Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century the compositions reveal extraordinary lyricism imagination and individual interpretation of the concerto form.Complete and unabridged edition.

Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'.   This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.  

Niccolo Paganini's Terzetto for Violin Cello and Guitar. Volume 4 of the Erwin Schwarz-Reiflingen arrangements series.

For amplified Cello and two Percussion. Impact had its premiere in January 2006 in New York City as part of 21st Anniversary of Peridance Ensemble.

Le dernier volume de la série contient pas trop longues oeuvres romantiques arrangé pour quatre plus cellos.In à deux oeuvres chorales et orchestrales de Liszt funéraire mars par Tchaïkovski, pièces pour piano connues de Schumann, Chopin et Liszt a servi de bases pour ces place des modalités quatre parties diffèrent dans leur degré de difficulté: les supérieures se situent plus élevé, tandis que ceux du bas sont plus faciles, jouable au niveau des classes supérieure en école de musique. / Violoncelle

Schirmer's Library of Musical Classics Vol. 2135-In 1839 Friedrich August Kummer (1797-1879)  wrote Violoncelloschule für den ersten Unterricht(Violoncello School for Preliminary Instruction) Op. 60. The method has remained a staple ofteaching literature ever since.As an appendix to this work Kummer composed several duets of increasing difficulty that can be paired with the topics and exercises learned in the lessons. As cello technique changed duringthe nineteenth century several cellists (Friedrich Dotzauer Bernhard Romberg and Leo Schulty) added other duets bringing the total to 110. Selected Pupil/Teacher Cello Duets contains the first 85collected in the 1900 Schirmer edition of these etudes extracted to be used in lessons to enforce technical and musical issues as they arise.

Artiste: Arpad Pejtsik. The latest volume in this popular series expands the repertoire of intermediate violoncello pupils with some unusual transcriptions. This time the editor, Árpád Pejtsik, has arranged Ave Maria settings (one song and three choral works) for four cellos. The first is a classical music hit, Schubert's Ave Maria. Next is the transcription of a little-known piece from Liszt's vast output, an item from his 1879 choral work Rosario, followed by an arrangement of the first of Verdi's Quattro pezzi sacri, famous for being based on an ''enigmatic scale'' (scala enigmatica). The volume concludes with another evergreen, the Ave Maria from Rachmaninoff's All-Night Vigil. Rather than testing the players' virtuosity, these slow-moving, contemplative pieces serve more to improve intonation skills as well as a sense of form and proportion. The editor has added suggested fingerings and bowings in order to help with the music's appropriate interpretation. / Niveau : Intermédiaire à Avancé / Classique / Recueil / 4 Violoncelles

Eine Violoncelloschule für Kinder ab 4 Jahren. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. Bärenreiters Saßmannshaus - Das Standardwerk Für Junge Streicher. Früher Anfang Auf Dem Cello (Neugestaltung 2008)/ Méthode / Violoncelle

für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.