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Dr
VIOLIN - FIDDLE
Cello
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Top Banana (COBB CELIA)
Cello
Stainer and Bell
Cello Part. Par COBB CELIA. Top Banana is a collection of 20 performance pieces ...
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Cello Part. Par COBB CELIA. Top Banana is a collection of 20 performance pieces for young string players (Grades 1–2+), for solo or group playing, composed by Celia Cobb and Naomi Yandell. Drawing on a wide range of moods and styles, the pieces are intended to inspire communicative and committed performances in any concert or exam situation. Each piece aims to capture the musical imagination and to motivate the young player to practise, play and perform. From the teacher’s perspective the pieces include clear teaching points, and incorporate a range of techniques, such as harmonics, glissandi and left-hand pizzicato, intended to encourage the student to develop good technical habits for the future, while having a considerable amount of fun along the way. The keys throughout are compatible, meaning that friends learning violin, viola or cello can enjoy playing the pieces together. / Date parution : 2021-12-09/ Recueil / Violoncelle
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Martin Norgaard: Cello Wall Chart: Instrumental Reference
Cello
[Poster]
Mel Bay
The Cello Wall Chart presents note names superimposed on an actual cello picture...
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The Cello Wall Chart presents note names superimposed on an actual cello picture allowing beginning cellists to develop a unique visual understanding of the geography of the fingerboard. The chart also includes innovative fingerpattern drawings for all twelve major scales in first position and a list of bowing terms.
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HIT SONGS - VIOLONCELLE
Cello
[Sheet music + Audio access]
Hal Leonard
Une douzaine de grands succes sont inclus dans cette collection parfaite pour le...
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Une douzaine de grands succes sont inclus dans cette collection parfaite pour les debutants. Le recueil offre un acces en ligne a des demonstrations audio et a des pistes d'accompagnement a telecharger ou a ecouter, puis a jouer ! Les chansons comprennent : Adore You (Harry Styles) - Bad Habits (Ed Sheeran) - Blinding Lights (The Weeknd) - drivers license (Olivia Rodrigo) - Kings
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Doreen Smith: Cello Sight-reading Book 1: Cello: Instrumental Tutor
Cello
Oxford University Press
A fabulous training and practice manual with one hundred melodies for Grades 1 t...
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A fabulous training and practice manual with one hundred melodies for Grades 1 to 5 by Doreen Smith. These graded sight-reading pieces for Cello are designed to provide practice material at all stages. This first book begins with the first position and covers the usual examination expectations of the earlier grades. More advanced Cello players will find more suitable exercises in the second volume.
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M. Cohen: Bags Of Classics (Grade 3-4): Cello: Instrumental Album
Cello
[Sheet music]
-
Easy
Faber Music Limited
Bags of Classics for Cello is filled with favourite melodies from famous works o...
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Bags of Classics for Cello is filled with favourite melodies from famous works of classical music arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand it introduces a wide variety of styles and sound worlds from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work sight-reading practice or just for sheer musical enjoymentContents: Allegro from Brandenburg Concerto No.3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido’s Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene’s Notebook (Anon) Papageno’s Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto No.5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from ‘The Bird’ String Quartet (Haydn) Theme from Caprice No.24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny No.40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)
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Eugène Ysaÿe: Sonate Opus 28: Cello: Instrumental Work
Cello
[Sheet music]
G. Henle
Ysaÿe’s Cello Sonata unlike its companion piece for Violin solo has ...
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Ysaÿe’s Cello Sonata unlike its companion piece for Violin solo has remained relatively unknown. All the same it merits special attention as it was written at the same time as the Violin Sonatas andhas the same superior qualities of musicianship. Our edition draws on a previously disregarded autograph manuscript from a private collection that provides interesting insights not found in the original print. To accompany thepublication of Ysaÿe’s violin sonatas which Henle has also issued in 2004 we are now offering the Cello Sonata in an urtext edition prepared by Christian Bellisario with detailed editorial comments. Abrilliant addition to the repertoire for unaccompanied String instruments.
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Mats Lidström: Ballroom Dances: Cello: Instrumental Album
Cello
CelloLid.com
Ballroom Dances (ABRSM grade level 1 - 6) is a new exciting work for cello and p...
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Ballroom Dances (ABRSM grade level 1 - 6) is a new exciting work for cello and piano from performer and composer Mats Lidström.As with Traffic Spooky Pieces and Hotel Suite Ballroom Dances makes a point of introducing less experienced players to the air of a professional recital through a corresponding piano part (full throttle!). There is passion and lyricism wide dynamic range and swift musical contrasts. All dances comply with the international rules for competitive ballroom dancing.Cover Design by Sebastian Örnemark www.ornemark.se / Drawing (Indian ink) by Per-Erik 'Pelle' Lidström.
