Originally popularized by the Four Freshmen this iconic arrangement of the Bobby Troup song helped pave the way for a cappella vocal jazz as well as influencing the singing style of the Beach Boys.

Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA

Sarah Quartel's Snow Angel for SSAA solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling. Snow Angel is also available in a version for SATB.

Ysaye Barnwell is a member of Sweet Honey in the Rock and the unique stylings and vocal techniques of that famed ensemble are evident in this piece. “Wade in the Watah” borrows from another spiritual “Done MadeMy Vow ” and references the great Harriet Tubman as freedom's guide. The incredible train effects are amazing. The broad range of this piece which occasionally divides into six-part treble covers the full spectrum from lowD to high B! A most impressive entry for contest festival or worship. “Wade in the Watah” will leave listeners in awe!

Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

Howard Goodall's setting of Love Divine for accompanied SSAA choir uses a well-loved text by Charles Wesley.

Stephen Chatman's Sunset for SSAA chorus is an arrangement from his original set Due West for SATB chorus commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg rings specifically to a western theme. Chatman uses simple but exquisite harmonies and sustained arching melodic lines. Duration: 1:40.

The multi-national singing sensation Il Divo has wowed audiences across the world. Loosely based on their interpretation this arrangement weaves heart-breakingly beautiful vocal textures in a hypnotic fashion. Stunning!

This is a piece about discovering the power of our own voices and letting them dance – setting ourselves free exploring and learning to let go of preconceived notions of how we “should” be or “should” think.

Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

Singers can display expressiveness and beauty of phrasing in this lovely a cappella setting of the beloved English folk ballad. It tells the story of the unrequited love between Barbara Allen and Sweet William.Availableseparately: SATB SSAA and TTBB a cappella. Performance Time: Approx. 3:15.

Aejlies which means ?Holy? was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was ?Holy Ground! Holy World? referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words ?Take your sandals off your fee for the place where you are standing is holy ground!? (Exodus 3 5) which resonates with how indigenous traditions relate to nature.Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.

Dale Warland Choral Series-Now available in an SSAA edition! After an opening that evokes a confused and troubled world this work bursts into a sweeping attempt to drive the world's coldness away in favour of love. Flute part included. Also availablefor SATB. Duration: ca. 3:00.

Available for mixed chorus a cappella (divisi) or in this accompanied version (no divisi) Dan Forrest sets the well-known text by Methodist founder John Wesley. The piece is excellent for any service of renewal covenant or stewardship.