La collection actuelle de modifications importantes d'un ' Faits saillants ' pour piano à quatre mains comprend dans ONU existants éducatif travaille du déluge dans jusqu'à présent comme un écart comme ils ont cherché, les qualités pédagogiques de tels ou d'arrangements doit / Piano 4 Mains

La voix, la mélodie, le mouvement... Ces trois mots m'ont inspirée pour cette aventure - les réunir ! J'ai exposé dans ce volume ma version personnelle des airs d'opéra : tout en gardant ma propre lecture, je les ai adaptés à la carrure des exercices (le nombre pair des phrases de 8 mesures dans la plupart des cas). Les morceaux sont présentés dans l'ordre correspondant au déroulement d'un cours de danse le plus courant. Précédés d'une introduction stylisée, ces extraits peuvent aider les élèves à revivre le contenu émotionnel de la mélodie et de l'exprimer au travers des mouvements de la danse. Observer comment la parole chantée influence l'expressivité du mouvement, lire l'émotion provoquée par la tonalité et la dynamique du morceau sur les visages des élèves - c'est la plus belle récompense de cette belle aventure ! Natalia Flament

Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac and Halevy who wrote the libretto) had been to transform the flaccid moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work and he seems to have suceeded in Carmen. Each character has a musical significance and a unique expressive idiom the ultimate example being the dangerous exotic sensual Carmen herself depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. Ina classic plot device she is contrasted with the 'good girl' of the opera Micaela whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature. Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession. This is the Schirmer edition of the Vocal Score with an English translation by Ruth and Thomas Martin.

The libretto for this work by playwright Henri Meilhac and journalist Philippe Gille is based on L'histoire du Chevalier des Grieux et de Manon Lescaut by Abbé Prévost. Retaining the novel's eighteenth-century setting Massenet's opera offers noisy crowd scenes passionate duets and tense melodramas which certainly pleased the Opera-Comique's patrons - it was an instant popular success. This is the Schirmer edition of the Vocal Score with an English version by George and Phyllis Mead.

Operatic Arias - Vol. 1-Operatic Arias Based on the Opera Omnia Rameau (OOR)This volume contains the first half of the great monologues arias and ariettas for lyrical soprano from the following operas by Rameau:Acanthe et Céphise (Céphise)Anacréon (Chloé)Castor et Pollux (Téla re)Dardanus (Iphise Vénus)Les Fêtes de l?Hymen et de l?Amour (Memphis Orie)Les Fêtes de Polymnie (Hébé Argélie)Les Fêtes d?Hébé (Iphise)La Guirlande (Zélide)Hippolyte et Aricie (Aricie)The second half of the numbers for lyrical soprano has been published in volume 2 (BA 9192).With a detailed historicalintroduction (Fr/Eng)Idiomatic piano reduction based on the Opera Omnia RameauEach number is introduced by a brief account of the dramatic situation and an English translation of the vocal textCo-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau

Opera in three acts-Handel?s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and this vocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

Songs include: Ah la paterna mano Bella siccome un angelo Celeste Aida Che gelida manina! Di quella pira Donna non vidi mai E lucevan le stelle Ecco ridente in cielo La donna è mobile Largo al factotum Nessun dorma Non piangere Liù Parvi veder le lagrime Pourquoi me réveiller Quando le sere al placido Questa o quella Recitar!...vesti la giubba Recondita armonia Spirto gentil Una furtiva lagrima.

E-Z Play Today Volume 195-E-Z Play Today 195: Opera Favorites features 30 selections from operatic masterpieces arranged specifically for the Organ Piano and Electronic Keyboard.Written in big note format E-Z Play Today 195: Opera Favorites includes pieces from La Bohème La Traviata Carmen The Magic Flute and many more. Featuring an innovative registration number system musicians are able to match registration numbers on the songs with corresponding numbered categories allowing them to select and activate the appropriate sounds on their instrument.