour vi...
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Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu?édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.
Cette ?uvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d?Antonio Vivaldi.
Le printemps est le nom que porte le concerto n° 1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.
Son introduction, comme le troisième mouvement de l'?uvre (L?Été), sont les passages les plus célèbres de cet opus.
Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L?ensemble de l??uvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :
Allegro
Voici le Printemps,
Que les oiseaux saluent d'un chant joyeux.
Et les fontaines, au souffle des zéphyrs,
Jaillissent en un doux murmure.
Ils viennent, couvrant l'air d'un manteau noir,
Le tonnerre et l'éclair messagers de l'orage.
Enfin, le calme revenu, les oisillons
Reprennent leur chant mélodieux.
Largo
Et sur le pré fleuri et tendre,
Au doux murmure du feuillage et des herbes,
Dort le chevrier, son chien fidèle à ses pieds.
Allegro
Au son festif de la musette
Dansent les nymphes et les bergers,
Sous le brillant firmament du printemps. / Classique / Transcriptions pour piano de David Neyrolles / Partition / Agrafé /
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Antonio Vivaldi: Tito Manlio RV 738: Voice
Piano, Voice
Ricordi
Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed...
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Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa a dramma per musica in three acts by Scipione Maffei with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona which took place on 6 January 1732 during theCarnival season elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer.
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Easy Concert Pieces
Violin and Piano
[Sheet music + CD]
-
Easy
Schott
16 Famous Pieces From 4 Centuries. La série \' Easy Concert Pieces \' contient ...
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16 Famous Pieces From 4 Centuries. La série \' Easy Concert Pieces \' contient des pièces d\'un niveau facile à moyennement difficile issues d\'époques musicales variées, du baroque à la musique moderne, et ordonnées soigneusement suivant des aspects techniques et musicaux. Les pièces sont conçues pour les cours et sont particulièrement adaptées à des auditions dans des écoles de musiques, des concours et des examens, mais elles se prêtent également à la pratique à la maison. L\'étude des pièces est facilitée par le CD joint. Le volume 3 (moyennement difficile) nécessite de pouvoir jouer sur les quatre premières positions. Les exigences en matière d\'aisance, de technique d\'archet et de musicalité sont plus hautes. En plus d\'oeuvres connues comme le célèbre Air de Bach et le largo de l\'opéra \' Serse \' de Haendel, ainsi qu\'un mouvement des \' Quatre Saisons \' de Vivaldi, on y trouve aussi des mouvements de concertos et de sonates de Küchler et Fiocco, de même que des compositions romantiques peu connues de Rieding et Trowell. L\'époque moderne est représentée par deux très beaux mouvements d\'Hermann Schroeder sur le thème des \' Quatre Saisons \'. Les jeunes violonistes auront particulièrement de plaisir à jouer ces quatre pièces dans un style pop qui clôturent le volume. / Niveau : Facile / Recueil / Violon et Piano
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
(+)
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Easy Concert Pieces 3
Violin and Piano
[Sheet music + Audio access]
Schott
16 Famous Pieces from 4 Centuries. Par . La série « Easy Concert Pieces » con...
(+)
16 Famous Pieces from 4 Centuries. Par . La série « Easy Concert Pieces » contient des pièces d?un niveau facile à moyennement difficile issues d?époques musicales variées du baroque à la musique moderne et ordonnées soigneusement suivant des aspects techniques et musicaux. Les pièces sont conçues pour les cours et sont particulièrement adaptées à des auditions dans des écoles de musiques des concours et des examens mais elles se prêtent également à la pratique à la maison. Toutes les pièces sont sur le Download y compris en play-back. Le volume 3 (moyennement difficile) nécessite de pouvoir jouer sur les quatre premières positions. Les exigences en matière d?aisance de technique d?archet et de musicalité sont plus hautes. En plus d??uvres connues comme le célèbre Air de Bach et le largo de l?opéra « Serse » de Haendel ainsi qu?un mouvement des « Quatre Saisons » de Vivaldi on y trouve aussi des mouvements de concertos et de sonates de Küchler et Fiocco de même que des compositions romantiques peu connues de Rieding et Trowell. L?époque moderne est représentée par deux très beaux mouvements d?Hermann Schroeder sur le thème des « Quatre Saisons ». Les jeunes violonistes auront particulièrement de plaisir à jouer ces quatre pièces dans un style pop qui clôturent le volume. / Date parution : 2023-01-24/ Recueil / Violon et Piano
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The Four Seasons Op. 8/1-4 (Les quatre saisons)
Piano solo
Schott
Vivaldi and # 8222-quatre saisons and # 8220 - c'est l'un des plus célèbres et...
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Vivaldi and # 8222-quatre saisons and # 8220 - c'est l'un des plus célèbres et les plus belles oeuvres de la période Baroque, consistant en des quatre Violinkonzerten. Chaque concert est précédé, par un sonnet de Vivaldi lui-même était le la / Piano
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Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
Piano, Voice
[Vocal Score]
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Easy
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The ...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi?s La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant?Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant?Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.
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Antonio Vivaldi: Stagioni(4)(Heumann) (Engels: Piano
Piano solo
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Easy
Schott
Vivaldi's 'Four Seasons' are amongst the most beautiful and widely-known Baroque...
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Vivaldi's 'Four Seasons' are amongst the most beautiful and widely-known Baroque master pieces. Each of the four violin concertos is preceded by a sonnet which characterises the season depicted in the concerto. The poems are thought to be by Vivaldi himself. In an easy arrangement for piano.
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Antonio Vivaldi: Easy Vivaldi Piano Duets: Piano Duet: Instrumental Album
1 Piano, 4 hands
[Sheet music + CD]
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Intermediate
Spartan Press
Extracts-A selection of the wonderful Baroque works of Antonio Vivaldi featurin...
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Extracts-A selection of the wonderful Baroque works of Antonio Vivaldi featuring extracts from The Four Seasons arranged as accessible Piano Duets by Mark Goddard.Suitable for performers of standard grade 3-5 the book is complete with a CD containing demonstration performances as well as separate recordings of both primo and secondo parts for a CD-accompanied solo performance.
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Piano Solos For All Seasons
Piano solo
[Sheet music]
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Intermediate
Amsco Wise Publications
Piano Solos For All Seasons brings the intermediate pianist over 40 exciting pie...
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Piano Solos For All Seasons brings the intermediate pianist over 40 exciting pieces to play whatever the time of year! This collection of solos inspired by the seasons includes music from Vivaldi's The Four Seasons, Mendelssohn's A Midsummer Night's Dream, Debussy's Children's Corner and Handel's Messiah.
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Vivaldi/4 Sonatas - Urtx (VIVALDI ANTONIO)
Piano solo
[Sheet music]
Faber Music Limited
Par VIVALDI ANTONIO. With a variety of musical styles ranging from classical and...
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Par VIVALDI ANTONIO. With a variety of musical styles ranging from classical and jazz through to showtunes and popular songs, this is a collection that will bring enthusiasm to learning the Piano and provide an entertaining alternative for those pupils who are working towards, or have recently completed Grade 4. Each piece offers suggested fingering, dynamics and tempo together with technical tips and performance notes./ Répertoire / Piano
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