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Concert
VIOLIN - FIDDLE
Cello, Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Oscar Rieding: Concert B Opus35: Cello: Instrumental Work
Cello, Piano
Barenreiter
For the first time the series ?Bärenreiter?s Concert Pieces? presents arrangeme...
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For the first time the series ?Bärenreiter?s Concert Pieces? presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently. Further volumes are planned.Since concerto op. 35 only employs the first position it is suitable for beginners and young students. The piece has been transposed to make it easier to play.The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.
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3 Pie`Ces De Concert
Cello, Piano
Bote and Bock
Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks...
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Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks komponierte sie in seinen frühen Pariser Jahren für den ehemaligen Solocellisten des Königlichen Concertgebouw Orchesters, Gérard Hekking, der seit 1927 am Conservatoire lehrte. Der erste Satz variiert ein raffiniert-schlichtes eigenes Thema und bleibt dabei, trotz aller virtuosen Capricen, immer nonchalant. Der langsame zweite Satz ist eine melancholische Romanze über Blues-Harmonien, und der dritte ein Perpetuum mobile - ein Satztypus, den zur selben Epoche etwa auch Maurice Ravel in seiner Kammermusik ähnlich verwandte.Laks schuf von seiner für Violoncello und Klavier vorgesehen Komposition auch eine Fassung für Violine und Klavier - lange verschollen, wurde sie vor wenigen Jahren für die CD-Einspielung bei eda records rekonstruiert / Violoncelle Et Piano
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Antonio Vivaldi: Six Great Cello Concertos: Cello: Instrumental Album
Cello, Piano
[Sheet music]
Ricordi
Six Great Cello Concertos by Antonio Vivaldi for Cello and Piano. Performing edi...
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Six Great Cello Concertos by Antonio Vivaldi for Cello and Piano. Performing editions by Raphael Wallfisch and reduction of orchestral material by John York.
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Easy Concert Pieces
Cello, Piano
[Sheet music + CD]
-
Easy
Schott
For use in lessons or for your first concert performances - Easy Concert Pieces ...
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For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano
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Parabola concertante (SHCHEDRIN RODION)
Cello, Piano
Schott
piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans...
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piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example “Music from afar” for 2 bass recorders, or “Balalaika” for a solo violin playing pizzicato throughout. This predilection for the unusual leads the composer in “Parabola concertante” with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg./ Répertoire / Violoncelle et Piano
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Concert Favourites: Cello: Mixed Songbook
Cello, Piano
-
Advanced
Schott
The Finest Concert and Encore Pieces-Skilfully selected encore pieces add a spec...
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The Finest Concert and Encore Pieces-Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in a successful concert. The well-known performer and cello educationalist Prof. Maria Kliegel has selected encore pieces for every occasion with works by Senaillé Chopin Schubert Tchaikovsky Saint-Saens Glasunov Debussy and of course David Popper (including 'Gnome's Dance' and 'L'Andalouse' from Op. 54). A treasure chest for every cellist!
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François Couperin: Pièces En Concert: Cello: Instrumental Work
Français
Cello, Piano
[Sheet music]
Leduc, Alphonse
Initially written by Couperin this set of Pièces En Concert was reviewed and...
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Initially written by Couperin this set of Pièces En Concert was reviewed and commented by Paul Bazelaire a professor at the Paris Conservatoire. This Cello and Piano version written for intermediate or upper intermediate players includes 5 pieces: - Prélude - Sicilienne - La Tromba - Plainte - Air de Diable Written in increasing difficulty these pieces also exist in a version for Cello and String Quartet. François Couperin is a very famous French composer who played the Harpsichord and the Organ. Coming from afamous family of musicians he was nicknamed “Couperin le Grand” ('Couperin the Great').
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Easy Concert Pieces Band 3
Cello, Piano
[Sheet music + CD]
-
Easy
Schott
For use in lessons or for your first concert performance - Easy Concert Pieces f...
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For use in lessons or for your first concert performance - Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position). Besides original compositions by Bréval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango. Recordings and backing tracks for all the pieces are included on the accompanying CD. / Violoncelle Et Piano
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10 Rapsodies In Concert, Cello And Piano (SCHMITZ MANFRED)
Cello, Piano
[Sheet music + CD]
-
Intermediate
AMA Verlag
Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flu...