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Abby Newton: Crossing To Scotland: Cello
Cello
[Sheet music]
-
Easy
Mel Bay
Today the cello is usually considered a classical instrument but from the late ...
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Today the cello is usually considered a classical instrument but from the late 17th to early 19th centuries it was used in folk ensembles to provide low driving rhythms for dance tunes and to render haunting Scottish airs.Within the folk music revival of the past forty years there has been a small but dedicated movement to restore the unique richness of the cello to traditional music and Abby Newton has been on the forefront of that movement. Abbyhas been deeply involved with Scottish music ever since traveling to and performing in Scotland many times. The airs planxties and reels in this book come from traditional and contemporary sources including the 18th-centuryfiddler Neil Gow harper Turlough O'Carolan Daithi Sproule David Hornung Alasdair Fraser Ronnie Aimes and others. All 19 of the tunes are written for solo cello with chord symbols included on most tunes for an accompanyinginstrument. The text also includes the author's notes on the origin of each tune.
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Méthode Vol.2 : 14 Grandes Leçons (JOUBERT CLAUDE-HENRY)
Français
Cello
Combre
Par JOUBERT CLAUDE-HENRY. Le premier volume de cette méthode s'adressait aux é...
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Par JOUBERT CLAUDE-HENRY. Le premier volume de cette méthode s'adressait aux élèves débutants - ce deuxième volume est destiné aux élèves à partir du milieu du 1er cycle. Il est divisé en 14 'grandes leçons'. Chaque leçon peut faire l'objet d'un travail d'au moins deux semaines... La leçon 13 (variations de Mozart) peut être utilisée comme une sorte de recueil d'études. Les grandes difficultés solfégiques qu'elle présente ne sont pas fortuites. Il semble indispensable que la découverte de nouveaux rythmes et de nouvelles écritures (les ornements par exemple) s'effectue au sein de la classe d'instrument, découverte portée par des textes de la plus grande qualité (Mozart...). Cette remarque s'applique également à la Siciliana de Haendel ou au Concerto per flautino de Vivaldi. L'objectif de cet ouvrage est d'enseigner à chaque élève une méthode de travail. Les quatre pages qui composent chaque leçon obéissent à une construction logique que l'auteur a cherché à rendre perceptible. Tous les doigtés ne sont pas indiqués - apprendre à trouver de bons doigtés est une formation indispensable dès le début des études instrumentales. L'invention est un fil conducteur important de cette méthode. Redisons-le : il ne s'agit pas de récréation, mais d'un élément fort et fondateur de l'éducation musicale et technique d'un violoncelliste. Ainsi chaque leçon propose : - un prélude, dont il faut inventer tout ou partie, - un exercice d'invention. On trouvera quelques conseils destinés aux élèves, sur les coups d'archet, les doigtés, les démanchés, etc. - ils ne peuvent en aucun cas remplacer ceux du professeur... On a préféré commencer par l'extension arrière du premier doigt, plus aisée, peut-être, que l'extension avant pour laquelle toute la main est sollicitée. Mais le professeur pourrait inverser les leçons 2 et 3... Un grand merci à Sébastien Robert qui enseigne le violoncelle au Conservatoire du Pays de Montbéliard et dirige l'Académie musicale de Lunéville. Il a relu ces pages, exprimé d'utiles appréciations, proposé de bons doigtés, et donné à l'auteur de très précieux conseils. / méthode - études / Méthode / Violoncelle
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Ben Davis: Irish Folk Tunes for Cello: Cello: Instrumental Album
Cello
[Sheet music + CD]
Schott
51 Traditional Pieces-Cellist Ben Davis presents a collection of pieces for solo...
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51 Traditional Pieces-Cellist Ben Davis presents a collection of pieces for solo cello drawn from the rich tradition of Irish folk music. The collection covers a range of styles including Jigs Reels Hornpipes and Marches. The volume includes notes on the tunes and is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8.
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David Blake: Scenes Cello Solo: Cello: Instrumental Work
Cello
[Sheet music]
Novello & Co Ltd.
Written for Moray Welsh whilst still an undergraduate at York University. This p...
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Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy nostalgic a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book at its simplest is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for allits musical material to become distorted either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning' a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific this change of heart doesn't really matter.© David Blake
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Per Nørgård: Sonata No.3: Cello: Instrumental Work
Cello
Wilhelm Hansen
I - Lento II - Imposante III - Andante Programme Note In my early television rem...
