Gilliam Dona (Arngd-Edt). Par GILLIAM DONA. La pratique de vos favoris hymnes avec un accompagnateur à la maison ou dans votre studio ! Hymnes pour flûte et Piano Made Easy est une collection de quinze hymnes traditionnels arrangés pour flûte solo avec accompagnement au piano: une puissante forteresse notre Dieu - Laud tous de gloire et honneur - Amazing Grace - Christ Seigneur est ressuscité aujourd'hui - Come, Ye reconnaissants personnes et plus. Le score de flûte inclut la musique de l'hymne et une partie de descant facile qui ajoutera la variété au paramétrage de la performance. Le CD contient deux pistes d'accompagnement pour chaque hymne - la première est jouée au piano et la seconde sur l'orgue à tuyaux. La collection est parfaite pour le flutiste qui désire jouer les hymnes familiers dans le paramètre de l'église. / Niveau : Débutant / Sacred - Solos / Recueil / Flûte Traversière et Piano

16 Pieces From 5 Centuries-The ‘Easy Concert Pieces’ series presents a varied selection of easy concert pieces for flute and piano from the Renaissance Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools competitions or examinations these pieces have been ordered according to level of musical and technical difficulty:Volume 1 (ED 22925) contains very easy to easy pieces with a range of notes up to two octaves. These generally song-like and intuitively straightforward melodies require simple breathing techniques. Phrasing is supported throughout by clear and straightforward pianoaccompaniments.

20 Pieces From 4 Centuries-The ‘Easy Concert Pieces’ series presents a varied selection of easy concert pieces for flute and piano from the Renaissance Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools competitions or examinations these pieces have been ordered according to level of musical and technical difficulty:Volume 2 (ED 22926) contains easy to intermediate pieces with distinctly livelier melodies. With an extended range of notes and dynamic shading intonation becomes increasingly important. Rhythms include dotted notes syncopations and the introduction of simple ornaments which also call forcorresponding precision.

Passion Flute and five other fresh and exciting jazzy numbers in a brand new edition. Easy Flute Gig is sure to be popular with the Grade One flautist. The melodies make you want to sing and the piano accompaniments are expertly crafted. Highly recommended. Music Teacher Magazine.

Simple and approachable new pieces for flute and piano by six distinguished composers including Dodgson Horovitz Cooke Ridout plus two solo pieces by Robert Dick which introduce easy multiphonics.

The Easy Jazzy Series offers players the opportunity to play jazz at an early stage in their musical development.

Variations Partitur und Stimmen - P+St - flute and piano arranger: Callimahos, Lambros Demetrios composer: Paganini, Niccolò Éditeur: Schott Music Difficulté: easy pages: 20

13 Well-Known Melodies In Easy Arrangements. The music chosen for 'Curtain up!' ranges from the early classical period to the 20th century and includes arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart, Weber, Diabelli, Mendelssohn Bartholdy through to Tchaikovsky, Ravel and Rachmaninoff. Two lively compositions by Maria Holzeis-Augustin are also included. All arrangements are suitable as concert pieces and can be used alongside any flute tutor. Curtain up for 'Magic Flute on Stage'! - 13 easy arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart through to Tchaikovsky and Ravel - Two lively compositions by Maria Holzeis-Augustin - All arrangements are suitable as concert pieces and can be used alongside any flute tutor - Selected from the 'Magic Flute on Stage' series / Niveau : Facile à Avancé / Recueil / Flûte Traversière et Piano

15 Well-Known Melodies In Easy Arrangements. The music chosen for this book ranges from the early classical period through to the 20th century and includes Vanhal, Leopold and Wolfgang A. Mozart through Diabelli, Bruckner and Tchaikovsky, to Ravel. Two lively compositions by Maria Holzeis-Augustin are also included. All arrangements are suitable as concert pieces and can be used alongside any flute tutor. - Easy arrangements of works by Vanhal, Leopold and Wolfgang A. Mozart through to Tchaikovsky and Ravel - Two lively compositions by Maria Holzeis-Augustin - All arrangements are suitable as concert pieces and can be used alongside any flute tutor / Niveau : Facile / Recueil / Flûte Traversière et Piano

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.