SKU: BT.WH31444
ISBN 9788759823996. International.
Pelle Gudmundsen-HolmgreenNEW GROUND GREEN 2011for Solo Voices (SATB)and String QuartetThe vocal part of NGG may be performed separately,a cappella, entitled GREEN.The vocal part of NGG also makes part of another work (in preparation),also for voices and string quartet, entitled NO GROUND GREEN.
SKU: BT.WH31444A
ISBN 9788759879078. English.
FOR VOICES (SATB)AND STRING QUARTETScore = WH31444The vocal part of NGG may be performed separately, a cappella, entitledGREEN.The vocal part of NGG also makes part of another work (in preparation),also for voices and string quartet, entitled NO GROUND GREEN.
SKU: MN.56-0101
UPC: 688670221163. Latin. John 1:14.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:31
SKU: HL.466831
UPC: 196288070597. 6.75x10.5x0.029 inches.
This beautiful anthem combines the themes of music appreciation with servitude in a truly artistic way, both musically and textually. Above those themes is also a song of praise and thanks. The optional string quartet adds more color to the piece which mirrors the prayer in the words.
SKU: BA.BA11305-90
ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.
Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.Saint-Saëns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.
SKU: MN.70-009
UPC: 688670700095. Scripture: Isaiah 53.
Passages from Isaiah 53 describe our Messiah's suffering as he restores the people of God through his willingness to bear their sins. This choral work incorporates these passages in four movements for choir, soloists, organ, and optional string quartet. This piece may be used in a variety of ways to add depth and meaning to Holy Week services. One may also add hymns or readings to make an entire Holy Week service. **Organist may play from either Full Score or Choral Score.
SKU: GI.G-10279
English. Text Source: From Incendium Amoris, Richard Rolle, ca. 1300-1349, adapt. Andrew Hawes. Text by Richard Rolle.
SKU: MN.50-1082
UPC: 688670510823.
A delightful addition to the Christmas literature, with a wonderful text by Dr. Robert Baden and music that bubbles with good cheer. Very rhythmic! It may be performed with piano alone, or with a small orchestra consisting of just a String Quartet, an Oboe (or Flute), and piano.
SKU: GI.G-6387
UPC: 785147638704. English. Text Source: Song of Daniel and Psalm 148, adapt. DCI. Scripture: Daniel 3:52–56, Psalm 148.
The string quartet parts are optional.
SKU: GI.G-8315
UPC: 785147831501. English, Latin. Text Source: Vv. 'In paradisum' Translation: Chris de Silva. Text by Chris de Silva.
This tender song of farewell incorporates Chris’ original text with a modern harmonization of In paradisum (Mode VII) in Latin. A simple, arpeggiated accompaniment reflects the compassionate comfort of this graceful song for funerals. Optional string quartet and oboe parts are available separately and add to the expressiveness of this piece. For Cantor or Solo, SATB choir, and assembly this touching original work by Chris de Silva quotes the Latin chant In paradisum and offers solace and hope for those who have suffered loss. For cantor or soloist.
SKU: GI.G-8206
UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.
With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.
SKU: GI.G-8207
UPC: 785147820703. English. Text by Liam Lawton.
Featuring images of God calling us by name as he shows his great love for us, this edition can be used at various times throughout the year. The beautiful choral harmonies can be effectively performed by an SATB choir or by a smaller group of voices. The C instrument part may be used alone or in conjunction with the string quartet parts, bringing added texture and beauty to the piece.
SKU: BA.BA11309
ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.
It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.7005304
ISBN 9790007240936. Key: D major. Language: Latin.
With a duration of about 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists; this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert's own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost. This work is now available in carus music, the choir app! Score available separately - see item CA.7005300.
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