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I - Lento II - Imposante III - Andante Programme Note In my early television remembrance I recall a broadcast with Samuel Beckett one of the fathers of the absurd play and drama. At one time Beckett looked the viewer (the camera) in the eye and said:'What! - is the Word'. I have not since been able to forget it obviously having borrowed this ambiguous sentence as title for this short cello sonata. The fact that it is conceived as a unity is obvious from the fact that the two outer movements are closely related. The long immediately recognizable melodic line which dominates the first movement appears in the third movement aswell first in an inverted version and then almost identical to its original appearance only shorter. In contrast the middle movement is a fast one constantly and intensely on the move with many changes of pulse and meters as well as large melodic leaps. And while the outer movements each are composed as a single melodic line the middle movement makes extensive use of the cello as a polyphonic instrument employing lots of chords double stops and flageolet effects. Per Nørgård (2010)
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Schumann R. - Violoncellokonzert A-moll Op.129 - Cello, Orchestra
Cello
Breitkopf & Härtel
Composer : Schumann, Robert Edition : Score, urtext Editor : Draheim, Joachim ...
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Composer : Schumann, Robert Edition : Score, urtext Editor : Draheim, Joachim Separate Parts available on demand
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Schumann Robert - Violoncellokonzert Op. 129 - Cello, Orchestra
Cello
[Study Score / Miniature]
Breitkopf & Härtel
Composer : Schumann, Robert Edition : Study score, Urtext Editor : Draheim, Jo...
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Composer : Schumann, Robert Edition : Study score, Urtext Editor : Draheim, Joachim Separate Parts available on demand
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Six Suites for Violoncello solo BWV 1007-1012 Set 2 Volumes (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, ...
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Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time./ Répertoire / Violoncelle
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Per Nørgård: Rhizome: Cello: Instrumental Work
Cello
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Lunar Dreams-Rhizome - Sonata No. 4 In Two Suites - Suite 1: Lunar Dreams - fo...
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Lunar Dreams-Rhizome - Sonata No. 4 In Two Suites - Suite 1: Lunar Dreams - for solo Cello. Dedicated to Jakob Kullberg. Manuscript copy.
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Patrick Burgan: Songe À La Douceur (Cello): Cello: Instrumental Work
Cello
Leduc, Alphonse
The composer Patrick Burgan and the giant of French music Henri Dutilleux formed...
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The composer Patrick Burgan and the giant of French music Henri Dutilleux formed real elective affinities with each other. Dutilleux never missed an opportunity to mention the high esteem in which he held the younger musician’s work. Dedicated to the memory of Henri Dutilleux Songe À La Douceur takes its title from the 2nd verse of 'L’Invitation au Voyage' from the 'Fleurs du mal' by Baudelaire – a poet who was a constant source of inspiration for Dutilleux. Burgan invites listeners to explore the musical universe of the French master: the numerous quotations of his work duly flagged in the score form a superb constellation that stretches from the Mystère de l’Instant to the Deuxième Symphonie via the quartet Ainsi la nuit Métaboles and the concerto for cello Tout un monde lointain. Reflecting L’Invitation au Voyage the composer follows the principle of verse and refrain and the hypnotic return of the soft chords in pizzicato echoes the famous lines: “Là tout n’est qu’ordre et beauté / Luxe calme et volupté”. This tribute in the form of a delicate alchemy combines sparkle sweetness and spirit.
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Otto M. Schwarz: Playing with the Orchestra vol. 1: Cello Solo: Instrumental
Cello
Symphonic Dimensions Publishing
The play-along book ?Playing with the Orchestra VOL. I? has been designed for fl...
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The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.
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Symphony A Minor Op. 56Scottish
Cello
Barenreiter
Mendelssohn fait sa première visite en Ecosse en 1829, il a écrit quelques Sui...
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Mendelssohn fait sa première visite en Ecosse en 1829, il a écrit quelques Suite Lequel de ses oeuvres les plus réussies, inspiré par le paysage écossais. Le 'Scottish' Symphonie ne fut achevée qu'en 1842 Toutefois, après un processus compliqué de gestation plus de 12 ans.Le travail a été accueillie avec enthousiasme lors de sa première à Leipzig cette année Mars, et une performance deuxième a eu lieu il ya deux semaines plus tard. Dans la courte période entre les deux concerts, le Mendelssohn symphonie entièrement révisée, et cette nouvelle version a été la base de la performance qui a réalisé en Juin 1842 h, à Londres. En 1843, Mendelssohn, puis la publication autorisée de l'oeuvre.Le 'Scottish', qui est souvent considérée comme la plus grande contribution de Mendelssohn à la forme symphonique, survit dans plusieurs sources et de Christopher Hogwood est nouvelle édition critique fait usage de tous ces facteurs. La préface contient des informations précieuses et décrit processus de composition de Mendelssohn à partir du 12 Impressions de première année dans sa jeunesse jusqu'à maturité à grande échelle symphonie.L'édition critique offre non seulement la version bien connue publié Autorisé par le compositeur en 1843, mais également la version de Londres de 1842. Les deux versions sont présentées dans le score et la performance dans le matériau. Mouvements 1 et 4 sont présentés à deux reprises, en 1842 et la version 1843, considérant le petit nombre de représenter ce que les changements sont rendus dans la version 1842 de Londres 2 et 3 qui est, de mouvements dans les deux bâtons partition et les parties.- Inclut la version officiel publié par le compositeur et les versions de Londres du 1er et 4ème mouvements- Avec des pages de télécopie et préface instructive et en Italiano allemande / Violoncelle
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The Piano Guys: The Piano Guys - Christmas Together: Cello Solo: Instrumental
Cello
[Sheet music + Audio access]
-
Intermediate
Hal Leonard
Cello Play-Along Series Volume 9-The Cello Play-Along Series will help you play...
