Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott is undoubtedly best known for the solo Piano piece Lotus Land which is transcribed here for two Pianos. LotusLand seems impossibly modern for 1905 and additionally possesses a preternatural sense of jazziness. It has been recorded over fifty times both in its original form for Piano and in a wide variety of arrangements from vocals to jazz groups and from Brass bands to Synthesizer. Later Scott also wrote a poem with the same name.

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso Andante Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo cadenza Con spirit) are published here with a Piano reduction of the orchestra accompaniment.Complete performance time of the entire piece is approximately 20 minutes.

Arrangement and Orchestration by Andrea Cappellari. Full score and 25 parts: 1) C Instr.(Flute) / 1) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 2) C Instr.(Flute Violin Oboe) / 2) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 3) C Instr.(Violin) / 3) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 4)r.(Violin) / 4) Bb Instr.(Alto Sax.) / 5) C Instr.(Violin) / 5) Eb Instr.(Alto Sax.) / 6) C Instr.(Violin Viola) / 6) Bb Instr.(Clarinet) / 6) Eb Instr.(Alto Sax.) / 7) C Instr.(Violin Viola) / 7) Bb Instr.(Clarinet) / 7) Eb Instr.(Alto Sax.) / GuiPiano 1 / Piano 2 / Piano 2 (Easy version) / Bass Cello Bassoon / Bass (Easy version) / Hi-hat Bass drum / Guiro Snare drum / Bongos /Four hands Piano ad libitum. Performance possible also without Piano

arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.

Classic hymns have been arranged for the flexible “Sounds of” series. For solos and ensembles this collection brings together great hymns of the faith. Whether it's a soloist using a book (accompanied by piano orfully-orchestrated accompaniment track) or two three four players...or a full orchestra Sounds of Worship is a uniquely flexible idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mixand match lines with different instruments and combinations of players. Available: Conductor's Score (with Acc. CD) Flute Oboe Trumpet Clarinet Trombone Horn Alto Saxophone Tenor Saxophone Violin Cello Bass/Tuba Percussion Piano/Rhythm Accompaniment CD.

Arrangement and Orchestration by Andrea Cappellari. Full score and 21 parts: 1) C Instr. (Flute Violin Oboe) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet SopranoTrumpet) / 4) C Instr. (Violin) / 4) Eb Instr. (Alto Sax.) / 5) C. Instr. (Violin Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Glockenspiel / Guitaro 1 / Piano 2 / Bass Cello Bassoon / Timpani / Percussions / Four Hands Piano ad libitum. Performance possibile also without Piano.CarolOf The Bell: Full score and 24 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2)tr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin Viola) / 4) Bb Instr. (Clarinet) / 5) C Instr. (Violin Viola) / 5) Eb In

Created in 1947 as part of the four exam pieces for the Paris Conservatoire this Sonate for Oboe and Piano is one of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ravel and Claude Debussy with an idiosyncratic way of writing. Sonate was part of the compositions that were later disowned by the composer who considered them as being not mature enough compared to his main work even though they were played and enjoyed regularly all over the world. This duet integrates a variety of contrapuntal procedures which were highly appreciated by the composer. Composed of threemovements the first one begins with an austere canon while the latter two comprise more texture. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Cello concerto Tout un monde lointain (A whole distant world) the Violin concerto L'arbre des songes (The tree of dreams) and the string quartet Ainsi la nuit (Thus the night).

16 Easy to Intermediate Pieces from 18th-century France-16 easy to intermediate pieces from 18th-century France for violin (flute or oboe) keyboard and optional cello (bassoon). These popular airs and dances by composers such as Boismortier Chédeville Destouches Grétry Marais Montéclair and Mondonville derive from the court countryside and theatre.

Two pleasant and pastoral movements by Christopher Le Fleming that may be played with Violin Flute or Oboe as the soloist with a full Piano accompaniment. A bass-clef version is available with the Cello as the soloist itemcode number CH56275-01.

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.During the late 1920s and early 1930s Scott recorded several of his own pieces on Piano roll. Composed in 1908 for solo Piano  DanseNegre was recorded on October 4 1928.Danse Negre is a lively little piece with a performance time of approximately 2 minutes a perfect addition to any pianists repertoire!

Easy Piazzolla is a collection of straightforward transcriptions of the most celebrated pieces by the Argentine composer. Each volume is aimed at a specific instrument (violin, cello, flute/oboe, clarinet, E b sax, B b sax, trumpet) and offers a fairly accessible solo part to be played along with a full orchestral arrangement provided in the enclosed CD. This book, complementing the series, condenses for the keyboard such meticulous orchestrations and allows the soloists to perform in duo with a piano accompaniment. It is therefore suitable to be used with all the instruments featured in the Easy Piazzolla series. / Piano

For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (Violin Viola) / 4) Bb I(Clarinet) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Flute Violin Oboe) / 7) Bb Instr. (Clarinet Soprano Sax.) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin ) / 8) Bb Instr. (Clarinet Soprano Sax.) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Snare drum /Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.