The Vocal Score of Benjamin Britten's Cantata Misericordium Op69 for Tenor and Baritone Solo Mixed Chorus and small Orchestra. This edition contains a Piano reduction of the original orchestral material. With Latin text.

Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. Oratorio In Three Parts / Oratorio / Répertoire / Choeur Mixte

For Mixed Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for male voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

Terry Schlenker's setting of In Monte Oliveti deeply expresses the sentiments of trial and suffering found in the ancient Latin text. Long sustained lines mix with rhythmic passages creating great textural interest. The minor mode and the theme of the poetry make this a unique addition to your program. Jo-Michael Scheibe Choral Series.

for unaccompanied SATB choir. Breath of Song brings together ten exquisite works by contemporary women composers. Compiled and edited by Sarah Quartel, the collection features an eclectic mix of styles and colours.

Ever awakened from a dream and wished you could return to it? British composer Paul Ayers begins with whispering noises before divulging his text and later brings some Chinese text into the mix. His creativity earned him the winner of the North Dakota State Edwin Fissinger Composition Competition and a placement in the Jo Ann Miller Series. Great artisty emerges in this composition that works beautifully for advanced high school college and community choirs. Medium.

Christina Rosetti (1830-1894)-An evocative work for mixed choirs by Daniel Elder. This love poem is set expertly with a mixture of homophonic and polyphonic writing that provides rich texture throughout. The work features fresh harmonies and care has been taken to make each individual part interesting. A great selection for good high school choirs and above.

This disco classic has is an evergreen favourite and has featured in movies advertisments and remixes time and time again. This arrangement for mixed chorus is guaranteed to add a touch of funk to your repertoire.

With the blessing of composer Stephen Schwartz British singer Mika and pop star Ariana Grande have some fun with this humorous remix of the popular song from the musical Wicked that turns the tables to give the song a powerful anti-bullying message. Available separately: SATB SAB 2-Part ShowTrax CD.

Ecrit pour un Choeur à quatre voix mixtes et orgue, ce ' Miserere ' met en avant la supplication de cette prière, par le rythme lancinant et répétitif des basses, bientôt suivi es de l'ensemble du Choeur. La litanie, plus rapide au centre de cette pièce fait entendre la juxtaposition du texte chanté en latin et parlé en français. / Choeur Mixte Satb Et Orgue

From Antonio Carlos Jobim's 1967 album of the same name this is one of his most memorable songs a bossa nova with an enchanting mixture of major and modal harmonies and warm expressive lyrics. This accessible setting will showcase your ensemble and create a special concert moment. Available separately: SATB SAB ShowTrax CD. Rhythm parts available digitally (pno gtr b dm). Duration: ca. 4:00.

pour choeur mixte a cappella-French composer Jean-Louis Florentz (1947-2004) was a prolific student of Olivier Messiaen. Asmara composed in 1992 is an exciting addition to the choral repertoire. Florentz's music is described as having 'a strong evocative power which keeps the clarity of the French style.' Asmara named after the capital of Eritrea was commissioned by the Culture Minister and is composed for a mixed voice choir. The text is written in the native Ethiopian and a helpful pronunciation glossary is provided preceding the score. For all advanced choirs seeking to vary their repertoire Florentz'sAsmara makes for an exciting performance.

Thierry Escaich : Night?s birds - sur des textes de John Dowland Ch?urs à 4 voix mixtes et/ou piano/orgue et ensemble - Ch?urs mixtes Auteur : John Dowland Night?s Birds, pour choeur et violoncelle, prend son inspiration dans deux chansons de John Dowland : Flow my tears et Can she excuse my wrongs, mais c?est avant tout l?atmosphère sombre et désespérée du premier poème qui guide l?évolution formelle de l??uvre. A plusieurs reprises, la rythmique plus légère, ternaire et syncopée de la seconde chanson (évoquant ce monde des passions et des luttes encore possibles) tente de s?imposer comme une sorte de souvenir à peine déformé de la version initiale de Dowland, mais à chaque fois c?est pour mieux retomber dans l?univers glaçant et sans espoir de Flow my tears, son lyrisme noir obsessionnel et ses enchevêtrements de lignes descendantes souvent chromatiques. Seule la fin laisse apparaître une sorte de sérénité mêlée d?abandon comme un chant venu d?au-delà des enfers. Le style polyphonique rappelle alors celui de la Renaissance anglaise et une musique plus diatonique conclut la pièce, à peine teintée de bribes éparses du climat précédent. Le violoncelle, après avoir été souvent intégré au discours vocal, ou avoir rivalisé avec les voix dans l?aspect déclamatoire (tel un double choeur) ou encore après avoir servi de base rythmique à l?ensemble, clôt la pièce par un chant éthéré et lent, comme une lueur dans ce nocturne tourmenté. Commande de Vocello. Création du 17 août 2016, durant le Festival du Périgord Noir à Saint-Léon-sur-Vézère, par Henri DEMARQUETTE (violoncelle) et l?Ensemble Sequenza 9.3 sous la direction de Catherine SIMONPIETRI.

A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, limited vocal resources. This collection aims to provide works that are easily and quickly learnable, with few splits in voice parts. In addition, many of the pieces in the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs can be adapted to work as unison settings with accompaniment, or in other flexible forms. The New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is arranged for SATB Choir, with Organ accompaniment. / Choeur Mixte (SATB) Et Orgue