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Cello Play-Along Series Volume 9-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume lets you play along with the Piano Guys! It contains ten selections from the Piano Guys' 2017 holiday album with original backing tracks created and recorded by the Piano Guys. The backing tracks are included in the price of this book. Songs include O Holy Night/Ave Maria • Mary Did You Know?/Corelli Christmas Concerto • Ode to Joy to the World • What Child Is This • Gloria!/Hark! the Herald Angels Sing • O Little One Sweet• The Little Drummer Boy/Do You Hear What I Hear • Silent Night • The Manger and The Sweetest Gift.
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Henri Dutilleux: Trois Strophes Sur Le Nom De Sacher: Cello: Instrumental Work
Cello
Heugel
Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le...
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Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok’s piece 'Music for Strings Percussion and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
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Solos For Strings - Cello Solo (First Position): Cello Solo: Instrumental Album
Cello
Rubank Publications
(piano accompaniment)Includes: Andante from Symphony No. 5 (Tchaikovsky) • ...
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(piano accompaniment)Includes: Andante from Symphony No. 5 (Tchaikovsky) • Andantino (Lemare) • Barcarolle from Tales of Hoffman (Offenbach) • Drink to Me Only with Thine Eyes • Evening Star fromTannhauser (R. Wagner) • Largo from New World Symphony (Dvorak) • Liebestraume (Liszt) • Melody in F (Rubenstein) • Nocturne (von Blon) • Swanee River (Foster) • Merry Widow Waltz(Lehar) • Volga Boatman
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Mats Lidström: Traffic: Cello: Instrumental Album
Cello
CelloLid.com
Traffic (ABRSM grade 4-8) presents exciting new pieces for cello and piano from ...
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Traffic (ABRSM grade 4-8) presents exciting new pieces for cello and piano from performer and composer Mats Lidström. These engaging works make a point of introducing less experienced players to techniques such as harmonics use of the mute playing near the bridge tremolo and glissando. The pieces contain drama passion wide dynamic range and swift musical contrasts.
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Mats Lidström: Spooky Pieces: Cello: Instrumental Album
Cello
CelloLid.com
These engaging works make a point of introducing less experienced player to tech...
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These engaging works make a point of introducing less experienced player to techniques such as harmonics use of mute playing near the bridge tremolo and glissando.Spooky Pieces (ABRSM grade 2-4) are exciting new pieces for cello and piano from performer and composer Mats Lidström. The pieces contain drama passion wide dynamic range and swift musical contrasts.
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3 Strophes Sur Le Nom De Paul Sacher Violoncelle Seul (DUTILLEUX HENRI)
Cello
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 S...
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Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok's piece 'Music for Strings, Percussion, and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night)./ Répertoire / Violoncelle Solo
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12 Hot Singles - Cello
Cello
Hal Leonard
A dozen contemporary hits are included in this collection perfect for budding in...
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A dozen contemporary hits are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Broken (lovelytheband) · Havana (Camila Cabello) · Heaven (Kane Brown) · High Hopes (Panic! At the Disco) · The Middle (Zedd, Maren Morris and Grey) · Natural (Imagine Dragons) · No Place like You (Backstreet Boys) · Shallow (Lady Gaga and Bradley Cooper) · Sucker (Jonas Brothers) · Sunflower (Post Malone and Swae Lee) · thank u, next (Ariana Grande) · Youngblood (5 Seconds of Summer). / Pop and rock / Recueil / Violoncelle
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Pat Legg: Thumb Position for Beginners: Cello: Instrumental Tutor
Cello
Faber Music Limited
Thumb Position For Beginners introduces and then reinforces this technique at th...
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Thumb Position For Beginners introduces and then reinforces this technique at the earliest possible stage in a cellist's development. Drawing on a wealth of experience with beginner cellists Pat Legg uses a wonderful array of familiar tunes and new pieces in both teacher/pupil and pupil/piano format to introduce and establish this skill.
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