For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.

Underwood is just one of the beautiful tracks from Italian composer Ludovico Einaudi's album In A Time Lapse released on January 21 2013.Once again Einaudi finds beauty insimplicity with Underwood being a minimalistic embodiment of a lazy day through a rainy window.

Un court trio à cordes commandé par le City of London Sinfonia en 2021. / Partitions classique / Cordes / Autres cordes frottées / CHESTER MUSIC

Par REID ELLEN. Commissioned by violinist Jennifer Koh for her Alone Together micro commissions project this miniature for solo violin is a lovely addition to the canon. / Date parution : 2023-07-31/ Répertoire / Violon

Par VOLANS KEVIN. Based on material from the South Africa-born composer?s 1997 Cello Concerto, this advanced-level solo piece creates the effect of two voices in dialogue. Its single movement is made up of a series of contrasting episodes in the manner of a set of variations and lasts around 10 minutes. This version of the piece was composed for violinist Darragh Morgan and first performed in 2021. / Date parution : 2022-04-01/ Répertoire / Violon

A Song Of Departure. Composed for the Schubert Ensemble?s farewell tour and modelled on ?Abschied? from Schubert?s Schwanengesang, this four-minute piece gives each player a brief solo before the work?s close. A light-hearted piece that is ideal for the end of a concert programme or as an encore.

Walk-Sonata. For solo violin. The original music Walk for one dancer and violinist was commissioned by Compagnie Trans. The four pieces that compose this sonata are from the performance piece Laurence Marthouret choreographed for a dancer and a violinist, entitled Walk, and interpreted by Sona Khochafian in 2001. The project originated from a shared conception of the two art forms, an equal collaboration between choreographic and musical composition. Its central idea was to utilize Laban?s choreographic notation system, which accompanies and parallels the musical notation, allowing for an extreme precision in the playing out of the dance-music relationship. Largely cut and recomposed to arrive at this concert version, Walk-Sonata still maintains its four discreet parts, the four sides of a square of the choreographic composition and is therefore strongly linked to the original choreography. This is discernible not only in the formal four movement structure, but also in the music's multiple rhythms, dynamics and phrasing, which are consistently, if not tightly, joined to the dance gesture. Walk-Sonata is dedicated to Sona Khochafian and Laurence Marthouret.

This reflective and narrative solo violin work was written for Mari Samuelsen and appears on her album, Mari, released by Deutsche Grammaphon.

String Quartet No.10 is a delightful piece expertly composed by Kevin Volans in memory of his brother. This fantastic collection includes parts for Violin I and II Viola andCello.Kevin Volans is the best known South African composer active today with well over 50 published composition.

Calices was commissioned by Fundación Albéniz for the Escuela Superior de Música Reina Sofia Madrid.

Four Pieces from Michael Nyman's score to the film 'The Piano' arranged for Piano Trio. Score and Parts.

In February 2005 the Music Sales Group presented a concert of music for the Violin at the Wigmore Hall London to launch the Wigmore Hall New Music Fund set up to promote the commissioning and performance of new works for theimportant international recital venue. This title contains works from that performance by fourteen of the very best contemporary composers including Philip Glass Kaija Saariaho and Peter Maxwell Davies as well asworld premieres from Joby Talbot Craig Armstrong John Tavener and Judith Weir. The pieces in this programme have been specially selected for their accessibility making this folio suitable for players of a wide rangeof abilities from elementary level (1st to 3rd position only) to shorter but more challenging adventurous and unusual works. The set as a whole represents the large amount of variety and character alive in today's top-levelcomposition. An excellent repertoire source that is fresh exciting and highly accessible.

A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.'Davies's dancing concerto imagines the fiddler following a route from field to field from dance to dance accompanied by a bunch of companions in the form of an orchestra. As the music goes on so it gets brighter and livelier moving from the dark colouring of clarinets bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion as if the dancers as much as the fields were beginning to glow with new life.Score(miniature). Duration c. 20mins.