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Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of “RAPsody“ from “Pop Music for Violin & Piano“. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violoncelle et Piano
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Xavier Montsalvatage: Sonata Concertante: Cello: Instrumental Work
Español
Cello, Piano
-
Intermediate/advanced
Unión Musical Ediciones
A Sonata Concertante for Violin and Piano by Xavier Montsalvatge.
6.99 GBP - Sold by Musicroom UK
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Concert Favourites - Violoncelle
Cello, Piano
Schott
Arrangeur : Kliegel, Maria / The Finest Concert and Encore Pieces / cello and pi...
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Arrangeur : Kliegel, Maria / The Finest Concert and Encore Pieces / cello and piano
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Paul Arma: Divertimento De Concert N°4: Cello
Cello, Piano
[Sheet music]
Editions Musicales Transatlantiques
Divertimento De Concert N°4
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Easy Concert Pieces Band 1: Cello
Cello, Piano
Schott
Easy Concert Pieces Band 1. Easy pieces from the Renaissance to the Modern Eras,...
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Easy Concert Pieces Band 1. Easy pieces from the Renaissance to the Modern Eras, carefully selected according to technical and musical demands. Includes CD of full performances. Volume 1 - 16 pieces in 1st position by Bach, Beethoven, Gretchaninoff, Heller,Schubert and more. Studio teachers will love the quality and diversity of the repertoire - kids will enjoy playing the pieces. This collection has 'fun' written all over it, but also offers serious opportunities for introducingadvanced concepts like syncopation, swing-time, and some avant-garde techniques. -American String Teacher
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Easy Concert Pieces Band 1: Cello: Instrumental Album
Cello, Piano
[Sheet music + Audio access]
Schott
Easy Concert Pieces Band 1
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Antonio Vivaldi: Concert En Mi Mineur: Cello: Score
Français
Cello, Piano
Leduc, Alphonse
Concert En Mi Mineur
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Easy Concert Pieces Band 2: Cello
Cello, Piano
[Sheet music + CD]
-
Easy
Schott
Easy Concert Pieces Band 2
16.99 GBP - Sold by Musicroom UK
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My First Concert: Cello: Instrumental Album
Cello, Piano
Schott
25 Easy Concert Pieces from 5 Centuries
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information on site
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Barraud: Piece Concertante
Français
Cello, Piano
[Sheet music]
Leduc, Alphonse
Piece Concertante
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Concert-Etude No3
Français
Cello, Piano
[Sheet music]
Billaudot
La référence GB4241 de l'éditeur Billaudot dont l'auteur célèbre est Murgie...
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La référence GB4241 de l'éditeur Billaudot dont l'auteur célèbre est Murgier Jacques, qui a pour titre CONCERT-ETUDE Nø3, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
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Etude Concert No1
Français
Cello, Piano
[Sheet music]
Billaudot
La référence GB2254 de l'éditeur Billaudot dont l'auteur célèbre est Murgie...
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La référence GB2254 de l'éditeur Billaudot dont l'auteur célèbre est Murgier Jacques, qui a pour titre ETUDE CONCERT Nø1, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Pédagogie. / Violoncelle Et Piano / Partition
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Allegro De Concert En La Mineur Op. 11
Français
Cello, Piano
[Score and Parts]
Billaudot
Cette partition ALLEGRO DE CONCERT EN LA MINEUR OPUS 11 de Davidoff Carl a été...
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Cette partition ALLEGRO DE CONCERT EN LA MINEUR OPUS 11 de Davidoff Carl a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7975. Cette oeuvre d'une durée de 00:11:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition
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Frédéric Chopin: Polonaise Brilliante Op.3 / Duo Concertant: Cello: Instrumental
Cello, Piano
G. Henle
An authoritative urtext edition of Chopin's Polonaise Brilliante Op.3 and his Du...
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An authoritative urtext edition of Chopin's Polonaise Brilliante Op.3 and his Duo Concertant for Cello and Piano edited by Ernst-Gunter Heinemann.
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Friedrich Seitz: Concerto D Major Op. 22: Cello: Score and Parts
Cello, Piano
-
Intermediate
Barenreiter
The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the ...
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The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the three-movement Student Concerto Op.22 in arrangements for viola and cello previously published for violin (BA 8979). The concertos have been transposed making them ideal for beginners and young pupils. The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.Concise forewords by the renowned string pedagogues Kurt and Christoph Sassmannshaus introduce the works and point out the relevant playing techniques required.
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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